Stones In The Road (studio album) by Mary Chapin Carpenter
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Mary Chapin Carpenter bestography
Stones In The Road is ranked 2nd best out of 20 albums by Mary Chapin Carpenter on BestEverAlbums.com.
The best album by Mary Chapin Carpenter is Come On, Come On which is ranked number 6474 in the list of all-time albums with a total rank score of 199.
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Stones In The Road track list
The tracks on this album have an average rating of 77 out of 100 (all tracks have been rated).
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Stones In The Road rankings
Latest 20 charts that this album appears in:
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Stones In The Road collection
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Stones In The Road ratings
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Showing latest 5 ratings for this album. | Show all 17 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
75/100  | 10/04/2024 12:37 | Cyrax | | 61/100 |
55/100 | 12/07/2023 12:35 | fabm0 | | 59/100 |
80/100 | 11/05/2023 13:51 |  travelful | | 72/100 |
80/100 | 04/25/2023 16:03 | Johnnyo | | 77/100 |
60/100 | 03/23/2023 17:15 |  MetalMan67 | | 71/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 22% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 73.8/100, a mean average of 74.7/100, and a trimmed mean (excluding outliers) of 74.7/100. The standard deviation for this album is 12.7.
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Stones in the Road is the fifth studio album by Mary Chapin-Carpenter. The record follows up the smash hit album Come On Come On by treading a similar formula, but this record is all Carpenter though. No covers, and no hit co-writes with Don Schlitz. It's way more mid-tempo
and intimate, perhaps the most introspective mainstream country album ever made.
This record doesn't have many memorable upbeat pop-rock kickers, and ultimately it suffers compared to Come On Come On. She would get more lively on her next record "A Place in the World."
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