Hyperion (studio album)
by Gesaffelstein
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Hyperion track list
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Hyperion rankings
All 4 charts that this album appears in:
| Year | Source | Chart | Rank | Rank Score |
|---|---|---|---|---|
| 2024 | Bardiebart | Top 84 Music Albums of 2019 | 56/84 | 2 |
| 2024 | skrapoel | Top 40 Music Albums of 2019 | 35/40 | 1 |
| 2019 | Lhuoum | Top 40 Greatest Music Albums | 22/40 | - |
| 2019 | mlgprounicorn | Top 100 Music Albums of 2019 | 88/100 | 1 |
| Total Charts: The total number of charts that this album has appeared in. | 4 | |||
| Total Rank Score: The total rank score. | 3 | |||
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Hyperion collection
Hyperion ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this album. | Show all 11 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
85/100  | 01/06/2022 23:00 | Lazi | | 86/100 |
65/100 | 01/13/2021 01:00 |  Helios | | 70/100 |
45/100 | 06/13/2019 14:27 |  Torchlin | | 70/100 |
70/100 | 05/21/2019 20:57 | mlgprounicorn | | 76/100 |
70/100 | 04/15/2019 11:23 | LosWochos | | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 68.3/100, a mean average of 64.5/100, and a trimmed mean (excluding outliers) of 64.5/100. The standard deviation for this album is 13.6.
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Hyperion comments
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It is far from the time when Gesaffelstein was considered the dark prince of techno. By changing his label to join Columbia (as the Daft Punk), the Lyon producer has obviously abandoned dark and violents atmosphere to go to work with the world of pop. The Weeknd, Pharrell, Chaim come to lend their voices to Gesa's productions for a result without energy or flavor. Probably not endowed with the same sense of pop of Daft Punk, the album is a succession of pieces without interest, caught only by some tracks to the DNA more natural for him (Reset, Memora) and the song with Pharrell that I love. Too little, however, to save the album from boredom and accident.
4/10
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