Nineteen Hundred And Eighty-Five (track)
by Paul McCartney & Wings
Year: 1973
From the album Band On The Run (track #9)
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Nineteen Hundred And Eighty-Five appears on the following album(s) by Paul McCartney & Wings:
- Band On The Run (track #9) (this album) (1973)
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Condition: Used
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Condition: Used
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Condition: Used
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Nineteen Hundred And Eighty-Five ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 08/09/2025 09:51 | solunastra | 235 | 90/100 |
| ! | 06/01/2025 04:42 | Garyf1972 | 8,018 | 62/100 |
| ! | 04/11/2025 14:52 | timosbuecherei | 3,138 | 60/100 |
| ! | 02/04/2025 03:25 | AbsurdCheesecake | 1,342 | 89/100 |
| ! | 01/20/2025 13:48 |  SomethingSpecial | 2,644 | 98/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 88.4/100, a mean average of 88.0/100, and a trimmed mean (excluding outliers) of 88.8/100. The standard deviation for this track is 10.7.
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"1985 " along with "Let Me Roll It " are the two masterpieces on the album. Sonically a marvel , the dynamics of this song are epic. McCartney as Producer aces it.
Such a good finisher for such a good album !!!!
A surprising masterpiece at the end of a very average album. McCartney's vocals are different and therefore more interesting, there is a real swagger about the song and the crescendo at the end is bloody fantastic! Great use of the new electronic disco sounds too.
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