Cloudbusting (track) by Kate Bush
Cloudbusting appears on the following album(s) by Kate Bush:
- Hounds Of Love (track #5) (this album) (1985)
- The Whole Story (track #2) (compilation) (1986)
- This Woman's Work: Anthology 1978-1990 (track #82) (compilation) (1990)
- Before The Dawn (track #29) (2016)
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Condition: Used
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Condition: New
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Condition: New
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Cloudbusting ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 5 ratings for this track. | Show all 408 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
90/100  | 04/18/2024 15:49 | dukeboxkool | | 75/100 |
95/100 | 04/07/2024 15:03 | JPin8497 | | 80/100 |
90/100 | 03/31/2024 19:55 |  genialbibi | | 91/100 |
95/100 | 03/13/2024 16:40 | Tuur | | 81/100 |
90/100 | 03/08/2024 22:31 |  goeie-oko | | 87/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 90.7/100, a mean average of 90.1/100, and a trimmed mean (excluding outliers) of 91.1/100. The standard deviation for this track is 12.4.
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DeusExMachia - I agree with every word.
DeusExMackia 11/18/2016 23:12
One of my absolute favorite songs of all time. The tensions that builds from those strings, those sumptuous vocals (and indeed the lyrics too), and how it all climaxes in that majestic, spellbound ending.
Bush conceptualises themes of growing up into adulthood and child-parent relations into a glorious, triumphant and ever-building baroque masterpiece.
This is the crux of Bush's talent; hints of pop, with a huge variety of influences, drawn together by her innate ability to make experimental music feel wholly accessible, and finished off with beautifully told story found in the lyrics.
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