My Overall Chart: 101-200
by 
Romanelli 
- Chart updated: 3 days ago
- (Created: 11/20/2012 01:44).
- Chart size: 100 albums.
There are 9 comments for this chart from BestEverAlbums.com members and My Overall Chart: 101-200 has an average rating of 86 out of 100 (from 25 votes). Please log in or register to leave a comment or assign a rating.
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2007-NEW WEST
Produced By JASON ISBELL & PATTERSON HOOD
1. Brand New Kind Of Actress
2. Down In A Hole
3. Try
4. Chicago Promenade
5. Dress Blues
6. Grown
7. Hurricanes And Hand Grenades
8. In A Razor Town
9. Shotgun Wedding
10. The Magician
11. The Devil Is My Running Mate
Jason Isbell joined the Drive By Truckers in 2001, and played on 3 of their albums before leaving for a solo career in 2007. His presence with the Truckers gave them a formidable 3 guitar, 3 writer lineup. He is an excellent songwriter...you only need to hear the excellent "Danko/Manuel" to know that.
Sirens Of The Ditch is his solo debut. His songs, as always, are great. The performance sounds tentative at times, and the album is less rocking than his work with DBT. "Brand New Kind Of Actress" (which is supposedly about the death of Lana Clarkson at Phil Spector's mansion), "Dress Blues" and "Hurricanes And Hand Grenades" are highlights. Not a bad album, but his next effort was much stronger. [First added to this chart: 07/22/2024]
Produced By JASON ISBELL & PATTERSON HOOD
1. Brand New Kind Of Actress
2. Down In A Hole
3. Try
4. Chicago Promenade
5. Dress Blues
6. Grown
7. Hurricanes And Hand Grenades
8. In A Razor Town
9. Shotgun Wedding
10. The Magician
11. The Devil Is My Running Mate
Jason Isbell joined the Drive By Truckers in 2001, and played on 3 of their albums before leaving for a solo career in 2007. His presence with the Truckers gave them a formidable 3 guitar, 3 writer lineup. He is an excellent songwriter...you only need to hear the excellent "Danko/Manuel" to know that.
Sirens Of The Ditch is his solo debut. His songs, as always, are great. The performance sounds tentative at times, and the album is less rocking than his work with DBT. "Brand New Kind Of Actress" (which is supposedly about the death of Lana Clarkson at Phil Spector's mansion), "Dress Blues" and "Hurricanes And Hand Grenades" are highlights. Not a bad album, but his next effort was much stronger. [First added to this chart: 07/22/2024]
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[First added to this chart: 10/28/2013]
Year of Release:
1992
Appears in:
Rank Score:
1,064
Rank in 1992:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 11/19/2012]
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[First added to this chart: 05/30/2016]
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2007- REPRISE
Produced By DAVID BRIGGS & NEIL YOUNG
1. On The Way Home
2. Tell Me Why
3. Old Man
4. Journey Through The Past
5. Helpless
6. Love In Mind
7. A Man Needs A Maid/Heart Of Gold Suite
8. Cowgirl In The Sand
9. Don't Let It Bring You Down
10. There's A World
11. Bad Fog Of Loneliness
12. The Needle And The Damage Done
13. Ohio
14. See The Sky About To Rain
15. Down By The River
16. Dance Dance Dance
17. I Am A Child
For the most part, I'm not a big fan of "lost" tracks. But it's different when an artist like Neil Young makes live recordings from his private archives public. Live At Massey Hall was recorded during Young's Journey Through The Past Solo Tour in 1971 at Massey Hall in Toronto. The album features only Young on guitar and piano, and is an amazingly well played set. Young has said that this should have been the record that came out between After The Gold Rush and Harvest, but he opted for a studio release.
Many of the songs here had yet to see record yet (all of the Harvest tracks, plus some others that surfaced on later albums). "Bad Fog Of Loneliness" is heard on record for the first time here, and "Dance Dance Dance" turned out to be an early version of "Love Is A Rose". In all, Massey Hall is a great record, well with the 34 year wait.
This is the second in the Neil Young Archives Performance Series. Thanks for sharing, Neil! [First added to this chart: 05/13/2017]
Produced By DAVID BRIGGS & NEIL YOUNG
1. On The Way Home
2. Tell Me Why
3. Old Man
4. Journey Through The Past
5. Helpless
6. Love In Mind
7. A Man Needs A Maid/Heart Of Gold Suite
8. Cowgirl In The Sand
9. Don't Let It Bring You Down
10. There's A World
11. Bad Fog Of Loneliness
12. The Needle And The Damage Done
13. Ohio
14. See The Sky About To Rain
15. Down By The River
16. Dance Dance Dance
17. I Am A Child
For the most part, I'm not a big fan of "lost" tracks. But it's different when an artist like Neil Young makes live recordings from his private archives public. Live At Massey Hall was recorded during Young's Journey Through The Past Solo Tour in 1971 at Massey Hall in Toronto. The album features only Young on guitar and piano, and is an amazingly well played set. Young has said that this should have been the record that came out between After The Gold Rush and Harvest, but he opted for a studio release.
Many of the songs here had yet to see record yet (all of the Harvest tracks, plus some others that surfaced on later albums). "Bad Fog Of Loneliness" is heard on record for the first time here, and "Dance Dance Dance" turned out to be an early version of "Love Is A Rose". In all, Massey Hall is a great record, well with the 34 year wait.
This is the second in the Neil Young Archives Performance Series. Thanks for sharing, Neil! [First added to this chart: 05/13/2017]
Year of Release:
2007
Appears in:
Rank Score:
547
Rank in 2007:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
6. (5) 1
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1989-RCA
Produced By TONY BERG
1. No Myth
2. Half Harvest
3. This & That
4. Brave New World
5. Innocent One
6. Disney's A Snow Cone/Bedlam Boys
7. Invisible
8. Cupid's Got A Brand New Gun
9. Big House
10. Battle Room
11. Evenfall
Yep. This is, indeed Sean Penn's little brother. And yes, the magic dust that seemed to bless the Penn children did not skip Michael. March is a strong debut album that came from nowhere to give us one of the more pleasant hit singles of 1989, the jangly acoustic "No Myth". What if I WAS Romeo in black jeans? But this wasn't just a one hit and a bunch of filler. March is actually a really good record.
The first 4 tracks are as strong a beginning of an album as you'll find. Catchy, melodic, and not a speck of cheese anywhere near it. "Brave New World" might be the catchiest song of the 80's that isn't buried in aquanet or new wave. And "Half Harvest", "This & That", and the awesome "Cupid's Got A Brand New Gun" are all just as good. (The last one, "Cupid", was actually partially recorded for my album...I almost covered it.)
March is not perfect...but it is really good. Definitely worth more than a spin, because this one does grow on you. [First added to this chart: 03/13/2024]
Produced By TONY BERG
1. No Myth
2. Half Harvest
3. This & That
4. Brave New World
5. Innocent One
6. Disney's A Snow Cone/Bedlam Boys
7. Invisible
8. Cupid's Got A Brand New Gun
9. Big House
10. Battle Room
11. Evenfall
Yep. This is, indeed Sean Penn's little brother. And yes, the magic dust that seemed to bless the Penn children did not skip Michael. March is a strong debut album that came from nowhere to give us one of the more pleasant hit singles of 1989, the jangly acoustic "No Myth". What if I WAS Romeo in black jeans? But this wasn't just a one hit and a bunch of filler. March is actually a really good record.
The first 4 tracks are as strong a beginning of an album as you'll find. Catchy, melodic, and not a speck of cheese anywhere near it. "Brave New World" might be the catchiest song of the 80's that isn't buried in aquanet or new wave. And "Half Harvest", "This & That", and the awesome "Cupid's Got A Brand New Gun" are all just as good. (The last one, "Cupid", was actually partially recorded for my album...I almost covered it.)
March is not perfect...but it is really good. Definitely worth more than a spin, because this one does grow on you. [First added to this chart: 03/13/2024]
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[First added to this chart: 11/19/2012]
Year of Release:
1977
Appears in:
Rank Score:
10,572
Rank in 1977:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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1970-A&M
Produced By DENNY CORDELL & LEON RUSSELL
1. Introduction
2. Honky Tonk Women
3. Introduction
4. Sticks And Stones
5. Cry Me A River
6. Bird On The Wire
7. Feelin’ Alright
8. Superstar
9. Introduction
10. Let’s Go Get Stoned
11. Blue Medley: I’ll Drown In My Own Tears/When Something Is Wrong With My Baby/I’ve Been Loving You Too Long
12. Introduction
13. Girl From The North Country
14. Give Peace A Chance
15. Introduction
16. She Came In Through The Bathroom Window
17. Space Captain
18. The Letter
19. Delta Lady
Joe Cocker has always been more of a cover artist than anything else, so he’s always at the mercy of those around him who select material for him. As a result, we’ve had to endure things like “Up Where We Belong” , and decades of bad to worse albums. But in the beginning, Cocker had people like Denny Cordell and Leon Russell on his side…and a huge sense of adventure that allowed him to take on the biggest of songs. On this live album, Cocker tackles The Rolling Stones, The Beatles, Traffic, Bob Dylan and more, and it’s easy to see why he was such a hit at Woodstock.
Cocker has a lot to deal with here, however. The band is massive (three drummers and a full choir), which gives him a lot to have to pay attention to. His vocals don’t suffer, but the songs sometimes do. Having a terrified sounding Rita Coolidge sing Russell’s classic “Superstar” is a low point. But, as has always been the case with Cocker, the better the song, the better the performance. This is worth having…although if you’re a true fan you can get later and more expansive versions, including a six disc monstrosity of the entire two day run at the Filmore East. [First added to this chart: 07/27/2024]
Produced By DENNY CORDELL & LEON RUSSELL
1. Introduction
2. Honky Tonk Women
3. Introduction
4. Sticks And Stones
5. Cry Me A River
6. Bird On The Wire
7. Feelin’ Alright
8. Superstar
9. Introduction
10. Let’s Go Get Stoned
11. Blue Medley: I’ll Drown In My Own Tears/When Something Is Wrong With My Baby/I’ve Been Loving You Too Long
12. Introduction
13. Girl From The North Country
14. Give Peace A Chance
15. Introduction
16. She Came In Through The Bathroom Window
17. Space Captain
18. The Letter
19. Delta Lady
Joe Cocker has always been more of a cover artist than anything else, so he’s always at the mercy of those around him who select material for him. As a result, we’ve had to endure things like “Up Where We Belong” , and decades of bad to worse albums. But in the beginning, Cocker had people like Denny Cordell and Leon Russell on his side…and a huge sense of adventure that allowed him to take on the biggest of songs. On this live album, Cocker tackles The Rolling Stones, The Beatles, Traffic, Bob Dylan and more, and it’s easy to see why he was such a hit at Woodstock.
Cocker has a lot to deal with here, however. The band is massive (three drummers and a full choir), which gives him a lot to have to pay attention to. His vocals don’t suffer, but the songs sometimes do. Having a terrified sounding Rita Coolidge sing Russell’s classic “Superstar” is a low point. But, as has always been the case with Cocker, the better the song, the better the performance. This is worth having…although if you’re a true fan you can get later and more expansive versions, including a six disc monstrosity of the entire two day run at the Filmore East. [First added to this chart: 07/27/2024]
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2007 – LOST HIGHWAY
Produced By MARC FORD
1. Southside Of Heaven
2. The Other Side
3. Bread And Water
4. Don’t Wait For Me
5. Boracho Station
6. Sunshine
7. Ghost Of Travelin’ Jones
8. Hard Times
9. Dollar A Day
10. Take It Easy Mama
11. Long Way From Georgia
12. Ever Wonder Why
13. Sunrise
14. For What It’s Worth
Ryan Bingham may be a young man, but his voice and his songwriting suggest that he’s been down some of the same roads as Tom Waits. After having made a name for himself in Texas for years with his band The Dead Horses, Bingham was signed to Lost Highway records, who surprisingly paired him up with producer Marc Ford, best known as the one time lead guitarist for The Black Crowes. His first major label album, Mescalito, shows Bingham as an already seasoned veteran, and it’s a winner. Although his vocal style may be limiting at times, Bingham makes the most of what he has, and conveys all of the emotion necessary for great Americana / alt-country storytelling. But what Bingham has the most of are songs. Mescalito is filled to the brim with fine tales, given extra drama by Bingham’s own voice and some fine playing, led by none other than Ford himself, who adds a lot to the album.
The opener, “Southside Of Heaven”, is a rolling country slice of perfection about life on the road, and still stands as one of Bingham’s finest moments. Other highlights include “Don’t Wait For Me”, “Bread And Water” (Ford plays a scorching slide riff on this one), and the rollicking “Ghost Of Travelin’ Jones”, but nearly every track is a refreshing slice of Americana. Bingham sometimes brings to mind Steve Earle or Bruce Springsteen, or a combination of both, which is no small feat. Mescalito has moments of country beauty (“the outro of “Southside Of Heaven” is all mandolins and banjo and back porch joy), moments where it rocks just enough (“The Other Side”), and even a bit of mariachi (“Boracho Station”) In all, Mescalito is the perfect place to start a country journey that avoids the pop disasters of current Nashville music. And it’s the perfect place to start a journey through the discography of Bingham, one of the brightest lights in country today. [First added to this chart: 06/06/2024]
Produced By MARC FORD
1. Southside Of Heaven
2. The Other Side
3. Bread And Water
4. Don’t Wait For Me
5. Boracho Station
6. Sunshine
7. Ghost Of Travelin’ Jones
8. Hard Times
9. Dollar A Day
10. Take It Easy Mama
11. Long Way From Georgia
12. Ever Wonder Why
13. Sunrise
14. For What It’s Worth
Ryan Bingham may be a young man, but his voice and his songwriting suggest that he’s been down some of the same roads as Tom Waits. After having made a name for himself in Texas for years with his band The Dead Horses, Bingham was signed to Lost Highway records, who surprisingly paired him up with producer Marc Ford, best known as the one time lead guitarist for The Black Crowes. His first major label album, Mescalito, shows Bingham as an already seasoned veteran, and it’s a winner. Although his vocal style may be limiting at times, Bingham makes the most of what he has, and conveys all of the emotion necessary for great Americana / alt-country storytelling. But what Bingham has the most of are songs. Mescalito is filled to the brim with fine tales, given extra drama by Bingham’s own voice and some fine playing, led by none other than Ford himself, who adds a lot to the album.
The opener, “Southside Of Heaven”, is a rolling country slice of perfection about life on the road, and still stands as one of Bingham’s finest moments. Other highlights include “Don’t Wait For Me”, “Bread And Water” (Ford plays a scorching slide riff on this one), and the rollicking “Ghost Of Travelin’ Jones”, but nearly every track is a refreshing slice of Americana. Bingham sometimes brings to mind Steve Earle or Bruce Springsteen, or a combination of both, which is no small feat. Mescalito has moments of country beauty (“the outro of “Southside Of Heaven” is all mandolins and banjo and back porch joy), moments where it rocks just enough (“The Other Side”), and even a bit of mariachi (“Boracho Station”) In all, Mescalito is the perfect place to start a country journey that avoids the pop disasters of current Nashville music. And it’s the perfect place to start a journey through the discography of Bingham, one of the brightest lights in country today. [First added to this chart: 06/06/2024]
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1988-ELEKTRA
Produced By DAVID KERSHENBAUM
1. Talkin’ Bout A Revolution
2. Fast Car
3. Across The Lines
4. Behind The Wall
5. Baby Can I Hold You
6. Mountains O’ Things
7. She’s Got Her Ticket
8. Why?
9. For My Lover
10. If Not Now…
11. For You
Out of the wasteland of dying classic rock, hair metal, dance pop and synthesizer driven music of the 1980’s came this Tufts University protest singer and her acoustic guitar. Turned down by numerous producers because she wasn’t any of the above, Tracy Chapman was finally hooked up with David Kershenbaum, who was brave enough to let her be who she was in a musical landscape that did not support what she was doing at all. The result is one of the most striking debut albums ever made, and a shining beacon during one of music’s most dismal times. Tracy Chapman had something to say, and she said it well. Compared frequently and accurately to Joan Armatrading, Chapman’s debut album is a thing of beauty. Even though it does contain a couple of clunkers, as a whole it’s nearly perfect. The song that made the world take notice of Chapman was “Fast Car”, a beautifully told story of a life struggle within the boundaries of poverty and alcoholism. “Fast Car” was the unlikeliest of huge hits, and still stands as one of the best songs of the decade.
“Talkin’ Bout A Revolution” is a protest anthem that would have been perfect in the late 1960’s. “For My Lover” may be her most beautiful song, while “Behind The Wall” is a brave a cappella picture of inner city life. Also of note are “She’s Got Her Ticket”, which brings reggae into the mix, and “Across The Lines”. The album is almost as good as, and draws comparisons to, Armatrading’s self titled debut album. Her career has continued on, with not surprisingly less success (after all, this isn’t the kind of stuff that consistently sells a lot of units), and she’s never quite matched the magic of her debut, but this album should still be a must have. It’s so much more than just “Fast Car”, which is all that it’s remembered for today. It’s proof that, once in a while, beautiful music can come from nowhere. She’s more of an artist than a hitmaker, and more of a storyteller than a star. It’s hard too not appreciate Chapman for any of that. [First added to this chart: 05/28/2019]
Produced By DAVID KERSHENBAUM
1. Talkin’ Bout A Revolution
2. Fast Car
3. Across The Lines
4. Behind The Wall
5. Baby Can I Hold You
6. Mountains O’ Things
7. She’s Got Her Ticket
8. Why?
9. For My Lover
10. If Not Now…
11. For You
Out of the wasteland of dying classic rock, hair metal, dance pop and synthesizer driven music of the 1980’s came this Tufts University protest singer and her acoustic guitar. Turned down by numerous producers because she wasn’t any of the above, Tracy Chapman was finally hooked up with David Kershenbaum, who was brave enough to let her be who she was in a musical landscape that did not support what she was doing at all. The result is one of the most striking debut albums ever made, and a shining beacon during one of music’s most dismal times. Tracy Chapman had something to say, and she said it well. Compared frequently and accurately to Joan Armatrading, Chapman’s debut album is a thing of beauty. Even though it does contain a couple of clunkers, as a whole it’s nearly perfect. The song that made the world take notice of Chapman was “Fast Car”, a beautifully told story of a life struggle within the boundaries of poverty and alcoholism. “Fast Car” was the unlikeliest of huge hits, and still stands as one of the best songs of the decade.
“Talkin’ Bout A Revolution” is a protest anthem that would have been perfect in the late 1960’s. “For My Lover” may be her most beautiful song, while “Behind The Wall” is a brave a cappella picture of inner city life. Also of note are “She’s Got Her Ticket”, which brings reggae into the mix, and “Across The Lines”. The album is almost as good as, and draws comparisons to, Armatrading’s self titled debut album. Her career has continued on, with not surprisingly less success (after all, this isn’t the kind of stuff that consistently sells a lot of units), and she’s never quite matched the magic of her debut, but this album should still be a must have. It’s so much more than just “Fast Car”, which is all that it’s remembered for today. It’s proof that, once in a while, beautiful music can come from nowhere. She’s more of an artist than a hitmaker, and more of a storyteller than a star. It’s hard too not appreciate Chapman for any of that. [First added to this chart: 05/28/2019]
Year of Release:
1988
Appears in:
Rank Score:
3,963
Rank in 1988:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 101-200 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 13 | 13% | |
| 1970s | 21 | 21% | |
| 1980s | 17 | 17% | |
| 1990s | 25 | 25% | |
| 2000s | 21 | 21% | |
| 2010s | 3 | 3% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| The Beatles | 6 | 6% | |
| Son Volt | 3 | 3% | |
| Uncle Tupelo | 2 | 2% | |
| Steve Earle | 2 | 2% | |
| Led Zeppelin | 2 | 2% | |
| Jason Isbell | 2 | 2% | |
| The Jayhawks | 2 | 2% | |
| Show all | |||
My Overall Chart: 101-200 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2nd It's A Shame About Ray by The Lemonheads |
| Down 1 from 2nd to 3rd Wide Swing Tremolo by Son Volt |
| Down 1 from 3rd to 4th Pontiac by Lyle Lovett |
| New entries |
|---|
| Sirens Of The Ditch by Jason Isbell |
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My Overall Chart: 101-200 similarity to your chart(s)
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My Overall Chart: 101-200 ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 5 ratings for this chart. | Show all 25 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| ! | 03/14/2025 17:51 |  SomethingSpecial | 1,104 | 85/100 |
| ! | 09/24/2018 01:13 | DJENNY | 4,365 | 100/100 |
| ! | 08/15/2018 05:46 |  Purplepash | 1,689 | 88/100 |
| ! | 08/14/2018 21:09 |  CharlieBarley | 477 | 94/100 |
| ! | 08/14/2018 17:52 |  ForegroundNoise | 473 | 87/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart has a Bayesian average rating of 86.3/100, a mean average of 84.4/100, and a trimmed mean (excluding outliers) of 86.5/100. The standard deviation for this chart is 14.6.
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My Overall Chart: 101-200 comments
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From CharlieBarley 08/14/2018 21:10 | #219689
CharlieBarley 08/14/2018 21:10 | #219689
Very nice extra chart. Expands your musical tastes and the notes are good. Good to see Led Zep and good to see the Semisonic album too.
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From 
Oselju 05/09/2017 07:38 | #190538
Oselju 05/09/2017 07:38 | #190538
A ranking of 100 better albums is very complicated.
I don't know if a ranking of 1000 better albums is meaningful. I'm not sure.
But some good choices in this chart.
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From mightyram 10/08/2014 18:45 | #123744
Difficult to judge withou talking the first 100 in account at the same, when the site in not really designed for it. Like the intent and like lots of the albums though.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 
LedZep 10/08/2014 18:32 | #123738
LedZep 10/08/2014 18:32 | #123738
you have 5 or 6 Led Zeppelin albums in first 40… I think some of them could've been in first 100… Back in Black, Sg. Pepper and Highway 69 too. But I appreciate your work, I mean best 1000 albums, great.
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From 
HoldenM 10/08/2014 08:44 | #123692
HoldenM 10/08/2014 08:44 | #123692
Tons of excellent albums.
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From quadrophenia17 11/15/2013 17:21 | #92616
Nice to see you made a great chart outside your top 100!
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 
Antonio-Pedro 10/24/2013 19:56 | #89117
Antonio-Pedro 10/24/2013 19:56 | #89117
Wow This Chart Made Me Think About Waht Type Of Songs The Society Ignores.But They Are fu**ing Good Even Those Idiots Can't See Excellent Chart
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From replacementlevel 08/28/2013 20:08 | #84717
We have very different tastes, but I admire your willingness to go beyond 100. Nice to see "Highway 61 Revisited" finally show up.
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
From guigs13 01/10/2013 01:22 | #60877
Very nice chart!
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
Your feedback for My Overall Chart: 101-200
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| Best Artists of the 1960s | |
|---|---|
| 1. The Beatles | |
| 2. The Velvet Underground | |
| 3. Jimi Hendrix | |
| 4. Bob Dylan | |
| 5. The Beach Boys | |
| 6. The Jimi Hendrix Experience | |
| 7. The Velvet Underground & Nico | |
| 8. The Doors | |
| 9. Led Zeppelin | |
| 10. The Rolling Stones | |
| 11. John Coltrane | |
| 12. King Crimson | |
| 13. Frank Zappa | |
| 14. The Kinks | |
| 15. Love | |
| 16. Neil Young | |
| 17. Charles Mingus | |
| 18. Van Morrison | |
| 19. Miles Davis | |
| 20. The Zombies |
