View previous topic :: View next topic
|
|
Author |
Message |
albummaster
Janitor
Gender: Male
Location: Spain
Site Admin
- #1
- Posted: 01/06/2018 21:00
- Post subject: Album of the day (#2580): Louder Than Bombs by The Smiths
|
Today's album of the day
Louder Than Bombs by The Smiths (View album | Buy this album)
Compilation
Year: 1987.
Country:
Overall rank: 509
Average rating: 82/100 (from 436 votes).
Thumbnail. Click to enlarge.
Tracks:
1. Is It Really So Strange?
2. Sheila Take A Bow
3. Shoplifters Of The World Unite
4. Sweet & Tender Hooligan
5. Half A Person
6. London
7. Panic
8. Girl Afraid
9. Shakespeare's Sister
10. William, It Was Really Nothing
11. You Just Haven't Earned It Yet, Baby
12. Heaven Knows I'm Miserable Now
13. Ask
14. Golden Lights
15. Oscillate Wildly
16. These Things Take Time
17. Rubber Ring
18. Back To The Old House
19. Hand In Glove
20. Stretch Out & Wait
21. Please, Please, Please, Let Me Get What I Want
22. This Night Has Opened My Eyes
23. Unloveable
24. Asleep
About album of the day: The BestEverAlbums.com album of the day is the album appearing most prominently in member charts in the previous 24 hours. If an album, or artist, has previously been selected within a x day period, the next highest album is picked instead (and so on) to ensure a bit of variety. A full history of album of the day can be viewed here.
|
|
|
|
|
HoldenM
To Pedantically Split Infinitives
Gender: Male
Age: 29
- #2
- Posted: 01/06/2018 21:44
- Post subject:
|
Compared to the other big compilation from The Smiths, Louder Than Bombs is crazy overrated. What it lacks in cohesion, it makes up for by being a near-perfect collection of songs.
Track picks
4. Sweet & Tender Hooligan
5. Half A Person
10. William, It Was Really Nothing
12. Heaven Knows I'm Miserable Now
13. Ask
24. Asleep _________________ Inversion Verses
https://thesplitinfinitives1.bandcamp.c...ion-verses
|
|
|
|
CharlieBarley
Gender: Male
Age: 48
Location: Mount Olympus
- #3
- Posted: 01/07/2018 15:16
- Post subject:
|
The album that got me into the Smiths. I had a taped copy, on cassette, and I used to cycle to College and to my part-time job, and I played it all the time, on my Walkman. There are so many good tracks. Its a really special album. I now own a vinyl copy of it.
|
|
|
|
Yann
Gender: Male
Location: France
- #4
- Posted: 01/08/2018 12:14
- Post subject:
|
Stover75 wrote: | The album that got me into the Smiths. I had a taped copy, on cassette, and I used to cycle to College and to my part-time job, and I played it all the time, on my Walkman. There are so many good tracks. Its a really special album. I now own a vinyl copy of it. |
Me too, my first Smiths album. Great band for a european teenager. Now I find Morrissey's voice monotonous. Or is it the notes themselves ?
|
|
|
|
AfterHours
Gender: Male
Location: originally from scaruffi.com ;-)
|
|
|
RoundTheBend
I miss the comfort in being sad
Location: Ground Control
- #6
- Posted: 01/09/2018 04:53
- Post subject:
|
AfterHours, if you don't mind I'll quote you and put this here. Too well written not to?
Quote: | The Smiths are black comedy and very theatrical. Their humor is also very British. Their songs generally run the gamut between Chaplin-esque comedy & sweet folly/romance (and probably literary figure(s) I'm not so familiar with) with dark undertones to them about the ultimate futility of life. Their "emotional" songs (such as I Know It's Over and There's a Light that Never Goes Out) aren't meant to be taken entirely seriously, but as partially serious/partially satirical of the "woe is me" persona we'd now call "emo". They're black comedies about the never-ending folly and futility of life/romance. Their pop songs tend to have a classicist/baroque-like perfection to them, perfectly wound like clockwork, each element progressing in a unified and effortless legato of verse-chorus-verse, wherein the chorus section seems to progress very naturally from the verse (as opposed to a more sudden, erupting cadence). The jangly guitar work tends to have an endless coloration and melodic framework and teasing or lyrical (or sometimes haunting/suspenseful) sense that is swirling among or around the singer as if a vibrant, lyrical representation of the momentum of his ideas/poetry/comedy, brightly/darkly staging or igniting the theater/scene. Hilariously, his lyrics often have amusing puns, asides, and references to the current UK, old English life and poets, etc. |
|
|
|
|
AfterHours
Gender: Male
Location: originally from scaruffi.com ;-)
- #7
- Posted: 01/09/2018 05:45
- Post subject:
|
sethmadsen wrote: | AfterHours, if you don't mind I'll quote you and put this here. Too well written not to?
Quote: | The Smiths are black comedy and very theatrical. Their humor is also very British. Their songs generally run the gamut between Chaplin-esque comedy & sweet folly/romance (and probably literary figure(s) I'm not so familiar with) with dark undertones to them about the ultimate futility of life. Their "emotional" songs (such as I Know It's Over and There's a Light that Never Goes Out) aren't meant to be taken entirely seriously, but as partially serious/partially satirical of the "woe is me" persona we'd now call "emo". They're black comedies about the never-ending folly and futility of life/romance. Their pop songs tend to have a classicist/baroque-like perfection to them, perfectly wound like clockwork, each element progressing in a unified and effortless legato of verse-chorus-verse, wherein the chorus section seems to progress very naturally from the verse (as opposed to a more sudden, erupting cadence). The jangly guitar work tends to have an endless coloration and melodic framework and teasing or lyrical (or sometimes haunting/suspenseful) sense that is swirling among or around the singer as if a vibrant, lyrical representation of the momentum of his ideas/poetry/comedy, brightly/darkly staging or igniting the theater/scene. Hilariously, his lyrics often have amusing puns, asides, and references to the current UK, old English life and poets, etc. |
|
Sure, fine with me Not intended as an extensive or detailed evaluation though -- just key, general bullet points that tend to show up in much of their best work, most prominently on The Queen is Dead. _________________ Best Classical
Best Films
Best Paintings
|
|
|
|
Yann
Gender: Male
Location: France
- #8
- Posted: 01/09/2018 07:17
- Post subject:
|
sethmadsen wrote: | AfterHours, if you don't mind I'll quote you and put this here. Too well written not to?
|
Yes, I much appreciate Afterhours rich prose too!
About the Smiths, and as a rapper (I don't remember who, perhaps the guy from Outcast) who liked them once noticed: it's like poet with somehow a (very good) band in the back. So the problem (if it is one) may come from the mix: the vocals a bit too much ahead, so that it does not blend with the music enough ? (although on Strangeways, its a bit less so)
|
|
|
|
RoundTheBend
I miss the comfort in being sad
Location: Ground Control
- #9
- Posted: 01/09/2018 08:54
- Post subject:
|
Yann wrote: |
as a rapper (I don't remember who, perhaps the guy from Outcast) who liked them once noticed: it's like poet with somehow a (very good) band in the back. |
|
|
|
|
|
|
All times are GMT
|
Page 1 of 1 |
|
|
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|
|
|