Oftentimes, backstories leading up to an album might seem
like a necessary thing (especially so if you are the creator),
but even tho these pieces are supposed to be some kind of
emotional release of stories concerning friends who died as
a result of the Ghost Ship fire a bit over 5 years ago mixed
with LGBTQ+ issues, I'm just not hearing those stories like
some reviewers are, BUT, for me, that's not where the lovely
atmosphere of bubbles, squeaks, padded pads and enviro
recordings lead me. They use synth ostinatos inside wildly
complex sound backdrops that make you feel like a little
bubble bouncing around inside a bottle of soy cola as it
shifts your occasionally quesy mental drift towards what
comes off as a six-part suite of percolating daydreams.
It's really a beautiful ride without mighty hallucinogens.
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