Automatic (studio album)
by Channel Light Vessel

Automatic by Channel Light Vessel
Year: 1994
Overall rank: -
Average Rating: 
72/100 (from 2 votes)
     
Accolades:
Award Top albums of 1994 (1,844th)
Award Top albums of the 1990s (18,630th)

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Product Details
Availability

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eBay
Channel Light Vessel - Automatic - Channel Light Vessel CD 05VG The Fast Free
Condition: Very Good


eBay
eBay
1994 1996 Channel Light Vessel (Bill Nelson) Automatic , Excellent Spirits
Condition: Very Good


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eBay
Automatic by Channel Light Vessel (CD, Gyroscope)
Condition: Like New


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Automatic track list

   The tracks on this album have an average rating of 77 out of 100 (1 out of 12 tracks have been rated).

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1.
Average Rating: 77 (1 vote)Comments: View 0
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Automatic rankings

Rankings summary
Overall rank: - | 1990s rank: 18,630th | 1994 rank: 1,844th

Automatic collection

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Automatic ratings

Average Rating: 
72/100 (from 2 votes)
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60/100
 !
4 days ago MadhattanJack   5,31265/100
 
80/100
 !
11/08/2021 08:29 Skerns   4,97880/100
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Automatic favourites

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Automatic comments

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Rating:  
60/100
From 4 days ago | #312068
Channel Light Vessel were a kind of mid-era prog/new-age "supergroup" consisting of Bill Nelson, Roger Eno, and the Dream Academy's Kate St. John, along with percussionist Larry "Laraaji" Gordon and cellist Mayumi Tachibana. There's very little singing involved though, so St. John is really just here to play sax and oboe, and what few vocal parts there are tend to be taken by Nelson, who's using a vocal tone and delivery that sounds like he's too weak or ill to get out of bed, and also about 30 years older than he actually was at the time. The songs are fairly short (the longest, "The Place We Pray For," is only 4:26 and is the only track that features a St. John vocal part); that too is probably due to Nelson's involvement. The trick with this kind of music is to somehow avoid being labeled "ambient" or "easy listening" while still providing a pleasant experience for people who don't particularly like snappy, bouncy pop music. They seem to do an admirable job of this for the most part, and of course the instrumental performances are all top-notch. The closest thing to a "rock" piece here is track 10, "Thunderous Accordions" (though that's not saying much).
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