Uncertain Weather (track)
by Genesis
Year: 1997
From the album Calling All Stations (track #8)
Listen on Spotify
Uncertain Weather appears on the following album(s) by Genesis:
- Calling All Stations (track #8) (this album) (1997)
- 1983-1998 (track #37) (compilation) (2007)
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Listen to Uncertain Weather on YouTube
Uncertain Weather ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 11/22/2025 14:41 | Exist-en-ciel | 15,341 | 69/100 |
| ! | 08/01/2025 04:15 | 33,942 | 76/100 | |
| ! | 02/19/2024 14:11 | Phmus84 | 16,456 | 100/100 |
| ! | 07/07/2023 05:12 | juanr1096 | 70,749 | 79/100 |
| ! | 04/25/2023 18:05 | 82,390 | 64/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 77.3/100, a mean average of 77.7/100, and a trimmed mean (excluding outliers) of 77.7/100. The standard deviation for this track is 15.2.
Uncertain Weather favourites
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Uncertain Weather comments
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Familiar guitar from Mike but again I like the vocals on this. The chorus is strong, good drum patterns throughout and as usual Tony excels.
Another one of the album's stronger cuts, as it introduces a lot of the familiar pop-prog elements from Genesis' highlights in the '80s. A lot here is reminiscent of the past: Banks' keyboards taking center stage, Ray Wilson alternating between loud, gritty vocals, and ominous, hushed whispers, and Nick D'Virgilio with some Phil-Collins-esque drumming. And, hey, the lyrics are actually pretty decent! Arguably the second best track on the album after The Dividing Line.
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