Chart of the day (#2252): By CryingGameDahlin

[albummaster]

Today's chart of the day

Top 100 Greatest Music Albums by CryingGameDahlin (View chart)

1. Past Life Martyred Saints by EMA (2011)
2. Rain Dogs by Tom Waits (1985)
3. Closer by Joy Division (1980)
4. Another Green World by Brian Eno (1975)
5. Elliott Smith by Elliott Smith (1995)
6. Dry by P.J. Harvey (1992)
7. You Forgot It In People by Broken Social Scene (2002)
8. Carrie & Lowell by Sufjan Stevens (2015)
9. Horses by Patti Smith (1975)
10. The Velvet Underground by The Velvet Underground (1969)
11. I See A Darkness by Bonnie 'Prince' Billy (1999)
12. The Moon & Antarctica by Modest Mouse (2000)
13. Laughing Stock by Talk Talk (1991)
14. The Milk-Eyed Mender by Joanna Newsom (2004)
15. Let It Die by Feist (2004)
16. In A Silent Way by Miles Davis (1969)
17. So Tonight That I Might See by Mazzy Star (1993)
18. Dragging A Dead Deer Up A Hill by Grouper (2008)
19. D.A.I.S.Y. Rage by Kitty (2013)
20. Searching For The Young Soul Rebels by Dexys Midnight Runners (1980)
21. The Holy Bible by Manic Street Preachers (1994)
22. The Suburbs by Arcade Fire (2010)
23. Fear Of A Black Planet by Public Enemy (1990)
24. Myrmidons Of Melodrama by The Shangri-Las (1994)
25. The Miseducation of Lauryn Hill by Lauryn Hill (1998)
26. New York Tendaberry by Laura Nyro (1969)
27. I Want To See The Bright Lights Tonight by Richard & Linda Thompson (1974)
28. You Are Free by Cat Power (2003)
29. EVOL by Sonic Youth (1986)
30. The Meadowlands by The Wrens (2003)
31. Ladies And Gentlemen We Are Floating In Space by Spiritualized (1997)
32. Hallowed Ground by Violent Femmes (1984)
33. Untrue by Burial (2007)
34. It's A Wonderful Life by Sparklehorse (2001)
35. A Blaze In The Northern Sky by Darkthrone (1992)
36. Blind Joe Death by John Fahey (1959)
37. Electric Ladyland by The Jimi Hendrix Experience (1968)
38. California by Mr. Bungle (1999)
39. Crazy Rhythms by The Feelies (1980)
40. The Blue Mask by Lou Reed (1982)
41. "Heroes" by David Bowie (1977)
42. 16 Lovers Lane by The Go-Betweens (1988)
43. Be Here To Love Me by Townes Van Zandt (2005)
44. Safe As Milk by Captain Beefheart And His Magic Band (1967)
45. Live 1981-82 by The Birthday Party (1999)
46. The Lioness by Songs: Ohia (2000)
47. Let England Shake by P.J. Harvey (2011)
48. Will The Circle Be Unbroken by Nitty Gritty Dirt Band (1972)
49. Baduizm by Erykah Badu (1997)
50. Nebraska by Bruce Springsteen (1982)
51. Horn Of Plenty by Grizzly Bear (2004)
52. The Idiot by Iggy Pop (1977)
53. Geek The Girl by Lisa Germano (1994)
54. Heaven Up Here by Echo & The Bunnymen (1981)
55. Ghosts Of The Great Highway by Sun Kil Moon (2003)
56. The Marble Index by Nico (1968)
57. Holiday In Rhode Island by The Softies (2000)
58. Metallic KO by Iggy & The Stooges (1976)
59. Learning by Perfume Genius (2010)
60. Fear Of Music by Talking Heads (1979)
61. Albert Ayler in Greenwich Village by Albert Ayler (1967)
62. Torres by Torres (2013)
63. Scott 2 by Scott Walker (1968)
64. Germ Free Adolescents by X-Ray Spex (1978)
65. Sign 'O' The Times by Prince (1987)
66. Loud City Song by Julia Holter (2013)
67. Live And Dangerous by Thin Lizzy (1978)
68. In A Priest Driven Ambulance by The Flaming Lips (1990)
69. Strange Days by The Doors (1967)
70. One Nation Under A Groove by Funkadelic (1978)
71. I Am A Bird Now by Antony And The Johnsons (2005)
72. Don't Be Scared by Daniel Johnston (1982)
73. Suicide by Suicide (1977)
74. I'm Never Gonna Die Again by These Immortal Souls (1992)
75. Teenage Snuff Film by Rowland S. Howard (1999)
76. Pygmalion by Slowdive (1995)
77. Angel Dust by Faith No More (1992)
78. Watertown by Frank Sinatra (1970)
79. Night Beat by Sam Cooke (1963)
80. Puberty 2 by Mitski (2016)
81. Kollaps by Einstürzende Neubauten (1981)
82. Metal Box by Public Image Ltd. (1979)
83. Bitte Orca by Dirty Projectors (2009)
84. Musik by Plastikman (1994)
85. Black Sabbath by Black Sabbath (1970)
86. Zen Arcade by Hüsker Dü (1984)
87. Jesus Of Cool by Nick Lowe (1978)
88. Sings by Patty Waters (1966)
89. Frenching The Bully by The Gits (1992)
90. You Got My Mind Messed Up by James Carr (1967)
91. Joyce Manor by Joyce Manor (2011)
92. The Slider by T. Rex (1972)
93. Bean Blossom by Bill Monroe (1973)
94. Moanin' In The Moonlight by Howlin' Wolf (1959)
95. Entertainment! by Gang Of Four (1979)
96. Mellow Gold by Beck (1994)
97. Songs Of Ireland by Mary O'Hara (1958)
98. A Star Is Born by Judy Garland (1954)
99. Any Other City by Life Without Buildings (2001)
100. Tangled Up by Girls Aloud (2007)

About chart of the day: The BestEverAlbums.com chart of the day is randomly selected from all charts of at least 50 entries (and divisible by ten). Charts are only selected if they have a minimum average rating of 75 out of 100 from at least 10 votes, and must have been updated in the last 180 days. In addition, a chart must allow member feedback for it to be eligible to be selected. A full history of chart of the day can be viewed here.

[drakonium]

Uh, no Beethoven? Do you even get music?

[Antonio-Pedro]

The Fact that so many users still name CGD's chart as the greatest or most influential chart only tells you how much this chart is far away from normal (non-abstract_ levels of understanding. To be fair, you have to have a pretty high IQ to understand this chart, the inside jokes are really subtle, and without a grasp of theoretical BEA aknowledge most of the choices will go over the normal visitor's head, it is something otherworldly.

And by the way I DO have a CGD Tattoo, and no you can not see it, it is for the ladies' eyes only u.u

Love this
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[pa]

CGD's chart is THE CHART

[mozzmozz]

"No albums in common" it says.

Having said that I know a lot of the artists, but chosen myself different albums by that artist. (e.g I wouldn't have put Dry as my favourite PJ Harvey album)

There's a great balance to the chart - both time-wise and genre-wise. And it gives me confidence that a lot of the albums I've not listened to might be worth playing...

I'm off to listen to Dry again, and to try out something by Erika Michelle Anderson.
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[AfterHours]

BEA users found their ideal synthesis of artistic standards with CryinGameDahlin's "100 Greatest Music Albums" chart, which straddled the border between Magnet-ian, Pitchfork-ian and AfterHours-ian (or was it Scaruff-ian?) critical standards, with a noted lack of Beethoven-ian, Bach-ian or Mozart-ian selections to contrast its already varied repertoire. The cognitive dissonance of this alone was enough to catapult the chart into one of the milestone listings of the BEA era, a thrilling post-modern-sub-human experiment that doused the minds of BEA users into unveiling their savage, primordial instincts, and their praise and discussion that followed (which could be likened to a psychoanalytic session) provided a relief from the embarrassment of scrolling through charts of smiling "Aryan" teen pop idols.
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