Shaman's Blues (track) by The Doors
Year: 1969
From the album The Soft Parade (track #3)
Shaman's Blues appears on the following album(s) by The Doors:
- The Soft Parade (track #3) (this album) (1969)
- Weird Scenes Inside The Gold Mine (track #3) (compilation) (1972)
- The Complete Studio Recordings (track #35) (compilation) (1999)
- Box Set (track #47) (compilation) (1997)
- Perception (track #45) (compilation) (2006)
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Shaman's Blues ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
80/100  | 05/13/2025 22:48 | ootsp | | 82/100 |
95/100 | 05/09/2025 22:20 |  VictorVale | | 87/100 |
85/100 | 04/19/2025 23:31 | matterhornrider | | 86/100 |
70/100 | 04/01/2025 10:09 | SD100852 | | 77/100 |
85/100 | 02/03/2025 01:18 | AbsurdCheesecake | | 89/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 7% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 79.8/100, a mean average of 79.7/100, and a trimmed mean (excluding outliers) of 80.1/100. The standard deviation for this track is 11.6.
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This is more like the Doors of the first two albums. Nice guitar from Krieger and interplay with keyboards. This is a Morrison composition and one of the best tracks on the album.
The album suddenly takes a different turn.
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