The one comparison that comes to mind when listening to this is F♯ A♯ ∞, Godspeed's debut. That album was the soundtrack of the apocalypse and this is the soundtrack of the void, where everything goes to die. The fact this is made of samples from old tv commercials makes me feel even more certain of that, as if they've come back from the dead, to make this droning reminder of death. His previous records felt more like landscapes, expanding, seeminglying mapping out space. This, however, is a far more intimate album, one whose truths feel far more relatable. It's his best album, even better than the masterful Returnal or Zones Without People. It's one of my favorite records of the decade. It's one of the most haunting, beautiful albums I've ever heard.

The epitome of informed simplicity. Its cold vibrations invade my spine and bend me to its will.