Out Of This World (track)
by Marillion
Year: 1995
From the album Afraid Of Sunlight (track #5)
Listen on Spotify
Out Of This World appears on the following album(s) by Marillion:
- Afraid Of Sunlight (track #5) (this album) (1995)
- Less Is More (track #3) (2009)
- Anorak In The UK Live (track #8) (2002)
- Marbles In The Park (track #16) (2016)
- Live From Cadogan Hall (track #3) (2010)
- Brave Live 2013 (track #23) (2019)
- Breaking Records (track #25) (2015)
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Listen to Out Of This World on YouTube
Out Of This World ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
75/100  | 07/02/2024 08:22 | Pluto11 | | 76/100 |
90/100 | 01/07/2023 00:28 | aldousornette | | 78/100 |
60/100 | 02/24/2022 12:52 |  IlMala | | 73/100 |
40/100 | 07/23/2021 10:45 | fracek | | 78/100 |
70/100 | 07/10/2021 20:23 |  zwiebel | | 72/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 6% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 80.1/100, a mean average of 82.2/100, and a trimmed mean (excluding outliers) of 82.2/100. The standard deviation for this track is 17.0.
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The pierching, soaring guitar on here followed by the majestic piano-led section make this a hugely emotional track. What a voice Hogarth has too.
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