Messiaen: Complete Bird Music For Piano Solo
by Carl-Axel Dominique

Messiaen: Complete Bird Music For Piano Solo by Carl-Axel Dominique
Year: 1994
Overall rank: 9,023rd   Overall chart history
Average Rating: 
68/100 (from 5 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 1994 (164th)
Award Top albums of the 1990s (1,461st)
Award Best albums of all time (9,023rd)

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Messiaen - Complete Music for Piano Solo, BIS 3 CD set, Carl-Axel Dominique
Condition: Very Good


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Messiaen – Complete Bird Music for Piano Solo CD 1993 Classical BIS
Condition: Very Good


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Olivier Messiaen – Complete Works for Piano Vol. 1 Birdsong CD 2001 Classical
Condition: Very Good


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Messiaen: Complete Bird Music For Piano Solo rankings

Rankings summary
Overall rank: 9,023rd | 1990s rank: 1,461st | 1994 rank: 164th

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Messiaen: Complete Bird Music For Piano Solo ratings

Average Rating: 
68/100 (from 5 votes)
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10/100
 
03/19/2026 22:38 BorderFreeAndrew  Ratings distribution  15,20674/100
 
70/100
 
02/12/2026 00:35 MadhattanJack  Ratings distribution  5,81166/100
 
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01/12/2025 12:54 TonySayers61  Ratings distribution  24,35264/100
 
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03/12/2023 17:41 Igtonumama  Ratings distribution  10,78963/100
 
100/100
 
05/13/2019 10:36 mianfei  Ratings distribution  1,38662/100
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70/100
From 02/12/2026 00:56 | #313107
Olivier Messiaen was unusual, even for a 20th century composer, in that he was both a music theorist and an ornithologist. He made several compositions purporting to be transcriptions of birdsong recordings into music, mostly for piano and flute; this album contains most of his birdsong-based piano works from the mid-1950s onward, as performed by Swedish pianist Carl-Axel Dominique — who in turn is actually better-known as the husband of another Swedish (mostly jazz) musician, Monica Dominique. (No relation to NBA player Dominique Wilkins, at least not that we know of.) The recording itself, which runs to roughly 3-1/2 hours in total, is un-effected with microphones placed at a medium distance, so that it sounds more like a 1960s/1970s-era recording than a 1990s-era one (which was probably intentional). All in all, this is almost certainly the finest exemplar of ornithologically-based neo-classical piano music ever produced.
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