My Overall Chart: 2001-2100
by 
Romanelli 
- Chart updated: 3 days ago
- (Created: 02/14/2024 00:29).
- Chart size: 100 albums.
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Year of Release:
2004
Appears in:
Rank Score:
2,478
Rank in 2004:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 06/08/2026]
[First added to this chart: 05/30/2026]
Year of Release:
2003
Appears in:
Rank Score:
2
Rank in 2003:
Rank in 2000s:
Average Rating:
Comments:
1990 – EPIC
Produced By JEFF LYNNE
1. 10538 Overture
2. Mr. Radio
3. Kuiama
4. In Old England Town (Boogie No. 2)
5. Mama
6. Roll Over Beethoven
7. Bluebird Is Dead
8. Ma-Ma-Ma Belle
9. Showdown
10. Can’t Get It Out Of My Head
11. Boy Blue
12. One Summer Dream
1. Evil Woman
2. Tightrope
3. Strange Magic
4. Do Ya
5. Nightrider
6. Waterfall
7. Rockaria!
8. Telephone Line
9. So Fine
10. Livin’ Thing
11. Mr. Blue Sky (Japanese 7” Edit)
12. Sweet Is The Night
13. Turn To Stone
14. Sweet Talkin’ Woman
15. Steppin’ Out
16. Midnight Blue
17. Don’t Bring Me Down
1. Prologue
2. Twilight
3. Julie Don’t Live Here
4. Shine A Little Love
5. When Time Stood Still
6. Rain Is Falling
7. The Bouncer
8. Hello My Old Friend
9. Hold On Tight
10. Four Little Diamonds
11. Mandalay
12. Buildings Have Eyes
13. So Serious
14. A Matter Of Fact
15. No Way Out
16. Getting To The Point
17. Destination Unknown
18. Rock ‘N’ Roll Is King (Single Edit)
This box set from Electric Light Orchestra begs the question: was their career really worthy of a three disc box set? They had a bunch of hits, and they also had a slew of really terrific non hits…but I think that three discs is a bit more ELO than the casual fan would need…and the die hard fans would have already owned all of the individual albums. The best disc of the three is the first one, which covers the early days from 1971-1974, with not just the hits but also gems like “Kuiama”, “Mr. Radio” and “Bluebird Is Dead”. This was the period before they became a singles band…and some of the longer tracks are very good. Also included are the full version of “Roll Over Beethoven” and the lesser known hit “Boy Blue”.
Disc two is the more successful era. And while it has some fine tracks (“Jungle” would have been a great addition), it also misses with an inconsistent timeline, fewer of their better non-singles, and a disappointing version of “Mr. Blue Sky”, which omits their fine ending. Disc three covers the end of the band, and their worst albums. It gains points for including songs that were left off of Secret Messages…but loses them back for having them not be up to par with what the band had done before. 18 songs from their last three lackluster albums (where Jeff Lynne had trimmed it down from a full band to just a trio) is a bit too much. There are several shorter and better chosen compilations from this band. This is too much beyond their great material. [First added to this chart: 05/21/2026]
Produced By JEFF LYNNE
1. 10538 Overture
2. Mr. Radio
3. Kuiama
4. In Old England Town (Boogie No. 2)
5. Mama
6. Roll Over Beethoven
7. Bluebird Is Dead
8. Ma-Ma-Ma Belle
9. Showdown
10. Can’t Get It Out Of My Head
11. Boy Blue
12. One Summer Dream
1. Evil Woman
2. Tightrope
3. Strange Magic
4. Do Ya
5. Nightrider
6. Waterfall
7. Rockaria!
8. Telephone Line
9. So Fine
10. Livin’ Thing
11. Mr. Blue Sky (Japanese 7” Edit)
12. Sweet Is The Night
13. Turn To Stone
14. Sweet Talkin’ Woman
15. Steppin’ Out
16. Midnight Blue
17. Don’t Bring Me Down
1. Prologue
2. Twilight
3. Julie Don’t Live Here
4. Shine A Little Love
5. When Time Stood Still
6. Rain Is Falling
7. The Bouncer
8. Hello My Old Friend
9. Hold On Tight
10. Four Little Diamonds
11. Mandalay
12. Buildings Have Eyes
13. So Serious
14. A Matter Of Fact
15. No Way Out
16. Getting To The Point
17. Destination Unknown
18. Rock ‘N’ Roll Is King (Single Edit)
This box set from Electric Light Orchestra begs the question: was their career really worthy of a three disc box set? They had a bunch of hits, and they also had a slew of really terrific non hits…but I think that three discs is a bit more ELO than the casual fan would need…and the die hard fans would have already owned all of the individual albums. The best disc of the three is the first one, which covers the early days from 1971-1974, with not just the hits but also gems like “Kuiama”, “Mr. Radio” and “Bluebird Is Dead”. This was the period before they became a singles band…and some of the longer tracks are very good. Also included are the full version of “Roll Over Beethoven” and the lesser known hit “Boy Blue”.
Disc two is the more successful era. And while it has some fine tracks (“Jungle” would have been a great addition), it also misses with an inconsistent timeline, fewer of their better non-singles, and a disappointing version of “Mr. Blue Sky”, which omits their fine ending. Disc three covers the end of the band, and their worst albums. It gains points for including songs that were left off of Secret Messages…but loses them back for having them not be up to par with what the band had done before. 18 songs from their last three lackluster albums (where Jeff Lynne had trimmed it down from a full band to just a trio) is a bit too much. There are several shorter and better chosen compilations from this band. This is too much beyond their great material. [First added to this chart: 05/21/2026]
2004 – CONCORD / HEAR
Produced By JOHN BURK & PHIL RAMONE
1. Here We Go Again (with Norah Jones)
2. Sweet Potato Pie (with James Taylor)
3. You Don’t Know Me (with Diana Krall)
4. Sorry Seems To Be The Hardest Word (with Elton John)
5. Fever (with Natalie Cole)
6. Do I Ever Cross Your Mind? (with Bonnie Raitt)
7. It Was A Very Good Year (with Willie Nelson)
8. Hey Girl (with Michael McDonald)
9. Sinner’s Prayer (with B.B. King)
10. Heaven Help Us All (with Gladys Knight)
11. Over The Rainbow (with Johnny Mathis)
12. Crazy Love (with Van Morrison)
Genius Loves Company is the final album by Ray Charles, released 2 months after his death in 2004. The album features all duets with well known singers, some of which make sense, some of which really do not. It reached number one, making it his first chart topping album in forty years. It also swept the Grammys, winning 8 out of the 10 categories it was nominated for, including Album Of The Year. But one has to wonder how well this would have done had Charles lived to see its release. There are some fine moments here. “Sinner’s Prayer” (with B.B. King) and “Here We Go Again” (with Norah Jones) are definite highlights, but for the most part, Charles sounds like what he was – old and tired.
Questionable duet partners like James Taylor and Michael McDonald don’t help matters. And “It Was Very Good Year” (with Willie Nelson) sounds closer to a Sinatra version than anything else. But then he balances that with fine duets with Gladys Knight and Elton John. In the end, this ends up being a grab bag, with a handful of really good tracks, and an equal handful of less than stellar ones. It IS Ray Charles, and there is plenty of historical significance here, but ultimately, it’s a slightly above average collection. Ultimately, though, it’s Ray Charles, one of America’s greatest musical treasures. So while not his best work, there’s still enough for you to enjoy. [First added to this chart: 05/21/2026]
Produced By JOHN BURK & PHIL RAMONE
1. Here We Go Again (with Norah Jones)
2. Sweet Potato Pie (with James Taylor)
3. You Don’t Know Me (with Diana Krall)
4. Sorry Seems To Be The Hardest Word (with Elton John)
5. Fever (with Natalie Cole)
6. Do I Ever Cross Your Mind? (with Bonnie Raitt)
7. It Was A Very Good Year (with Willie Nelson)
8. Hey Girl (with Michael McDonald)
9. Sinner’s Prayer (with B.B. King)
10. Heaven Help Us All (with Gladys Knight)
11. Over The Rainbow (with Johnny Mathis)
12. Crazy Love (with Van Morrison)
Genius Loves Company is the final album by Ray Charles, released 2 months after his death in 2004. The album features all duets with well known singers, some of which make sense, some of which really do not. It reached number one, making it his first chart topping album in forty years. It also swept the Grammys, winning 8 out of the 10 categories it was nominated for, including Album Of The Year. But one has to wonder how well this would have done had Charles lived to see its release. There are some fine moments here. “Sinner’s Prayer” (with B.B. King) and “Here We Go Again” (with Norah Jones) are definite highlights, but for the most part, Charles sounds like what he was – old and tired.
Questionable duet partners like James Taylor and Michael McDonald don’t help matters. And “It Was Very Good Year” (with Willie Nelson) sounds closer to a Sinatra version than anything else. But then he balances that with fine duets with Gladys Knight and Elton John. In the end, this ends up being a grab bag, with a handful of really good tracks, and an equal handful of less than stellar ones. It IS Ray Charles, and there is plenty of historical significance here, but ultimately, it’s a slightly above average collection. Ultimately, though, it’s Ray Charles, one of America’s greatest musical treasures. So while not his best work, there’s still enough for you to enjoy. [First added to this chart: 05/21/2026]
1972-COLUMBIA
Produced By TERRY MELCHER, GARY USHER, BOB JOHNSTON & THE BYRDS
1. Ballad Of Easy Rider
2. Wasn’t Born To Follow
3. Jesus Is Just Alright
4. He Was A Friend Of Mine
5. Chestnut Mare
6. Tiffany Queen
7. Drug Store Truck Drivin’ Man
8. You Ain’t Goin’ Nowhere
9. Citizen Kane
10. I Wanna Grow Up To Be A Politician
11. America’s Great National Pastime
So, really…what happened to The Byrds? They were on top of the world from 1965 until 1968…and then it all fell apart pretty quickly. The answer is simple: the original lineup, with the exception of Roger McGuinn, was long gone by the end of 1968. When you lose the likes of Gene Clark, David Crosby, Michael Clarke and Chris Hillman as quickly as The Byrds did. It’s hard to recover. Bringing in Gram Parsons for 1968’s Sweetheart Of The Rodeo only ignited a complete change in musical direction…and the ink was barely dry before Parsons was gone as well.
This 1972 compilation sounds closer to what Dr. Hook & The Medicine Show started as than what The Byrds had once been. A couple of great tracks (“He Was A Friend Of Mine” and “You Ain’t Goin’ Nowhere”) and a couple of pretty good ones (“Ballad Of Easy Rider” and “Jesus Is Just Alright”) don’t explain the rest, which is just plain weirdness. “Chestnut Mare” is an uncomfortable and strangely sexual song about a horse; “Drug Store Truck Drivin’ Man” is a strange pick from the Parsons period. The last three tracks sound like bizarre circus music, and are pretty much nothing more than novelty songs. Shortly after this came out, the original members reunited for one terrible album and mercifully called it quits. [First added to this chart: 04/29/2026]
Produced By TERRY MELCHER, GARY USHER, BOB JOHNSTON & THE BYRDS
1. Ballad Of Easy Rider
2. Wasn’t Born To Follow
3. Jesus Is Just Alright
4. He Was A Friend Of Mine
5. Chestnut Mare
6. Tiffany Queen
7. Drug Store Truck Drivin’ Man
8. You Ain’t Goin’ Nowhere
9. Citizen Kane
10. I Wanna Grow Up To Be A Politician
11. America’s Great National Pastime
So, really…what happened to The Byrds? They were on top of the world from 1965 until 1968…and then it all fell apart pretty quickly. The answer is simple: the original lineup, with the exception of Roger McGuinn, was long gone by the end of 1968. When you lose the likes of Gene Clark, David Crosby, Michael Clarke and Chris Hillman as quickly as The Byrds did. It’s hard to recover. Bringing in Gram Parsons for 1968’s Sweetheart Of The Rodeo only ignited a complete change in musical direction…and the ink was barely dry before Parsons was gone as well.
This 1972 compilation sounds closer to what Dr. Hook & The Medicine Show started as than what The Byrds had once been. A couple of great tracks (“He Was A Friend Of Mine” and “You Ain’t Goin’ Nowhere”) and a couple of pretty good ones (“Ballad Of Easy Rider” and “Jesus Is Just Alright”) don’t explain the rest, which is just plain weirdness. “Chestnut Mare” is an uncomfortable and strangely sexual song about a horse; “Drug Store Truck Drivin’ Man” is a strange pick from the Parsons period. The last three tracks sound like bizarre circus music, and are pretty much nothing more than novelty songs. Shortly after this came out, the original members reunited for one terrible album and mercifully called it quits. [First added to this chart: 04/29/2026]
Year of Release:
1972
Appears in:
Rank Score:
1
Rank in 1972:
Rank in 1970s:
Average Rating:
Comments:
1988 – A&M
Produced By DAVID RICKETTS, DAVID TICKLE & TONI CHILDS
1. Don’t Walk Away
2. Walk And Talk Like Angels
3. Stop Your Fussin’
4. Dreamer
5. Let The Rain Come Down
6. Zimbabwae
7. Hush
8. Tin Drum
9. Where’s The Ocean
Toni Childs knocked around Los Angeles in the early to mid eighties after filling in on some shows for Terri Nunn with Berlin. After spending some time in London, she returned to the US and sang backup vocals on the excellent David & David album Boomtown from 1986. This led to a romantic and professional relationship with one of the two David’s, David Ricketts, which led to her debut album, Union, which was released in 1988. It was a minor success, but it did include some excellent tracks, written by Childs and Ricketts. The sound is very much rock, pop and a strange infusion of world music that helps to keep things interesting. The relationship between Childs and Ricketts was not the steadiest, which brings a palpable tension to the mix.
Four singles were released from the album, which was nominated for a pair of Grammys. The most successful was “Don’t Walk Away”, but the best song here is the upbeat “Stop Your Fussin’”. “Zimbabwae” and “Walk And Talk Like Angels” are also highlights. Ricketts plays a bunch of instruments here, but the real star is the somewhat unconventional singing of Childs, who brings an air of seriousness to even the more pop moments on the album. Union remains her highest charting album…declining sales of the next two efforts, House Of Hope and the very good The Woman’s Boat led her to be dropped by A&M, and she hasn’t been heard from much again. But Childs is always interesting, and Union is a great place to start with an artist who got close…but not close enough. [First added to this chart: 04/14/2026]
Produced By DAVID RICKETTS, DAVID TICKLE & TONI CHILDS
1. Don’t Walk Away
2. Walk And Talk Like Angels
3. Stop Your Fussin’
4. Dreamer
5. Let The Rain Come Down
6. Zimbabwae
7. Hush
8. Tin Drum
9. Where’s The Ocean
Toni Childs knocked around Los Angeles in the early to mid eighties after filling in on some shows for Terri Nunn with Berlin. After spending some time in London, she returned to the US and sang backup vocals on the excellent David & David album Boomtown from 1986. This led to a romantic and professional relationship with one of the two David’s, David Ricketts, which led to her debut album, Union, which was released in 1988. It was a minor success, but it did include some excellent tracks, written by Childs and Ricketts. The sound is very much rock, pop and a strange infusion of world music that helps to keep things interesting. The relationship between Childs and Ricketts was not the steadiest, which brings a palpable tension to the mix.
Four singles were released from the album, which was nominated for a pair of Grammys. The most successful was “Don’t Walk Away”, but the best song here is the upbeat “Stop Your Fussin’”. “Zimbabwae” and “Walk And Talk Like Angels” are also highlights. Ricketts plays a bunch of instruments here, but the real star is the somewhat unconventional singing of Childs, who brings an air of seriousness to even the more pop moments on the album. Union remains her highest charting album…declining sales of the next two efforts, House Of Hope and the very good The Woman’s Boat led her to be dropped by A&M, and she hasn’t been heard from much again. But Childs is always interesting, and Union is a great place to start with an artist who got close…but not close enough. [First added to this chart: 04/14/2026]
[First added to this chart: 04/14/2026]
1989 – I.R.S.
Produced By JIM DICKINSON
1. Debbie Gibson Is Pregnant With My Two-Headed Love Child
2. (619) 239-KING
3. This Land Is Your Land
4. Pirate Radio
5. Chicken Drop
6. Tennessee Jive
7. Louisiana Liplock
8. I’m A Wreck
9. Legalize It
10. Burn Your Money
11. Circus Mystery
12. She’s Vibrator Dependent
13. High School Football Friday Night
If you’ve ever listened to Outlaw Country on Sirius radio and heard some crazy guy yelling that “George Jones sings so good, he’ll make your dick hard”…that’s Mojo Nixon. Known best for his 1987 hit (with musical partner Skid Roper) “Elvis Is Everywhere”, his brand of California psychobilly is largely driven by his strange sense of humor and his over the top delivery. Nixon, who retired from singing in 2004, was always at his best when taking aim at someone famous. Aside from Elvis (who he also wrote (619) 239-KING about), he also has songs called “Don Henley Must Die”. “Orenthal James (Was A Mighty Bad Man)”, “Bring Me The Head Of David Geffen”, and his ode to MTV’s Martha Quinn, “Stuffin’ Martha’s Muffin”. You get the idea.
His biggest targets here are Debbie Gibson and Rick Astley, for whom he penned “Debbie Gibson Is Pregnant With My Two-Headed Love Child”. But Mojo is more than that…he’s a pretty creative dude, and he’s not as crude as you might think. Of course, he’s not for everyone, and his schtick can run thin, but he is entertaining, and he flirts with enough different musical styles (punk, soul, country rock, rockabilly) to keep it entertaining. “Chicken Drop” is an interesting romp, his take on Woody Guthrie’s “This Land Is Your Land” is unique, and the playing of Roper is pretty fine. The pair split up after this album, and Mojo moved on to record solo and with his later band, the Toadliquors. If you have to have some Mojo, get this one or Bo-Day-Shus!!! from 1987. Just don’t expect it to be great. [First added to this chart: 03/26/2026]
Produced By JIM DICKINSON
1. Debbie Gibson Is Pregnant With My Two-Headed Love Child
2. (619) 239-KING
3. This Land Is Your Land
4. Pirate Radio
5. Chicken Drop
6. Tennessee Jive
7. Louisiana Liplock
8. I’m A Wreck
9. Legalize It
10. Burn Your Money
11. Circus Mystery
12. She’s Vibrator Dependent
13. High School Football Friday Night
If you’ve ever listened to Outlaw Country on Sirius radio and heard some crazy guy yelling that “George Jones sings so good, he’ll make your dick hard”…that’s Mojo Nixon. Known best for his 1987 hit (with musical partner Skid Roper) “Elvis Is Everywhere”, his brand of California psychobilly is largely driven by his strange sense of humor and his over the top delivery. Nixon, who retired from singing in 2004, was always at his best when taking aim at someone famous. Aside from Elvis (who he also wrote (619) 239-KING about), he also has songs called “Don Henley Must Die”. “Orenthal James (Was A Mighty Bad Man)”, “Bring Me The Head Of David Geffen”, and his ode to MTV’s Martha Quinn, “Stuffin’ Martha’s Muffin”. You get the idea.
His biggest targets here are Debbie Gibson and Rick Astley, for whom he penned “Debbie Gibson Is Pregnant With My Two-Headed Love Child”. But Mojo is more than that…he’s a pretty creative dude, and he’s not as crude as you might think. Of course, he’s not for everyone, and his schtick can run thin, but he is entertaining, and he flirts with enough different musical styles (punk, soul, country rock, rockabilly) to keep it entertaining. “Chicken Drop” is an interesting romp, his take on Woody Guthrie’s “This Land Is Your Land” is unique, and the playing of Roper is pretty fine. The pair split up after this album, and Mojo moved on to record solo and with his later band, the Toadliquors. If you have to have some Mojo, get this one or Bo-Day-Shus!!! from 1987. Just don’t expect it to be great. [First added to this chart: 03/26/2026]
2002 – SOLID STATE
Produced By ADAM DUTKIEWICZ & NORMA JEAN
1. The Entire World Is Counting On Me, And They Don’t Even Know It
2. Face:Face
3. Memphis Will Be Laid To Waste (Feat. Aaron Weiss)
4. Creating Something Out Of Nothing, Only To Destroy It
5. Pretty Soon, I Don’t Know What, But Something Is Going To Happen
6. The Shotgun Message
7. Sometimes It’s Our Mistakes That Make For The Greatest Ideas
8. I Used To Hate Cell Phones, But Now I Hate Car Accidents
9. It Was As If The Dead Man Stood Upon The Air
10. The Human Face, Divine
11. Organized Beyond Recognition
In the world of misleading band names, Norma Jean has to be a frontrunner for King. Taking their moniker from Marilyn Monroe’s given name, this metalcore band from Georgia is a strange animal all the way around. Originally known as Luti-Kriss, they changed their name after a single album and proceeded to have so many members come and go that there is not a single original member left in the band. Bless The Martyr And Kiss The Child is their debut album as Norma Jean, complete with some fairly outrageous song titles and a deeply heavy and disturbing sound. Metalcore is music that combines extreme metal and hardcore punk…so if you don’t like your music hard, fast, loud and in your face, then this might not be for you.
Bless The Martyr And Kiss The Child is the only Norma Jean release to have not charted anywhere. They began having notable sales with their next album…including a strange run of top 3 albums on the Christian charts. The centerpiece here is “Pretty Soon…”, which really shows the band’s instrumental prowess. “Face:Face” and “Memphis Will Be Laid To Waste” are both excellent, and give a glimpse of how bright the future was going to be for this band. And even though they began losing key members after this release, Norma Jean was still able to grow into a formidable force of metal. This album simply rocks, so if that’s what you’re hoping for, you’ll be most pleased with this one. [First added to this chart: 03/15/2026]
Produced By ADAM DUTKIEWICZ & NORMA JEAN
1. The Entire World Is Counting On Me, And They Don’t Even Know It
2. Face:Face
3. Memphis Will Be Laid To Waste (Feat. Aaron Weiss)
4. Creating Something Out Of Nothing, Only To Destroy It
5. Pretty Soon, I Don’t Know What, But Something Is Going To Happen
6. The Shotgun Message
7. Sometimes It’s Our Mistakes That Make For The Greatest Ideas
8. I Used To Hate Cell Phones, But Now I Hate Car Accidents
9. It Was As If The Dead Man Stood Upon The Air
10. The Human Face, Divine
11. Organized Beyond Recognition
In the world of misleading band names, Norma Jean has to be a frontrunner for King. Taking their moniker from Marilyn Monroe’s given name, this metalcore band from Georgia is a strange animal all the way around. Originally known as Luti-Kriss, they changed their name after a single album and proceeded to have so many members come and go that there is not a single original member left in the band. Bless The Martyr And Kiss The Child is their debut album as Norma Jean, complete with some fairly outrageous song titles and a deeply heavy and disturbing sound. Metalcore is music that combines extreme metal and hardcore punk…so if you don’t like your music hard, fast, loud and in your face, then this might not be for you.
Bless The Martyr And Kiss The Child is the only Norma Jean release to have not charted anywhere. They began having notable sales with their next album…including a strange run of top 3 albums on the Christian charts. The centerpiece here is “Pretty Soon…”, which really shows the band’s instrumental prowess. “Face:Face” and “Memphis Will Be Laid To Waste” are both excellent, and give a glimpse of how bright the future was going to be for this band. And even though they began losing key members after this release, Norma Jean was still able to grow into a formidable force of metal. This album simply rocks, so if that’s what you’re hoping for, you’ll be most pleased with this one. [First added to this chart: 03/15/2026]
Total albums: 100. Page 1 of 10
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My Overall Chart: 2001-2100 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 3 | 3% | |
| 1970s | 19 | 19% | |
| 1980s | 16 | 16% | |
| 1990s | 28 | 28% | |
| 2000s | 26 | 26% | |
| 2010s | 7 | 7% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Various Artists | 4 | 4% | |
| Elton John | 2 | 2% | |
| Neil Young | 2 | 2% | |
| Eric Clapton | 2 | 2% | |
| Dion | 1 | 1% | |
| Regina Spektor | 1 | 1% | |
| Soulja Boy | 1 | 1% | |
| Show all | |||
My Overall Chart: 2001-2100 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2ndHis California Album by Bobby Bland |
| Down 1 from 2nd to 3rdFairweather EP by Scarlet Fields |
| Down 1 from 3rd to 4thAfterglow by Electric Light Orchestra |
| New entries |
|---|
| Hopes And Fears by Keane |
| Leavers |
|---|
| The Beautiful Letdown by Switchfoot |
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