The Loving Kind (studio album) by Nanci Griffith

The Loving Kind by Nanci Griffith
Year: 2009
Release date: 2009-06-09
Overall rank: 52,105th   Overall chart historyOverall chart history
Average Rating: 
72/100 (from 4 votes)
  Ratings distributionRatings distribution   Average rating historyAverage rating history
Accolades:
Award Top albums of 2009 (1,118th)
Award Top albums of the 2000s (10,247th)
Award Best albums of all time (52,105th)
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Nanci Griffith bestography

The Loving Kind is ranked 19th best out of 22 albums by Nanci Griffith on BestEverAlbums.com.

The best album by Nanci Griffith is The Last Of The True Believers which is ranked number 5695 in the list of all-time albums with a total rank score of 233.

Nanci Griffith album bestography « Higher ranked (42,750th) This album (52,105th) Lower ranked (73,745th) »
The Best Of Nanci GriffithThe Loving KindIntersection

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Average Rating: 
72/100 (from 4 votes)
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60/100
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01/19/2022 06:55 zags7000  Ratings distributionRatings distribution 19,78764/100
 
80/100
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08/25/2021 02:21 henrygreen0203  Ratings distributionRatings distribution 83574/100
 
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08/15/2021 07:33 LosWochos  Ratings distributionRatings distribution 42,71775/100
 
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07/29/2020 09:32 jnfbn  Ratings distributionRatings distribution 8,88181/100

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Rating:  
80/100
From 08/25/2021 02:21
"What the hell was I doing there in that fast food parking lot?"

The Lov noing Kind is the seventeenth studio album by Nanci Griffith, released in 2009 on Rounder Records. The Loving Kind signals a shift to a hefty honky-tonk old school country music sound, way more "country" sounding than her MCA debut "Lone Star State of Mind" and its follow-up "Little Love Affairs." Those records were folk albums, touched up with contemporary Nashville production and marketed as commercial country albums. The Loving Kind is an odd honky tonk record with lyrics about specific social justice events (see Loving Kind and Not Innocent Enough).

The charm of Griffith's pop, with dashes of country but folk to its core, comes with heartfelt lyrics. The political touches, though unique, do not bring out the emotions of the listener, unless you streaming protest and justice songs regularly. The stories are nice, but the lyrics just don't snap and dazzle like the songs she consistently put out until the end of the century. Still, its an improvement over the rest of her 2000s material.

Track Pick: One of These Days
Gems: Up Against the Wind, Cotton's All We Got, Still Life
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