Top 100 Music Albums of 1994
by 
Romanelli 
- Chart updated: 08/24/2026 18:15
- (Created: 04/11/2012 18:14).
- Chart size: 100 albums.
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1994 – GO! BEAT
Produced BY PORTISHEAD
1. Mysterons
2. Sour Times
3. Strangers
4. It Could Be Sweet
5. Wandering Star
6. It’s A Fire
7. Numb
8. Roads
9. Pedestal
10. Biscuit
11. Glory Box
If you’re not familiar with trip hop, you should be. If you want to really love trip hop, you should start with Dummy by Portishead. The debut album from this British combo is one of the finest examples of the genre, and in 1994 this was pretty much new musical territory for us all. Mixing drizzling lounge music, electronica, spacey atmospheres and the sweet, overpoweringly sad voice of Beth Gibbons, Dummy has been described as Gothic hip hop…a label that actually works. There is a deep sadness in the tracks of Dummy, matching Gibbons’ voice with deep and layered, yet never overdone beats and atmospheres. This is, for lack of a better term, a blues album. Slow yet not sleepy beats and tracks filled with sadness and longing and the feeling of being in a basement level poorly lit smoke filled half empty lounge. Or something like that.
Dummy created a buzz in the States well before Portishead ever toured here, and for good reason. Three singles, “Sour Times”, “Numb”, and “Glory Box” gave a great indication of what Dummy was all about. And ultimately, it’s an almost masterpiece of an album. It truly is a beautiful work, filled with songs that are smart, deeply moving and even catchy. Portishead has been sporadic in the years since Dummy, releasing only two other studio albums since 1994. And while Portishead from 1997 and Third from 2008 are fine works, the balance of what makes this group work the best is here on Dummy. The only possible negative about this is that it may be too dark and sad of an album for a lot of people, but if you are in that kind of mood, you’ll never do better than to listen to this. Save it for a rainy day…you’ll be glad you did. [First added to this chart: 10/17/2012]
Produced BY PORTISHEAD
1. Mysterons
2. Sour Times
3. Strangers
4. It Could Be Sweet
5. Wandering Star
6. It’s A Fire
7. Numb
8. Roads
9. Pedestal
10. Biscuit
11. Glory Box
If you’re not familiar with trip hop, you should be. If you want to really love trip hop, you should start with Dummy by Portishead. The debut album from this British combo is one of the finest examples of the genre, and in 1994 this was pretty much new musical territory for us all. Mixing drizzling lounge music, electronica, spacey atmospheres and the sweet, overpoweringly sad voice of Beth Gibbons, Dummy has been described as Gothic hip hop…a label that actually works. There is a deep sadness in the tracks of Dummy, matching Gibbons’ voice with deep and layered, yet never overdone beats and atmospheres. This is, for lack of a better term, a blues album. Slow yet not sleepy beats and tracks filled with sadness and longing and the feeling of being in a basement level poorly lit smoke filled half empty lounge. Or something like that.
Dummy created a buzz in the States well before Portishead ever toured here, and for good reason. Three singles, “Sour Times”, “Numb”, and “Glory Box” gave a great indication of what Dummy was all about. And ultimately, it’s an almost masterpiece of an album. It truly is a beautiful work, filled with songs that are smart, deeply moving and even catchy. Portishead has been sporadic in the years since Dummy, releasing only two other studio albums since 1994. And while Portishead from 1997 and Third from 2008 are fine works, the balance of what makes this group work the best is here on Dummy. The only possible negative about this is that it may be too dark and sad of an album for a lot of people, but if you are in that kind of mood, you’ll never do better than to listen to this. Save it for a rainy day…you’ll be glad you did. [First added to this chart: 10/17/2012]
Year of Release:
1994
Appears in:
Rank Score:
16,091
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1994-WARNER BROS
Produced By RICK RUBIN
1. Wildflowers
2. You Don’t Know How It Feels
3. Time To Move On
4. You Wreck Me
5. It’s Good To Be King
6. Only A Broken Heart
7. Honey Bee
8. Don’t Fade On Me
9. Hard On Me
10. Cabin Down Below
11. To Find A Friend
12. A Higher Place
13. House In The Woods
14. Crawling Back To You
15. Wake Up Time
Wildflowers may be officially Tom Petty’s second solo album, but it’s actually a Heartbreakers record. Petty chose as his backing band for this project the same band he’d made his career with. Even a couple of the songs were co-written by Heartbreakers guitarist Mike Campbell. The album opens with the sweet acoustic title track, followed by the slow but huge hit “You Don’t Know How It Feels”… but it gets rocking soon enough. “You Wreck Me” is a nice rocker, and one of Petty’s fastest songs. The first half of the album is solid, with gems like “It’s Good To Be King” and “Honey Bee”.
The second half tails off into mostly filler, though. Aside from the rocking “Cabin Down Below”, the tracks at the end sound like they had to go out and find material to finish the album. Too bad, really…because at the halfway point, you think you might be listening to Petty’s greatest album ever. But the second half make the entire affair unfortunately ordinary, despite some great early songs. Several outtakes from this album were released two years later on the soundtrack for “She’s The One”. [First added to this chart: 04/11/2012]
Produced By RICK RUBIN
1. Wildflowers
2. You Don’t Know How It Feels
3. Time To Move On
4. You Wreck Me
5. It’s Good To Be King
6. Only A Broken Heart
7. Honey Bee
8. Don’t Fade On Me
9. Hard On Me
10. Cabin Down Below
11. To Find A Friend
12. A Higher Place
13. House In The Woods
14. Crawling Back To You
15. Wake Up Time
Wildflowers may be officially Tom Petty’s second solo album, but it’s actually a Heartbreakers record. Petty chose as his backing band for this project the same band he’d made his career with. Even a couple of the songs were co-written by Heartbreakers guitarist Mike Campbell. The album opens with the sweet acoustic title track, followed by the slow but huge hit “You Don’t Know How It Feels”… but it gets rocking soon enough. “You Wreck Me” is a nice rocker, and one of Petty’s fastest songs. The first half of the album is solid, with gems like “It’s Good To Be King” and “Honey Bee”.
The second half tails off into mostly filler, though. Aside from the rocking “Cabin Down Below”, the tracks at the end sound like they had to go out and find material to finish the album. Too bad, really…because at the halfway point, you think you might be listening to Petty’s greatest album ever. But the second half make the entire affair unfortunately ordinary, despite some great early songs. Several outtakes from this album were released two years later on the soundtrack for “She’s The One”. [First added to this chart: 04/11/2012]
Year of Release:
1994
Appears in:
Rank Score:
1,750
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1994-GEFFEN
Produced By NIRVANA & SCOTT LITT
1. About A Girl
2. Come As You Are
3. Jesus Doesn’t Want Me For A Sunbeam
4. The Man Who Sold The World
5. Pennyroyal Tea
6. Dumb
7. Polly
8. On A Plain
9. Something In The Way
10. Plateau
11. Oh Me
12. Lake Of Fire
13. All Apologies
14. Where Did You Sleep Last Night
In November of 1993, Nirvana performed their entry into MTV’s Unplugged series. 5 months later, Kurt Cobain was dead. This was the first posthumous release by the band, and is the most successful one to date. Nirvana didn’t go the traditional route with their Unplugged set: with the exception of “Come As You Are”, they avoided their biggest hits. The entire performance was done in one take, which was unheard of in the series. The performances are mostly perfect, with the band showing that even in an acoustic setting, they could still bring the raw power and emotion.
The biggest highlights are “About A Girl”, the only single from the album: “The Man Who Sold The World”, an exceptional David Bowie cover, and the memorable “All Apologies”. Cobain is in excellent and uncomfortable form throughout, and the performance, even without the DVD, shines all the way through. By far the best of the Unplugged series, and an important and necessary part of the short Nirvana discography. [First added to this chart: 04/12/2012]
Produced By NIRVANA & SCOTT LITT
1. About A Girl
2. Come As You Are
3. Jesus Doesn’t Want Me For A Sunbeam
4. The Man Who Sold The World
5. Pennyroyal Tea
6. Dumb
7. Polly
8. On A Plain
9. Something In The Way
10. Plateau
11. Oh Me
12. Lake Of Fire
13. All Apologies
14. Where Did You Sleep Last Night
In November of 1993, Nirvana performed their entry into MTV’s Unplugged series. 5 months later, Kurt Cobain was dead. This was the first posthumous release by the band, and is the most successful one to date. Nirvana didn’t go the traditional route with their Unplugged set: with the exception of “Come As You Are”, they avoided their biggest hits. The entire performance was done in one take, which was unheard of in the series. The performances are mostly perfect, with the band showing that even in an acoustic setting, they could still bring the raw power and emotion.
The biggest highlights are “About A Girl”, the only single from the album: “The Man Who Sold The World”, an exceptional David Bowie cover, and the memorable “All Apologies”. Cobain is in excellent and uncomfortable form throughout, and the performance, even without the DVD, shines all the way through. By far the best of the Unplugged series, and an important and necessary part of the short Nirvana discography. [First added to this chart: 04/12/2012]
Year of Release:
1994
Appears in:
Rank Score:
8,733
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Produced by Ric Ocasek. Just wow. I knew when I first saw the opening seconds of the "Buddy Holly" interview that I was going to love this band. This blue monster is a masterpiece of pop songwriting. Every track is as catchy as the next, and every one has a multitude of rewards. Great sound, atmosphere, vocals, songs, this album has everything you could want. And, in 1994, it was NOT grunge. Simply one of the greatest albums of the nineties, and of all time. Will likely move higher.
[First added to this chart: 04/11/2012]
Year of Release:
1994
Appears in:
Rank Score:
14,236
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 08/04/2012]
1994 – MERGE
Produced By BRIAN PAULSON
1. Like A Fool
2. The First Part
3. Water Wings
4. Driveway To Driveway
5. Saving My Ticket
6. Kicked In
7. Why Do You Have To Put A Date On Everything
8. Without Blinking
9. Keeping Track
10. Revelations
11. Stretched Out
12. In A Stage Whisper
Not the most attractive of album covers to be sure…but Foolish gets better after that. Superchunk is a fine rock band from North Carolina that has made a nice ten albums so far career for themselves. They’ve never been really big, maybe because they’ve tried to stay away from the big labels. And they always seem to follow up whatever big steps forward that they take with an equal step backwards. They’ve never made a truly great album…and they’ve never made a truly bad one, either. Foolish is one of those equal step backwards efforts. Coming on the heels of the greatly improved On The Mouth, Foolish is, in comparison, a disappointment. They slow down the tempo, and the end of the relationship between singer Mac McCaughan and bassist Laura Ballance takes the band from a whole lot of fun to a bit uncomfortable. McCaughan sounds strained here, and the overall songwriting is just not as sharp.
There are some great moments here. “Like A Fool” is simply terrific, and “Driveway To Driveway” could have been a hit for a more outgoing band. The rest of Foolish is well played, but never really rises much above the level of average. At their best, Superchunk has been described as a “happy Nirvana”, but there isn’t enough of that going on here. If it’s possible for this band to make a downer album, then Foolish would be that album. They have since had their ups and downs, never quite reaching the top while never falling off the planet. They continue to tour and record, although Ballance no longer tours with them because of a medical condition that affects her hearing. Foolish is not as memorable or as good as some of their other works: to hear the best of what Superchunk has to offer, go with either On The Mouth, No Pocky For Kitty, or Come Pick Me Up. As for Foolish…never bad, never great. [First added to this chart: 09/17/2016]
Produced By BRIAN PAULSON
1. Like A Fool
2. The First Part
3. Water Wings
4. Driveway To Driveway
5. Saving My Ticket
6. Kicked In
7. Why Do You Have To Put A Date On Everything
8. Without Blinking
9. Keeping Track
10. Revelations
11. Stretched Out
12. In A Stage Whisper
Not the most attractive of album covers to be sure…but Foolish gets better after that. Superchunk is a fine rock band from North Carolina that has made a nice ten albums so far career for themselves. They’ve never been really big, maybe because they’ve tried to stay away from the big labels. And they always seem to follow up whatever big steps forward that they take with an equal step backwards. They’ve never made a truly great album…and they’ve never made a truly bad one, either. Foolish is one of those equal step backwards efforts. Coming on the heels of the greatly improved On The Mouth, Foolish is, in comparison, a disappointment. They slow down the tempo, and the end of the relationship between singer Mac McCaughan and bassist Laura Ballance takes the band from a whole lot of fun to a bit uncomfortable. McCaughan sounds strained here, and the overall songwriting is just not as sharp.
There are some great moments here. “Like A Fool” is simply terrific, and “Driveway To Driveway” could have been a hit for a more outgoing band. The rest of Foolish is well played, but never really rises much above the level of average. At their best, Superchunk has been described as a “happy Nirvana”, but there isn’t enough of that going on here. If it’s possible for this band to make a downer album, then Foolish would be that album. They have since had their ups and downs, never quite reaching the top while never falling off the planet. They continue to tour and record, although Ballance no longer tours with them because of a medical condition that affects her hearing. Foolish is not as memorable or as good as some of their other works: to hear the best of what Superchunk has to offer, go with either On The Mouth, No Pocky For Kitty, or Come Pick Me Up. As for Foolish…never bad, never great. [First added to this chart: 09/17/2016]
1994 – EPIC
Produced By BRENDAN O’BRIEN & PEARL JAM
1. Last Exit
2. Spin The Black Circle
3. Not For You
4. Tremor Christ
5. Nothingman
6. Whipping
7. Pry, To
8. Corduroy
9. Bugs
10. Satan’s Bed
11. Better Man
12. Aye Davanita
13. Immortality
14. Hey Foxymophandlemama, Thet’s Me a.k.a. Stupid Mop
Whatever grunge had become with the dawn of the 90’s, it was beginning to dissipate as early as 1994. Nirvana’s Kurt Cobain committed suicide in April, and seven months later, the genre’s other big star Pearl Jam released the very ungrunge album Vitalogy. The band took a wide left turn from their first two records (Ten and Vs.) with experiments in punk, harder rock, and strange artsy tracks that were as far from the Seattle sound as could be. Casual fans were maybe a bit lost in what they were doing, but the hardcore PJ folk were all in. Because it was Pearl Jam, Vitalogy and its strange packaging sold a gazillion copies out of the gate, and even though it was such an odd release, Pearl Jam held their hold as one of America’s most successful bands.
Vitalogy (which means the study of life) has some really great songs on it. “Better Man” and “Spin The Black Circle” are among the band’s best. “Nothingman” and “Immortality” are terrific as well. The strangeness of tracks like “Bugs” and “Hey Foxymophandlemama” is tough to explain, and it can be hard to not skip over those. But for the most part, Vitalogy is a worthwhile disc, even though it might take a bit of patience. The packaging is interesting, designed by singer Eddie Vedder and chock full of facts about health that are no longer really valid and notes that relate to the songs on the album. It’s one of the more interesting album packages in rock. Of course, they are still at it…touring, releasing an album here and there, fighting Ticketmaster. And always about their fans. Vitalogy is an odd duck, but it’s also a pretty good album. [First added to this chart: 04/13/2012]
Produced By BRENDAN O’BRIEN & PEARL JAM
1. Last Exit
2. Spin The Black Circle
3. Not For You
4. Tremor Christ
5. Nothingman
6. Whipping
7. Pry, To
8. Corduroy
9. Bugs
10. Satan’s Bed
11. Better Man
12. Aye Davanita
13. Immortality
14. Hey Foxymophandlemama, Thet’s Me a.k.a. Stupid Mop
Whatever grunge had become with the dawn of the 90’s, it was beginning to dissipate as early as 1994. Nirvana’s Kurt Cobain committed suicide in April, and seven months later, the genre’s other big star Pearl Jam released the very ungrunge album Vitalogy. The band took a wide left turn from their first two records (Ten and Vs.) with experiments in punk, harder rock, and strange artsy tracks that were as far from the Seattle sound as could be. Casual fans were maybe a bit lost in what they were doing, but the hardcore PJ folk were all in. Because it was Pearl Jam, Vitalogy and its strange packaging sold a gazillion copies out of the gate, and even though it was such an odd release, Pearl Jam held their hold as one of America’s most successful bands.
Vitalogy (which means the study of life) has some really great songs on it. “Better Man” and “Spin The Black Circle” are among the band’s best. “Nothingman” and “Immortality” are terrific as well. The strangeness of tracks like “Bugs” and “Hey Foxymophandlemama” is tough to explain, and it can be hard to not skip over those. But for the most part, Vitalogy is a worthwhile disc, even though it might take a bit of patience. The packaging is interesting, designed by singer Eddie Vedder and chock full of facts about health that are no longer really valid and notes that relate to the songs on the album. It’s one of the more interesting album packages in rock. Of course, they are still at it…touring, releasing an album here and there, fighting Ticketmaster. And always about their fans. Vitalogy is an odd duck, but it’s also a pretty good album. [First added to this chart: 04/13/2012]
Year of Release:
1994
Appears in:
Rank Score:
2,720
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1995-ZTT
Produced By DAVE JORDAN, SHANE MACGOWAN & TREVOR HORN
1. The Church Of The Holy Spook
2. Nancy Whiskey
3. The Song With No Name
4. Aisling
5. Roddy McCorley
6. Victoria
7. That Woman's Got Me Drinking
8. A Mexican Funeral In Paris
9. The Rising Of The Moon
10. The Snake With Eyes Of Garnet
11. Haunted
12. I'll Be Your Handbag
13. Her Father Didn't Like Me Anyway
14. Donegal Express
15. Bring Down The Lamp
In the 1980's, The Pogues were an Irish Punk band that took the traditional music and stood it on its head, with great results. The main ingredient in that band was Shane MacGowan, whose street lyrical sense drove the band. MacGowan was also a notorious and very heavy drinker, which caused the end of his tenure with The Pogues in 1991. MacGowan emerged with a new band (the drummers name is Danny Pope), and a voice completely ravaged by alcohol. The result is a disturbing drunken Irish good time.
MacGowan slurs his way through some interesting material "most notably "The Church Of The Holy Spook"), but maybe the strangest is "Haunted". After 10 tracks of MacGowan's drunken rasp, the song opens with the beautiful voice of none other than Sinead O'Connor, and the song turns into the most unlikely (and most uncomfortable) duet you'll hear anywhere. But somehow, it works. And somehow, MacGowan turns The Snake into a triumph. This is not for everyone, but it's definitely an interesting record. [First added to this chart: 05/12/2012]
Produced By DAVE JORDAN, SHANE MACGOWAN & TREVOR HORN
1. The Church Of The Holy Spook
2. Nancy Whiskey
3. The Song With No Name
4. Aisling
5. Roddy McCorley
6. Victoria
7. That Woman's Got Me Drinking
8. A Mexican Funeral In Paris
9. The Rising Of The Moon
10. The Snake With Eyes Of Garnet
11. Haunted
12. I'll Be Your Handbag
13. Her Father Didn't Like Me Anyway
14. Donegal Express
15. Bring Down The Lamp
In the 1980's, The Pogues were an Irish Punk band that took the traditional music and stood it on its head, with great results. The main ingredient in that band was Shane MacGowan, whose street lyrical sense drove the band. MacGowan was also a notorious and very heavy drinker, which caused the end of his tenure with The Pogues in 1991. MacGowan emerged with a new band (the drummers name is Danny Pope), and a voice completely ravaged by alcohol. The result is a disturbing drunken Irish good time.
MacGowan slurs his way through some interesting material "most notably "The Church Of The Holy Spook"), but maybe the strangest is "Haunted". After 10 tracks of MacGowan's drunken rasp, the song opens with the beautiful voice of none other than Sinead O'Connor, and the song turns into the most unlikely (and most uncomfortable) duet you'll hear anywhere. But somehow, it works. And somehow, MacGowan turns The Snake into a triumph. This is not for everyone, but it's definitely an interesting record. [First added to this chart: 05/12/2012]
1994-ATLANTIC
Produced By JIMMY PAGE & ROBERT PLANT
1. Nobody’s Fault But Mine
2. Thank You
3. No Quarter
4. Friends
5. Yallah
6. City Don’t Cry
7. Since I’ve Been Loving You
8. The Battle Of Evermore
9. Wonderful One
10. Wah Wah
11. That’s The Way
12. Gallows Pole
13. Four Sticks
14. Kashmir
When drummer John Bonham died in 1980, Led Zeppelin was no more. The three surviving members had briefly reunited twice during the 80’s for one off concerts, both of which went very badly. But in 1994, when Robert Plant was offered an MTV Unplugged special, the wheels were set in motion to include Jimmy Page as part of the deal. The result was this live album, recorded in August of 1994. It is not, technically, a Led Zeppelin reunion, as bassist John Paul Jones was not only not included, he was not even told about the project. He was upset with the pair that they had done so, and then called the album No Quarter, a Zeppelin song on which Jones was the primary writer. The majority of the album is acoustic (unplugged), with live string players and Middle Eastern musicians. The album contains reworked Zeppelin songs, and four Eastern influenced songs that fit nicely with the band songs. The result is less than Zeppelin of course, but still a satisfying journey.
Unlike the brief 80’s reunions, this project finds Plant’s voice in great shape, and Page in fine guitar form. “Gallows Pole”, “Thank You”, and “Nobody’s Fault But Mine” are the highlights, along with “Wonderful One”, a non Zeppelin song that sounds like it could have come right off of the third album. But the main event is “Kashmir”, a twelve and a half minute finale that brings down the house, and that shows that both men are still capable of greatness. Some of the songs don’t fare as well in the unplugged setting, but, overall, No Quarter is a satisfying reunion of two giants of hard rock presenting their material in a new way, giving the songs a freshness that would not be there had it just been a Led Zeppelin live album. The pair went on to record one studio album before calling it a day again in 1998, but at least they did this. It’s not Zeppelin, but it is something completely different…a bold and smart move on their part. [First added to this chart: 04/11/2012]
Produced By JIMMY PAGE & ROBERT PLANT
1. Nobody’s Fault But Mine
2. Thank You
3. No Quarter
4. Friends
5. Yallah
6. City Don’t Cry
7. Since I’ve Been Loving You
8. The Battle Of Evermore
9. Wonderful One
10. Wah Wah
11. That’s The Way
12. Gallows Pole
13. Four Sticks
14. Kashmir
When drummer John Bonham died in 1980, Led Zeppelin was no more. The three surviving members had briefly reunited twice during the 80’s for one off concerts, both of which went very badly. But in 1994, when Robert Plant was offered an MTV Unplugged special, the wheels were set in motion to include Jimmy Page as part of the deal. The result was this live album, recorded in August of 1994. It is not, technically, a Led Zeppelin reunion, as bassist John Paul Jones was not only not included, he was not even told about the project. He was upset with the pair that they had done so, and then called the album No Quarter, a Zeppelin song on which Jones was the primary writer. The majority of the album is acoustic (unplugged), with live string players and Middle Eastern musicians. The album contains reworked Zeppelin songs, and four Eastern influenced songs that fit nicely with the band songs. The result is less than Zeppelin of course, but still a satisfying journey.
Unlike the brief 80’s reunions, this project finds Plant’s voice in great shape, and Page in fine guitar form. “Gallows Pole”, “Thank You”, and “Nobody’s Fault But Mine” are the highlights, along with “Wonderful One”, a non Zeppelin song that sounds like it could have come right off of the third album. But the main event is “Kashmir”, a twelve and a half minute finale that brings down the house, and that shows that both men are still capable of greatness. Some of the songs don’t fare as well in the unplugged setting, but, overall, No Quarter is a satisfying reunion of two giants of hard rock presenting their material in a new way, giving the songs a freshness that would not be there had it just been a Led Zeppelin live album. The pair went on to record one studio album before calling it a day again in 1998, but at least they did this. It’s not Zeppelin, but it is something completely different…a bold and smart move on their part. [First added to this chart: 04/11/2012]
Produced by Jeff Buckley & Andy Wallace. For one moment, Jeff Buckley was amazing. "Hallelujah" is not just a great performance, it's a glimpse into what could have been an amazing career. It's not so much the sound of Buckley's voice...it's the raw emotion it carries, and the way he was completely unafraid to bare his soul vocally. There may or may not have been more amazing music in Buckley's future...we'll never know. But Grace is masterful. (Avoid the Legacy Edition: disc two is mostly awful.)
[First added to this chart: 04/11/2012]
Year of Release:
1994
Appears in:
Rank Score:
17,423
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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Top 100 Music Albums of 1994 composition
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Superchunk | 1 | 1% | |
| Ass Ponys | 1 | 1% | |
| Various Artists | 1 | 1% | |
| Leslie Phillips | 1 | 1% | |
| Toni Childs | 1 | 1% | |
| Dollface (1990s) | 1 | 1% | |
| Eagles | 1 | 1% | |
| Show all | |||
Top 100 Music Albums of 1994 chart changes
| Biggest climbers |
|---|
Up 6 from 46th to 40th |
| Biggest fallers |
|---|
Down 1 from 40th to 41st |
Down 1 from 41st to 42nd |
Down 1 from 42nd to 43rd |
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| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
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| ! | 07/08/2017 02:51 |  TheHolyKiwi | 102 | 68/100 |
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Top 100 Music Albums of 1994 favourites
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From
guigs13 01/05/2013 23:15 | #60264
Nice '94 chart!
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From
davidhuret 12/11/2012 15:38 | #57537
You seem to be a big Tom Petty fan. Nothing wrong with that, he's one of the great.
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