Fuck It I Love You (track) by Lana Del Rey
Year: 2019
From the album Norman Fucking Rockwell! (track #4)


Fuck It I Love You appears on the following album(s) by Lana Del Rey:
- Norman Fucking Rockwell! (track #4) (this album) (2019)
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Listen to Fuck It I Love You on YouTube
Fuck It I Love You ratings

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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Rating | Date updated | Member | Track ratings | Avg. track rating |
---|---|---|---|---|
90/100 ![]() | 05/01/2025 20:49 | arrogantmenace | ![]() | 88/100 |
65/100 ![]() | 04/11/2025 13:13 | ![]() | ![]() | 70/100 |
50/100 ![]() | 03/21/2025 11:49 | timosbuecherei | ![]() | 61/100 |
100/100 ![]() | 02/14/2025 20:02 | ![]() | ![]() | 87/100 |
95/100 ![]() | 02/12/2025 07:46 | brent13 | ![]() | 85/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 84.9/100, a mean average of 84.7/100, and a trimmed mean (excluding outliers) of 85.3/100. The standard deviation for this track is 11.8.
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The vocals here are so elegant.

This is the song where Jack Antonoff's production starts to annoy me. Some of the vocal double-tracking distracts from Lana's emotional message, and the drums starting on the first chorus just sound AWFUL, there's just no punch to them at all. Overall I feel like there might have been something here but Antonoff is too concerned with making it fit into his kind of club ready, kind of antiseptic pop production sound that I think really kills the energy of some of his tracks.
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