oh, well hello dahlings, I guess this is my log from all the nightly escapades... in music listening. Now I know at this hour we're all tired and horny so Im going to keep everything short, sweet and consice, like my... cooking, and hope we have a fun, sexy time all around while getting just a little bit more... comfortable.
Last edited by Saoirse on 11/24/2015 17:42; edited 2 times in total
So yeah basically Im going back through the 2010s and now doing 2011, so Im just going to try and glean recs from anywhere and anyhoo so if any of you lovely snookums have some hidden gems plz share 'tis starving.
Like all their records, really uneven in tone, but it's highs definitely soar as it seems to go from a stadium-thumping style to their more usually intimate singer/songwriter cracked-heart style
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Matt Christensen- The Cradle in the Bowery
Quite good, dreamy and a bit unnerving though with a rather classical songwriting style
I saw Skinny and Squishy was listening a lot to this and I both hope to get in their pants someday so I decided to listen and goddamit I hate you both so much you're fucking perfect I love you
Excellent record for Varg, somewhere between quietly unsettling and slowly mind-sawing. Pitch Paper & Foil was quite good if nothing that instantly caught the ear.
Not quite as weightless as Depression Cherry, solid songs but feels like what a decent Beach House-worshipping indie band would make instead of a leap forward for Beach House themselves. Little remarkable, but a solid listen nonetheless even if they seem to be in a bit of an artistic rut.
One of the best of the year's country more traditional records, though with a more subtly innovative touch than most of it's kind. Shaping up to be a really strong year for country all around.
Saw it on the American Songwriters list, silly pilly for being #1 but still a very strong country record. Traditional, but had a looser, blusier finale that elevated it into lots-a-promise for next time.
Re-listened to their last year's outing and now their new one. I like it, even if occasionally they seem to hold on to their many influences (namely Wire, Gang of Four) like a crutch. Still very good and gets better as they go along.
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