I think this is my first actual release day review in a while. I'd been wanting to check out Rosalie Cunningham for a while, and what better opportunity than on the release day of her latest album. So Cunningham's latest is my first and I gotta' say I thoroughly loved this album upon first listen, even more upon the second. There's nothing overly prog on the album, but Cunningham's ingestion and regurgitation of so many genres is itself quite progressive in spirit. And what a voice! Rich and full, technically strong and captivatingly expressive, it's all I could ever want in a vocal.
I think the 1 Nov release date is a day late (at least in the US) as a number of songs on this album would go great with Halloween. At times it's like someone gene spliced Florence Welch and the steamy side of Alannah Myles and the resulting being had a love child with Alice Cooper who then decided to become a master of mixing musical modes both traditional and modern.
The Bricktionary by Boldy James & Harry Fraud
Boldy James just... keeps doing it. He keeps making good music. He's doing it. Continuously. Very cold hip-hop. Some of the year's best.
君がどんどん離...aple Fyshh
Some sort of ecstasy-laced dream after binge-drinking on a Friday night in Tokyo. Maybe the day was a myth. We do not remember.
Thumbnail. Click to enlarge.
Trumpets Of Michel-Ange by Ibrahim Maalouf
And this came out in September but slipped under the radar. (I mean, it's not even on the dude's Wikipedia page?). It's more polished than I'd like, but I'm enjoying the direction Ibrahim Maalouf is going in. That track with Trombone Shorty is a banger.
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