Genres exist because it’s human nature to want to categorize things. We want to put everything, people, art, everything that exists, into little categories with certain attributes so that we don’t have to spend all of our time examining each individual thing to observe its unique properties. It’s just easier that way, it’s easier to see something and say “I now know what this thing is” because of how it has been categorized, either by us or someone else. This can be problematic though, especially in the world of music genres. If any one album fits perfectly into the hole of one genre, then chances are, that album is not particularly interesting (though this is not necessarily true). The best albums, the best music, transcends genres, they look genres in the face and directly defy them. The best music is the music that, when your friends ask about it, you say “It’s kind of a mix between….well it’s kind of like….. you know what just listen to it.” That’s what “You’re Dead!” is. There are so many different genres shoved into this 38-minute, 15-second album that it’ll make your head spin. This is one of the most all-over-the-place, neurotic, chaotic albums that I’ve ever heard. It’s really hard to pin it down in words, and that’s the beauty of it. Listening to this album is like being on a roller coaster with a loose lap-bar. The whole album deals with life and death, it feels like this album is about the futility of life, the futility of what you do with your life. It’s an album that absolutely requires, and will take by force, your whole attention, and needs multiple listenings, and even then, you might not even fully grasp what has just happened, as if you just witnessed a man resurrected from the dead, this album will be swirling around in your head and you may even question whether or not it actually happened, but be assured, it happened, and you loved every glorious, frantic second of it.
[First added to this chart: 10/16/2014]
Year of Release:
2014
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Rank Score:
1,633
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There is something so beautiful about the simplicity of a single note or a single chord. A single note or a single chord can often times evoke more emotion and more feeling than the most complex of pieces. I think it’s one of the things that makes Arvo Pärt’s “Tabula Rasa” as incredible as it is, the ability to take one note or one chord and make it say so much. That is what this album does. This is a simple album overall, Bing & Ruth are able to communicate a plethora of ideas and emotions through a completely minimalistic approach. And minimalism is the best word I can think of to describe this, it isn’t really ambient music because it’s too active, however it’s not far off. The music is always moving, it’s always going, even if it’s holding a note or a chord, it’s still silently moving. I have to give big, big credit to the clarinetists featured on this album, they are able to bend and manipulate pitches and notes in a way that fits absolutely perfectly with everything else on this album. Their tone and what they do is exactly what this album needs, the ability of this ensemble (simply two bassists, a cellist, two clarinetists, a tape-delay tech and a piano) to work together to create the atmosphere that they have created, one that begs the listener to just completely lose themselves, is just incredible. This is music you meld yourself with, it’s music that becomes a part of you and you become a part of it. You don’t do something listening to this album, you let this album wash over you, you listen to what it’s telling you. This is the power of music, to communicate things that cannot be communicated through words. This album is sadness, it’s loss, it’s longing, it’s pain, it’s the entire human experience wrapped up into one beautiful piece of work. It’s life-affirming.
[First added to this chart: 11/09/2014]
Year of Release:
2014
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Rank Score:
74
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Everybody dies. All over this album, there’s death. If it isn’t death, it’s life bringing someone down. This album is sad, but in a tragically beautiful way. If you’re unfamiliar with Sun Kil Moon, it’s the moniker under which former Red House Painters lead singer Mark Kozelek records. Kozelek has always been known for strong lyrics, but this is some of the most beautiful songwriting I’ve ever heard. Throughout this album, Kozelek is looking at life and questioning it, he’s questioning the chaotic nature of the world. He’s saying “why do bad things happen?” and I think what makes it so powerful, is that it sounds like it could be coming from anyone, it’s relatable. The very first song he sings about a cousin of his, Carissa, who dies in a freak accident taking out the trash when an aerosol can blows up. He says that shouldn’t happen, you don’t just struggle through life just to die cause someone accidentally threw away an aerosol can. But it happened, and Kozelek is trying to deal with that. In fact, a couple songs later on “Truck Driver”, virtually the same thing happens to his uncle, who dies burning trash and accidentally burns an aerosol can. Throughout this album, Kozelek is pondering life, he’s observing it, and he sings about love and loss in the most beautifully poetic way. This album is incredible, as I said, some of the strongest songwriting I’ve ever heard in my life.
Highlights include: “Carissa”, “I Can’t Live Without My Mother’s Love”, “Micheline” and “Ben’s My Friend”.
[First added to this chart: 02/06/2014]
Year of Release:
2014
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Rank Score:
4,354
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Man, I don’t even know where to start with this album. It’s a blend of so many great things to make one coherent album that’s just fantastic. It exudes the powerful passion that bombastic Bruce Springsteen albums had, it has the wall of sound power of neo-psychedelia and dream pop, and often times lead singer Adam Granduciel sings with a cadence that sounds exactly like Dire Straits’ Mark Knopfler. Everything about this album is expertly crafted, the composition, the lyrics, everything. This album can relax you, it can hit you with power and it can depress you. The songwriting is superb and the music is just fantastic. I can’t emphasize enough how much of an overall enjoyable listen this is.
Highlights include: “Red Eyes”, “An Ocean In Between The Waves”, “Under The Pressure” and “Lost In The Dream”.
[First added to this chart: 03/24/2014]
Year of Release:
2014
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Rank Score:
8,755
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Richard D. James is a genius. The man has an ability that few do, the way he is able to manipulate music, to subtly change small things here and there throughout songs is incredible. Sometimes instrumental electronic music can get boring, but not here, not even for a second. Every minute you’re discovering something new, like walking through a mansion, there’s another room, intricately decorated and you could spend hours just being in that room, but you move on to the hundred other rooms. It’s truly an incredible album, a beautiful album, and one well worth the wait.
[First added to this chart: 09/25/2014]
Year of Release:
2014
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Rank Score:
1,921
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Black metal is tricky. It can either be incredibly boring or it can be mind-bendingly good. The key to doing the latter is, in my opinion, variety. It’s one thing to sit there and scream for 45 minutes over 20 layers of guitars, it’s another thing to compose something that creates emotion. Nux Vomica creates an atmosphere here, they make something truly incredible. The album is only three tracks long, but each one is better than the last, the whole album culminating on the final track. It was the final track that put it over the edge for me, that made me realize the true genius of this album. The track sounds like battle, it sounds like war. Like guns are firing, people are dying and the world is crumbling around you, but you survive, and things get calm. Then you survey the battlefield, and you see the destruction, you see the death, and slowly, slowly, you slip into insanity. This album is an incredible roller coaster ride and worth every second.
[First added to this chart: 04/10/2014]
Year of Release:
2014
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Rank Score:
61
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I don’t even know where to begin with this album. It’s absolute insanity, as crazy and feverish as anything Swans or Current 93 have put out, like some kind of nightmare you never want to wake up from. This is a live collaboration project from Jenny Hval and Susanna Wallumrod, two Norwegian vocalists. All fifteen tracks on here are interconnected, one flowing into the other, and they all form one incredible piece that forces you to stop what you’re doing, shut up, and listen. Hval and Wallumrod are able to put something together that can sound like an absolute chaotic mess at times, but a controlled chaotic mess, if that makes any sense. It’s an album you have to hear to really get it, describing it is difficult. Just know, this album is a ride, a crazy, roller coaster of an album that will leave you going “What just happened?”.
[First added to this chart: 08/28/2014]
Year of Release:
2014
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Rank Score:
189
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Sturgill Simpson takes a page right out of Willie and Waylon’s book, making an album that sounds like it could be full of old covers. They’re structured exactly like old country songs, back when people said that country was just four chords and the truth. There’s a cover of When In Rome’s 80s hit “The Promise” which translates incredibly well into a country song. It goes from a catchy new-wave tune to a beautiful country ballad. All in all, this album is great, one of the best country albums to come out in a while.
Highlights include: “The Promise”, “Turtles All The Way Down” and “Panbowl”.
[First added to this chart: 08/13/2014]
Year of Release:
2014
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Rank Score:
825
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This was really impressive. This is how you write an indie rock album that will keep you interested. The music is enjoyable to listen to, it’s catchy, and it keeps you paying attention, it never retreats into itself, just playing the same thing over and over. It expands and goes on to new things. I got a major Local Natives vibe from these guys, similar two and three-part harmonies, though they’re a bit heavier in spots, adding more fuzzy guitar than Local Natives ever do. Overall, this album is really solid.
Highlights include: “You Are The Stars”, “Things Are Fallin’” and “How Do You Do It”.
[First added to this chart: 03/03/2014]
Year of Release:
2014
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Rank Score:
18
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Phil Beaudreau, lead singer of Shaimus, has embarked on a solo career and I have to say, if this is what’s coming from his solo career, I’m pumped. This is different than most of Shaimus’ stuff, it’s not nearly as rock-oriented, but rather more synthpop-like. Every instrument played on this album is played by Beaudreau, which is impressive when you listen to the album considering how much is going on throughout the album. The lyrics are great, the vocals are fantastic and virtually every song is catchy and enjoyable to listen to. There’s tons of variety too, even a song featuring a rapper by the name of Dawaun Parker, who also produced the album.
Highlights include: “Buried Alive”, “Take It High”, “Spark” and “Little Wild Fire”.
[First added to this chart: 01/23/2014]
Year of Release:
2014
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Rank Score:
14
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