High Water (track) by Uncle Tupelo
High Water appears on the following album(s) by Uncle Tupelo:
- Anodyne (track #10) (this album) (1993)
- Live At Lounge Ax / March 24, 1994 (track #14) (2020)
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High Water ratings

where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Rating | Date updated | Member | Track ratings | Avg. track rating |
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75/100 ![]() | 01/12/2025 14:26 | Exist-en-ciel | ![]() | 76/100 |
90/100 ![]() | 06/21/2024 13:48 | ![]() | ![]() | 51/100 |
40/100 ![]() | 02/05/2024 11:58 | ![]() | ![]() | 64/100 |
70/100 ![]() | 07/23/2022 20:32 | Pluto11 | ![]() | 76/100 |
70/100 ![]() | 07/21/2022 16:49 | daCritic | ![]() | 76/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 11% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 78.7/100, a mean average of 79.6/100, and a trimmed mean (excluding outliers) of 79.6/100. The standard deviation for this track is 13.8.
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High Water comments
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One of Uncle Tupelo's calling cards was their ability to identify with the middle-class everyman, the frustration one feels at losing an economic game he never wished to participate in, as in Jay Farrar's lyrics: "You can't break even / You can't even quit the game." Farrar's singing is complemented perfectly here by Max Johnston's outstanding work on lap steel guitar. A great, and much underappreciated, song.
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