We Are Alive (track)
by Bruce Springsteen
Year: 2012
From the album Wrecking Ball (track #11)
Listen on Spotify
We Are Alive appears on the following album(s) by Bruce Springsteen:
- Wrecking Ball (track #11) (this album) (2012)
- Tampa 05/01/14 (track #23) (2014)
- Apollo Theater 03/09/12 (track #19) (2014)
- Olympiastadion, Helsinki, July 31, 2012 (track #24) (2017)
- July 4, 2012 Paris (track #25) (2022)
- July 5, 2012 Paris (track #27) (2022)
Condition: New
Condition: New
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Listen to We Are Alive on YouTube
We Are Alive ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 08/23/2025 08:51 | 13,954 | 85/100 | |
| ! | 12/01/2024 09:44 | Siromynian | 15,135 | 71/100 |
| ! | 03/22/2024 10:51 | phmusic | 62,859 | 100/100 |
| ! | 02/16/2023 23:14 | Phmus84 | 16,456 | 100/100 |
| ! | 06/15/2022 13:17 | 43,956 | 79/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 75.0/100, a mean average of 74.8/100, and a trimmed mean (excluding outliers) of 74.8/100. The standard deviation for this track is 13.2.
We Are Alive comments
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Absolutely blinding track with a huge Johnny Cash influence, it features some of Springsteen's best writing. A superb track and totally underrated.
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