Laura Palmer's Theme (Instrumental) (track) by Angelo Badalamenti
Year: 1990
From the album Soundtrack From Twin Peaks (track #2)


Laura Palmer's Theme (Instrumental) appears on the following album(s) by Angelo Badalamenti:
- Soundtrack From Twin Peaks (track #2) (this album) (1990)
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Rating | Date updated | Member | Track ratings | Avg. track rating |
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100/100 ![]() | 02/18/2025 14:32 | SomethingSpecial | ![]() | 98/100 |
100/100 ![]() | 01/23/2025 14:35 | ![]() | ![]() | 100/100 |
90/100 ![]() | 01/19/2025 18:54 | dukeboxkool | ![]() | 76/100 |
100/100 ![]() | 10/20/2024 12:00 | ![]() | ![]() | 76/100 |
90/100 ![]() | 09/10/2024 01:57 | ![]() | ![]() | 81/100 |
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This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 89.5/100, a mean average of 90.0/100, and a trimmed mean (excluding outliers) of 91.4/100. The standard deviation for this track is 12.2.
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I guess David Lynch adore Roxy music Avalon .The synteziser is
is like a dream on both albums and is exaktely the same on some tracks .Good taste David and Angelo

The Cm->C->E->Fm9->C->Am->F#11->Cm is probably the most emotional a simple chord progression has ever made me. So many different emotions in the span of a minute. The droning C minor section is dark and ominous, then the unexpected switch to C major brings in some hope that seemed absent before. The switch to E Lydian adds a sense of mystery and almost reverence and The F minor adds in a desolate mournfulness to the mix. After that comes the important part, possibly the most powerful chord change I have ever heard, into the C major, which is just full of beauty, as the melody sweeps above and drops below before returning and the chord switches down to A minor as the melody repeats itself but over the different chord it is so much sadder, filled with sorrow and loss, then the melody drops down into the #11 of the F major, resolving the sadness of the A minor with a kind of acceptance that still holds all the sorrow deeper beneath it. It then lingers on that before returning to the C minor where it began, bringing back that ominousness, giving the sense that, even with all that has happened, there is still more that must be done. I don't know if any of this makes sense, it probably doesn't, but this song is absolutely genius.
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