Paraphernalia (track) by Miles Davis
Year: 1968
From the album Miles In The Sky (track #2)
Paraphernalia appears on the following album(s) by Miles Davis:
- Miles In The Sky (track #2) (this album) (1968)
- 1965-'68: The Complete Columbia Studio Recordings (track #42) (compilation) (1998)
- Live In Europe 1969: The Bootleg Series Vol. 2 (track #22) (2013)
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Listen to Paraphernalia on YouTube
Paraphernalia ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
90/100  | 06/06/2024 02:47 |  AAL2014 | | 78/100 |
75/100 | 11/12/2023 17:30 |  Tamthebam | | 79/100 |
100/100 | 04/03/2023 20:16 | MaxStorm98 | | 99/100 |
90/100 | 01/20/2023 22:34 | Fevernova | | 82/100 |
90/100 | 10/14/2022 12:36 |  Jboy56 | | 78/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 5% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 81.2/100, a mean average of 84.6/100, and a trimmed mean (excluding outliers) of 84.6/100. The standard deviation for this track is 8.3.
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Paraphernalia comments
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AAL2014 06/06/2024 02:47
This isn’t just a showcase of how great Tony Williams was in Miles’ band. It’s a display of the respect and trust Miles had for Tony given the fact portions of this track sound like the lead instrument is drums without the form suggesting there’s “soloing” going on.
Williams is allowed to paint with massively artistic brush strokes and elevate this already wonderful piece to something much more indicative of the turning tides Davis’ band were navigating through jazz at the time.
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