Speechless (track) by Lady Gaga
Speechless appears on the following album(s) by Lady Gaga:
- The Fame Monster (track #4) (this album) (2009)
Upcoming concerts
Listen to Speechless on YouTube
Speechless ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
70/100  | 08/22/2025 20:56 | culwin | | 75/100 |
85/100 | 07/20/2024 08:49 |  Tamthebam | | 79/100 |
75/100 | 06/04/2024 04:42 | matterhornrider | | 86/100 |
100/100 | 03/29/2024 22:21 |  CassidyInc | | 100/100 |
90/100 | 07/16/2023 01:02 | MaxStorm98 | | 99/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 69.7/100, a mean average of 68.8/100, and a trimmed mean (excluding outliers) of 68.8/100. The standard deviation for this track is 24.7.
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Speechless favourites
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Speechless comments
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Best song of the album. 70/100
I like her vocals
soundguardian 05/12/2013 11:45
Surprised to see this track as the lowest-rated on the album. Yes, the lyrics concerning a damaging relationship are worn, but the composition itself makes it touching. The composition influences are also apparent, and Lady Gaga's powerful vocals shine brighter on this track than in most, in which her vocals are so manipulated that one could not consider them derivative of her natural voice.
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