My Overall Chart 1001-1100
by 
Romanelli 
- Chart updated: 10/27/2026 14:45
- (Created: 01/31/2024 14:43).
- Chart size: 100 albums.
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[First added to this chart: 10/15/2026]
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1994 – BAD BOY
Produced By BLUEZ BROTHERS, SEAN “PUFFY” COMBS, DJ PREMIER, EASY MO BEE, LORD FINESSE, POKE, DARNELL SCOTT & CHUCKY THOMPSON
1. Intro
2. Things Done Changed
3. Gimme The Loot
4. Machine Gun Funk
5. Warning
6. Ready To Die
7. One More Chance
8. #!*@ Me (Interlude)
9. The What
10. Juicy
11. Everyday Struggle
12. Me & My Bitch
13. Big Poppa
14. Respect
15. Friend Of Mine
16. Unbelieveable
17. Suicidal Thoughts
Christopher Wallace was also known as Biggie Smalls, also known as The Notorious B.I.G.. He was only 21 years old, and had recently married Faith Hill when Ready To Die, his debut album (and his only album released while he was alive), came out in September of 1994. While the subject matter of the album was dark (gang life, drugs, murder), it was apparent that Wallace had a true talent for putting together great tracks, great lyrical flow, and a rare sense of pop musicality. While the title Ready To Die turned out to be strangely prophetic, the future looked very bright for this young man. Ready To Die is smooth, creative, and perfect…it would have been interesting to have seen how he would have progressed had he lived. As it is, the album is a masterpiece of hip hop, a fine mixture of pop and exceptional flowing tracks with what can only be described as great lyrics.
The album contains a pair of hits that have more pop appeal than the rest of the disc. “Juicy” and “Big Poppa” alone would have made Ready To Die a classic…but it’s the rest of the content that makes it truly great. With a concept depicting the rappers life from birth to death, it flows flawlessly from start to finish, with tracks that are strong, bare, honest, frightening and even funny at times. Wallace was only 24 when he was killed in a drive by shooting in Los Angeles just weeks before his second album was due for release, having become involved in an east coast/west coast hip hop feud. The loss for the music industry has been massive, but Ready To Die is always there to remind us of just how talented and promising this man really was. A true hip hop masterpiece, a must have album, and one of the best and most interesting albums of the genre.
[First added to this chart: 02/14/2024]
Produced By BLUEZ BROTHERS, SEAN “PUFFY” COMBS, DJ PREMIER, EASY MO BEE, LORD FINESSE, POKE, DARNELL SCOTT & CHUCKY THOMPSON
1. Intro
2. Things Done Changed
3. Gimme The Loot
4. Machine Gun Funk
5. Warning
6. Ready To Die
7. One More Chance
8. #!*@ Me (Interlude)
9. The What
10. Juicy
11. Everyday Struggle
12. Me & My Bitch
13. Big Poppa
14. Respect
15. Friend Of Mine
16. Unbelieveable
17. Suicidal Thoughts
Christopher Wallace was also known as Biggie Smalls, also known as The Notorious B.I.G.. He was only 21 years old, and had recently married Faith Hill when Ready To Die, his debut album (and his only album released while he was alive), came out in September of 1994. While the subject matter of the album was dark (gang life, drugs, murder), it was apparent that Wallace had a true talent for putting together great tracks, great lyrical flow, and a rare sense of pop musicality. While the title Ready To Die turned out to be strangely prophetic, the future looked very bright for this young man. Ready To Die is smooth, creative, and perfect…it would have been interesting to have seen how he would have progressed had he lived. As it is, the album is a masterpiece of hip hop, a fine mixture of pop and exceptional flowing tracks with what can only be described as great lyrics.
The album contains a pair of hits that have more pop appeal than the rest of the disc. “Juicy” and “Big Poppa” alone would have made Ready To Die a classic…but it’s the rest of the content that makes it truly great. With a concept depicting the rappers life from birth to death, it flows flawlessly from start to finish, with tracks that are strong, bare, honest, frightening and even funny at times. Wallace was only 24 when he was killed in a drive by shooting in Los Angeles just weeks before his second album was due for release, having become involved in an east coast/west coast hip hop feud. The loss for the music industry has been massive, but Ready To Die is always there to remind us of just how talented and promising this man really was. A true hip hop masterpiece, a must have album, and one of the best and most interesting albums of the genre.
[First added to this chart: 02/14/2024]
Year of Release:
1994
Appears in:
Rank Score:
4,969
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Available from
1999 – WARNER BROS
Produced By TOM PETTY, MIKE CAMPBELL & RICK RUBIN
1. Room At The Top
2. Counting On You
3. Free Girl Now
4. Lonesome Sundown
5. Swingin’
6. Accused Of Love
7. Echo
8. Won’t Last Long
9. Billy The Kid
10. I Don’t Wanna Fight
11. This One’s For Me
12. No More
13. About To Give Out
14. Rhino Skin
15. One More Day, One More Night
Echo, the tenth album by Tom Petty & The Heartbreakers, is a strange sort of transitional album…something they didn’t have a lot of in their career. This was the first album with drummer Stan Lynch completely gone and replaced by Steve Ferrone. Touring member Scott Thurston was included in the recording for the first time…and they were in the process of sadly losing bassist Howie Epstein to his demons. Things were getting so bad with Epstein that when he failed to show up for the photo shoot for the album cover, Petty went ahead with it anyway, which is why Epstein is not pictured. This would be his last album before he died in 2003. But Petty & The Heartbreakers still managed to make a pretty good album. Not one brimming with immediate hits, and not perfect. But Echo is a sleeper. It’s deep and smart, and hold some of Petty’s finest songs.
The biggest hit was “Room At The Top”, a fine opener. “Free Girl Now”, “This One’s For Me”, and “Accused Of Love” are all very good. But for me, Echo wins simply because it contains my favorite Petty song of them all, “Swingin’”. It’s perfect, right down to Epstein’s hook of a backup vocal. Echo also contains the only Heartbreakers song that Petty does not sing lead on…it’s Mike Campbell singing “I Don’t Wanna Fight”. Ron Blair would be back for The Last DJ to replace Epstein, and Ferrone would be all settled in as well. When you think of all the great hits and moments of this band, Echo doesn’t usually come up. But it’s a real underrated gem of an album. By one of the greatest American bands. I very highly recommend this one. Don’t let it pass you by. [First added to this chart: 09/27/2026]
Produced By TOM PETTY, MIKE CAMPBELL & RICK RUBIN
1. Room At The Top
2. Counting On You
3. Free Girl Now
4. Lonesome Sundown
5. Swingin’
6. Accused Of Love
7. Echo
8. Won’t Last Long
9. Billy The Kid
10. I Don’t Wanna Fight
11. This One’s For Me
12. No More
13. About To Give Out
14. Rhino Skin
15. One More Day, One More Night
Echo, the tenth album by Tom Petty & The Heartbreakers, is a strange sort of transitional album…something they didn’t have a lot of in their career. This was the first album with drummer Stan Lynch completely gone and replaced by Steve Ferrone. Touring member Scott Thurston was included in the recording for the first time…and they were in the process of sadly losing bassist Howie Epstein to his demons. Things were getting so bad with Epstein that when he failed to show up for the photo shoot for the album cover, Petty went ahead with it anyway, which is why Epstein is not pictured. This would be his last album before he died in 2003. But Petty & The Heartbreakers still managed to make a pretty good album. Not one brimming with immediate hits, and not perfect. But Echo is a sleeper. It’s deep and smart, and hold some of Petty’s finest songs.
The biggest hit was “Room At The Top”, a fine opener. “Free Girl Now”, “This One’s For Me”, and “Accused Of Love” are all very good. But for me, Echo wins simply because it contains my favorite Petty song of them all, “Swingin’”. It’s perfect, right down to Epstein’s hook of a backup vocal. Echo also contains the only Heartbreakers song that Petty does not sing lead on…it’s Mike Campbell singing “I Don’t Wanna Fight”. Ron Blair would be back for The Last DJ to replace Epstein, and Ferrone would be all settled in as well. When you think of all the great hits and moments of this band, Echo doesn’t usually come up. But it’s a real underrated gem of an album. By one of the greatest American bands. I very highly recommend this one. Don’t let it pass you by. [First added to this chart: 09/27/2026]
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[First added to this chart: 09/08/2026]
Available from
2004-SHOUT
Produced By BEN FOLDS
1. Common People
2. It Hasn't Happened Yet
3. You'll Have Time
4. That's Me Trying
5. What Have You Done
6. Together
7. Familiar Love
8. Ideal Woman
9. Has Been
10. I Can't Get Behind That
11. Real
This album by Captain Kirk/Priceline Negotiator works exactly one time. On "Common People", a cover of the Pulp hit, Shatner is completely in his element. His spoken word style, strange as it is, fits the song like a glove. Aided by Ben Folds and Joe Jackson, the track shines and soars, even beyond where Pulp originally took it. "Common People" is a perfect track.
Unfortunately, what made the Shatner recordings of old so endearing is completely missing from the rest of the album. In other words...this album is too good and too perfect for Shatner. No one wants to hear his original songs polished to a fine shine by Folds...what would have made this a Godsend would have been a great selection of very unlikely cover songs. His own material is boring at best, and the other cover, Brad Paisley's "Real", is bad to begin with. Unfortunately, what Shatner tried to do was make a serious album. It fails miserably.
Has Been does, though, get points for "Common People". It's worth having on it's own, even if it is the only track you will ever play from the disc. [First added to this chart: 09/04/2026]
Produced By BEN FOLDS
1. Common People
2. It Hasn't Happened Yet
3. You'll Have Time
4. That's Me Trying
5. What Have You Done
6. Together
7. Familiar Love
8. Ideal Woman
9. Has Been
10. I Can't Get Behind That
11. Real
This album by Captain Kirk/Priceline Negotiator works exactly one time. On "Common People", a cover of the Pulp hit, Shatner is completely in his element. His spoken word style, strange as it is, fits the song like a glove. Aided by Ben Folds and Joe Jackson, the track shines and soars, even beyond where Pulp originally took it. "Common People" is a perfect track.
Unfortunately, what made the Shatner recordings of old so endearing is completely missing from the rest of the album. In other words...this album is too good and too perfect for Shatner. No one wants to hear his original songs polished to a fine shine by Folds...what would have made this a Godsend would have been a great selection of very unlikely cover songs. His own material is boring at best, and the other cover, Brad Paisley's "Real", is bad to begin with. Unfortunately, what Shatner tried to do was make a serious album. It fails miserably.
Has Been does, though, get points for "Common People". It's worth having on it's own, even if it is the only track you will ever play from the disc. [First added to this chart: 09/04/2026]
Available from
2009 – LEFSE
Produced By ALAN PALOMO
1. (AM)
2. Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I Knew, I’d Tell You)
6. 6669 (I Don’t Know If You Know)
7. Should Have Taken Acid With You
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (Reprise)
Neon Indian is the brainchild of Alan Paloma, a Mexican born musician who relocated to Denton, Texas. This electronic music group has been at it since 2008, although they haven’t had much in the way of commercial success. They also haven’t been very prolific in the way of releasing albums. Psychic Chasms is their debut, and they’ve released only two more records since. Although known as a band (and live shows are played by a full lineup), Psychic Chasms is played almost exclusively by Paloma, joined only by a guitarist on a couple of tracks. This record was liked by critics, but it was not widely heard and sold modestly. There are no hits here to speak of, so its reputation has been based solely on how it has worked as a whole.
“Deadbeat Summer” is the best song here, and it was a minor hit in Mexico. The rest is interesting electropop, and for the most part, it’s very good, if not memorable. Psychic Chasms is relatively brief, clocking in at just 30 minutes, which actually works in its favor…you won’t walk away from this feeling like you’ve had too much. In fact, it leaves you wishing there was at least a bit more. If more is what you crave, then there is a special edition released in 2010 that contains the original album plus another nine remixes. Psychic Chasms is a good start for Neon Indian, and it’s a good example of electronic music that doesn’t try to beat you over the head with beats. Neon Indian did an EP with The Flaming Lips in 2011 that’s worth a listen, and their other 2 albums good as well. Worth checking out! [First added to this chart: 03/23/2026]
Produced By ALAN PALOMO
1. (AM)
2. Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I Knew, I’d Tell You)
6. 6669 (I Don’t Know If You Know)
7. Should Have Taken Acid With You
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (Reprise)
Neon Indian is the brainchild of Alan Paloma, a Mexican born musician who relocated to Denton, Texas. This electronic music group has been at it since 2008, although they haven’t had much in the way of commercial success. They also haven’t been very prolific in the way of releasing albums. Psychic Chasms is their debut, and they’ve released only two more records since. Although known as a band (and live shows are played by a full lineup), Psychic Chasms is played almost exclusively by Paloma, joined only by a guitarist on a couple of tracks. This record was liked by critics, but it was not widely heard and sold modestly. There are no hits here to speak of, so its reputation has been based solely on how it has worked as a whole.
“Deadbeat Summer” is the best song here, and it was a minor hit in Mexico. The rest is interesting electropop, and for the most part, it’s very good, if not memorable. Psychic Chasms is relatively brief, clocking in at just 30 minutes, which actually works in its favor…you won’t walk away from this feeling like you’ve had too much. In fact, it leaves you wishing there was at least a bit more. If more is what you crave, then there is a special edition released in 2010 that contains the original album plus another nine remixes. Psychic Chasms is a good start for Neon Indian, and it’s a good example of electronic music that doesn’t try to beat you over the head with beats. Neon Indian did an EP with The Flaming Lips in 2011 that’s worth a listen, and their other 2 albums good as well. Worth checking out! [First added to this chart: 03/23/2026]
Available from
[First added to this chart: 02/14/2024]
Year of Release:
1966
Appears in:
Rank Score:
401
Rank in 1966:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
Available from
[First added to this chart: 01/19/2026]
Available from
1962 – ATCO
Produced By AHMET ERTEGUN, JERRY LEIBER & MIKE STOLLER
1. Don’t Play That Song (You Lied)
2. Ecstasy
3. On The Horizon
4. Show Me The Way
5. Here Comes The Night
6. First Taste Of Love
7. Stand By Me
8. Yes
9. Young Boy Blues
10. The Hermit Of Misty Mountain
11. I Promise Love
12. Brace Yourself
Ben E. King was originally a member of the vocal group The Five Crowns. When the entire lineup of The Drifters was fired in 1958, the Crowns were hired as their replacements. King recorded only about a dozen tracks as a Drifter, some of which were hits (and most of which are forgotten, except for “Save The Last Dance For Me”). King went solo in 1960, and with his 1962 album Don’t Play That Song! came the one track that has made him immortal. King co-wrote “Stand By Me” with Lieber & Stoller, and it remains one of the greatest tracks of the original rock and roll era. The rest of King’s body of work has faded from memory, but as soon as you hear that bass intro, and King’s smooth tenor, you know exactly who he is. “Stand By Me” is, by far, King’s crowning achievement, and makes him worthy of being mentioned in the same breath as the all time greats.
The rest of Don’t Play That Song! will surprise you. It contains lesser known tracks by Ahmet Ertegun, Goffin & King, Doc Pomus, and Phil Spector, and has four other songs that were minor hits for King. The title track, “First Taste Of Love”, “Ecstasy”, and “Young Boy Blues” made this, by far, King’s most successful album, and it’s well worth hearing more than 50 years later. The hits dried up for King pretty quickly after this album, although he did soldier on with some success for many years. The truth is, King was never the greatest Drifter (Clyde McPhatter was), and as a solo artist, he was never much of a household name. Except for “Stand By Me”, for which he will always be remembered and cherished. But check out Don’t Play That Song. It’s about as good a record in the pre-album era of rock as you will find…soulful, tasteful, and smooth as soul should be. [First added to this chart: 02/14/2024]
Produced By AHMET ERTEGUN, JERRY LEIBER & MIKE STOLLER
1. Don’t Play That Song (You Lied)
2. Ecstasy
3. On The Horizon
4. Show Me The Way
5. Here Comes The Night
6. First Taste Of Love
7. Stand By Me
8. Yes
9. Young Boy Blues
10. The Hermit Of Misty Mountain
11. I Promise Love
12. Brace Yourself
Ben E. King was originally a member of the vocal group The Five Crowns. When the entire lineup of The Drifters was fired in 1958, the Crowns were hired as their replacements. King recorded only about a dozen tracks as a Drifter, some of which were hits (and most of which are forgotten, except for “Save The Last Dance For Me”). King went solo in 1960, and with his 1962 album Don’t Play That Song! came the one track that has made him immortal. King co-wrote “Stand By Me” with Lieber & Stoller, and it remains one of the greatest tracks of the original rock and roll era. The rest of King’s body of work has faded from memory, but as soon as you hear that bass intro, and King’s smooth tenor, you know exactly who he is. “Stand By Me” is, by far, King’s crowning achievement, and makes him worthy of being mentioned in the same breath as the all time greats.
The rest of Don’t Play That Song! will surprise you. It contains lesser known tracks by Ahmet Ertegun, Goffin & King, Doc Pomus, and Phil Spector, and has four other songs that were minor hits for King. The title track, “First Taste Of Love”, “Ecstasy”, and “Young Boy Blues” made this, by far, King’s most successful album, and it’s well worth hearing more than 50 years later. The hits dried up for King pretty quickly after this album, although he did soldier on with some success for many years. The truth is, King was never the greatest Drifter (Clyde McPhatter was), and as a solo artist, he was never much of a household name. Except for “Stand By Me”, for which he will always be remembered and cherished. But check out Don’t Play That Song. It’s about as good a record in the pre-album era of rock as you will find…soulful, tasteful, and smooth as soul should be. [First added to this chart: 02/14/2024]
Available from
1997-EPIC
Produced By INDIGO GIRLS & DAVID LEONARD
1. Shame On You
2. Get Out The Map
3. Shed Your Skin
4. It’s Alright
5. Caramia
6. Don’t Give That Girl A Gun
7. Leeds
8. Scooter Boys
9. Everything In Its Own Time
10. Cut It Out
11. Burn All The Letters
12. Hey Kind Friend
By their sixth album, the sound of the Indigo Girls excellent self titled album had given way to more dense instrumentation, and unfortunately, a decline in the duo’s songwriting. Shaming Of The Sun is their low point, a collection of mostly forgettable songs that sounds almost completely uninspired…something that you’d never think of this group when they first appeared in 1989. But this was a full three years after the very good Swamp Ophelia, and the Girls had been struggling even then. By the time of this album, they sounded lost and more like they were going through the motions than anything else. By the last third of this album, you find yourself wondering why they even bothered. Tracks like “Scooter Boys”, “Burn All The Letters” and “Cut It Out” blend into each other in a singular mess that can be best described as “blah”.
But it doesn’t start out that way. “Shame On You” is one big, bad mother of a great song. Amy Ray sings it like she owns it (she does), and the full band setting, including some nice banjo picking by Emily Saliers, works to perfection with this folk anthem that should have been a hit for the Girls…but unfortunately wasn’t. “Shame On You” alone makes the album worth having, but there isn’t, unfortunately, much else to hang your hat on. “Get Out The Map” is good, but after “Shed Your Skin”, it’s a slow decline from there. You can get “Shame On You” on any compilation album released after 2000, which is all you really need from this album…but you really should have that song. Otherwise, pass in favor of pretty much anything else in their catalog. [First added to this chart: 04/25/2024]
Produced By INDIGO GIRLS & DAVID LEONARD
1. Shame On You
2. Get Out The Map
3. Shed Your Skin
4. It’s Alright
5. Caramia
6. Don’t Give That Girl A Gun
7. Leeds
8. Scooter Boys
9. Everything In Its Own Time
10. Cut It Out
11. Burn All The Letters
12. Hey Kind Friend
By their sixth album, the sound of the Indigo Girls excellent self titled album had given way to more dense instrumentation, and unfortunately, a decline in the duo’s songwriting. Shaming Of The Sun is their low point, a collection of mostly forgettable songs that sounds almost completely uninspired…something that you’d never think of this group when they first appeared in 1989. But this was a full three years after the very good Swamp Ophelia, and the Girls had been struggling even then. By the time of this album, they sounded lost and more like they were going through the motions than anything else. By the last third of this album, you find yourself wondering why they even bothered. Tracks like “Scooter Boys”, “Burn All The Letters” and “Cut It Out” blend into each other in a singular mess that can be best described as “blah”.
But it doesn’t start out that way. “Shame On You” is one big, bad mother of a great song. Amy Ray sings it like she owns it (she does), and the full band setting, including some nice banjo picking by Emily Saliers, works to perfection with this folk anthem that should have been a hit for the Girls…but unfortunately wasn’t. “Shame On You” alone makes the album worth having, but there isn’t, unfortunately, much else to hang your hat on. “Get Out The Map” is good, but after “Shed Your Skin”, it’s a slow decline from there. You can get “Shame On You” on any compilation album released after 2000, which is all you really need from this album…but you really should have that song. Otherwise, pass in favor of pretty much anything else in their catalog. [First added to this chart: 04/25/2024]
Total albums: 100. Page 1 of 10
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My Overall Chart 1001-1100 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 3 | 3% | |
| 1960s | 6 | 6% | |
| 1970s | 17 | 17% | |
| 1980s | 16 | 16% | |
| 1990s | 30 | 30% | |
| 2000s | 24 | 24% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| OutKast | 2 | 2% | |
| Urge Overkill | 2 | 2% | |
| Prince | 2 | 2% | |
| Kanye West | 2 | 2% | |
| Cheap Trick | 2 | 2% | |
| The Kinks | 2 | 2% | |
| The Rolling Stones | 2 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
67 | 67% | |
 |
21 | 21% | |
 |
5 | 5% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart 1001-1100 chart changes
| Biggest fallers |
|---|
Down 1 from 77th to 78th |
Down 1 from 78th to 79th |
Down 1 from 79th to 80th |
| New entries |
|---|
| Leavers |
|---|
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