Favorite Classical CDs
by
NickVolos 
If you made it this far down, you just discovered my favorite chart of all - a list of my favorite classical CDs. Most of these CDs are collections of multiple of the composer's works - in some cases spanning the whole lifetime of the composer - rather than individual works. The chart is sorted based on my favorite collection of a composer's work and not based on the performer(s) and/or conductor that interprets it. All selections are rated 100 as all represent the absolutely top most quality that music has to offer. Reverse this chart from 100 to 1 and the music in it remains beautifully perfect.
- Chart updated: 02/09/2015 13:15
- (Created: 11/07/2013 04:43).
- Chart size: 27 albums.
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Antonio Vivaldi wrote several settings of the choral composition Gloria. RV 589 is the most familiar and popular piece of sacred music by Vivaldi; however, he was known to have written at least three Gloria settings. Only two survive (RV 588 and RV 589) whilst the other (RV 590) is presumably lost and is only mentioned in the Kreuzherren catalogue. The two were written at about the same time (it is disputed which came first) in the early 18th century.
RV 589
This is the better known setting of the Gloria, simply known as the Vivaldi "Gloria" due to its outstanding popularity. This piece, along with its mother composition RV 588, was composed at the same time during Vivaldi's employment at the Pieta. Two introduzioni exist as explained in the aforementioned article.
As in RV 588, there exists evidence of influence by RV Anh. 23: the first movement's chorus shares similar key modulations to that of the first movement of RV 588, only modified to fit a duple meter instead of the triple meter of RV 588. Motivic material present in the orchestral parts of either piece are also shared, including octave jumps in the opening motives of the piece. The second movement is significantly more chromatic in RV 589, but nonetheless is texturally similar to the setting present in RV Anh. 23, with the use of repeating rhythmic figures underneath harmonic motion. The "Qui Tollis" movement of RV 589 is rhythmically similar to the first few measures of RV 588 (and ultimately RV Anh. 23). The last movement, "Cum Sancto Spiritu," is essentially an "updated" version of movement present in both RV Anh. 23 and RV 588, except extensively harmonically modified, becoming more chromatic than its predecessors, reflecting a maturity in Vivaldi's output and the emerging style of the late Italian Baroque. (wikipedia)
I hope... that when I eventually get to Heaven, assuming that Heaven will be my destination, it sounds just like this!! (L. Worthington, Amazon Customer Review) [First added to this chart: 11/08/2013]
RV 589
This is the better known setting of the Gloria, simply known as the Vivaldi "Gloria" due to its outstanding popularity. This piece, along with its mother composition RV 588, was composed at the same time during Vivaldi's employment at the Pieta. Two introduzioni exist as explained in the aforementioned article.
As in RV 588, there exists evidence of influence by RV Anh. 23: the first movement's chorus shares similar key modulations to that of the first movement of RV 588, only modified to fit a duple meter instead of the triple meter of RV 588. Motivic material present in the orchestral parts of either piece are also shared, including octave jumps in the opening motives of the piece. The second movement is significantly more chromatic in RV 589, but nonetheless is texturally similar to the setting present in RV Anh. 23, with the use of repeating rhythmic figures underneath harmonic motion. The "Qui Tollis" movement of RV 589 is rhythmically similar to the first few measures of RV 588 (and ultimately RV Anh. 23). The last movement, "Cum Sancto Spiritu," is essentially an "updated" version of movement present in both RV Anh. 23 and RV 588, except extensively harmonically modified, becoming more chromatic than its predecessors, reflecting a maturity in Vivaldi's output and the emerging style of the late Italian Baroque. (wikipedia)
I hope... that when I eventually get to Heaven, assuming that Heaven will be my destination, it sounds just like this!! (L. Worthington, Amazon Customer Review) [First added to this chart: 11/08/2013]
Year of Release:
1997
Appears in:
Rank in 1997:
None
Rank in 1990s:
None
Average Rating:
Comments:
Total albums: 1. Page 1 of 1
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Favorite Classical CDs composition
| Decade | Albums | % | |
|---|---|---|---|
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| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 4% | |
| 1960s | 0 | 0% | |
| 1970s | 3 | 11% | |
| 1980s | 3 | 11% | |
| 1990s | 8 | 30% | |
| 2000s | 12 | 44% | |
| 2010s | 0 | 0% | |
| 2020s | 0 | 0% |
| Country | Albums | % | |
|---|---|---|---|
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|
|
9 | 33% | |
|
3 | 11% | |
|
3 | 11% | |
|
2 | 7% | |
|
2 | 7% | |
|
2 | 7% | |
|
1 | 4% | |
| Show all | |||
Favorite Classical CDs chart changes
| New entries |
|---|
Debussy: L'Oeuvre Pour Pianoby Aldo Ciccolini |
Favorite Classical CDs similarity to your chart(s)
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