Thela Hun Ginjeet (track) by King Crimson
Year: 1981
From the album Discipline (track #5)
Thela Hun Ginjeet appears on the following album(s) by King Crimson:
- Discipline (track #5) (this album) (1981)
- Absent Lovers: Live In Montreal 1984 (track #3) (1998)
- VROOOM VROOOM (track #14) (2001)
- Park West, Chicago, Illinois, August 7, 2008 (track #18) (2008)
- Live At Cap D'Agde 1982 (track #2) (1999)
- Cirkus - The Young Person's Guide To King Crimson Live (track #2) (compilation) (1999)
- The Beginners' Guide To The King Crimson Collectors' Club (track #6) (compilation) (2000)
- Frame By Frame: The Essential King Crimson (track #27) (compilation) (1991)
- The Compact King Crimson (track #2) (compilation) (1984)
- The Collectable King Crimson Volume Two (Live In Bath, 1981 / Live In Philadelphia, 1982) (track #2) (compilation) (2007)
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Condition: Used
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Condition: Used
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Thela Hun Ginjeet ratings
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| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
75/100  | 12/05/2024 19:53 | CokeBabies | | 84/100 |
85/100 | 11/01/2024 12:28 | mash | | 93/100 |
85/100 | 06/27/2024 03:54 |  AAL2014 | | 78/100 |
85/100 | 06/01/2024 23:24 |  arturguerra | | 67/100 |
95/100 | 04/21/2024 21:50 | Pepeov | | 78/100 |
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Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This track is rated in the top 6% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 80.4/100, a mean average of 80.1/100, and a trimmed mean (excluding outliers) of 80.7/100. The standard deviation for this track is 13.4.
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Their musical mastery is unbelievable on this track. How on earth can they make something so complex sounds so catchy? I also love Belew's account of a nightly encounter. "It's a dangerous place."
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