Play For Today (track) by The Cure
Play For Today appears on the following album(s) by The Cure:
- Seventeen Seconds (track #2) (this album) (1980)
- Paris (track #4) (1993)
- ... Happily Ever After (track #2) (compilation) (1981)
- À L'Olympia 7.6.1982 (track #10) (1993)
- 40 Live (Curætion-25 + Anniversary) (track #40) (compilation) (2019)
- Anniversary: 1978-2018 Live In Hyde Park London (track #12) (2019)
Condition: Good
Upcoming concerts
Listen to Play For Today on YouTube
Play For Today ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Rating | Date updated | Member | Track ratings | Avg. track rating |
---|---|---|---|---|
09/18/2024 18:44 | mjp11 | 8,865 | 85/100 | |
09/11/2024 03:45 | AAL2014 | 21,960 | 78/100 | |
05/19/2024 00:39 | CassidyInc | 1,458 | 100/100 | |
04/27/2024 08:33 | DommeDamian | 61,941 | 52/100 | |
04/21/2024 08:29 | Tuur | 2,891 | 81/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 85.4/100, a mean average of 85.2/100, and a trimmed mean (excluding outliers) of 85.9/100. The standard deviation for this track is 11.6.
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Had the potential to become a second single, but Robert Smith wanted to keep it on the album alone.
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