Born To Die (studio album) by Lana Del Rey
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Lana Del Rey bestography
Born To Die is ranked 2nd best out of 11 albums by Lana Del Rey on BestEverAlbums.com.
The best album by Lana Del Rey is Norman Fucking Rockwell! which is ranked number 220 in the list of all-time albums with a total rank score of 7,469.
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Born To Die track list
The tracks on this album have an average rating of 80 out of 100 (all tracks have been rated).
Top-rated track as rated by BestEverAlbums.com members.
Born To Die rankings
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Born To Die ratings
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Showing latest 5 ratings for this album. | Show all 851 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
12/04/2024 14:41 | boppare | 2,829 | 78/100 | |
12/04/2024 11:13 | TheWongs | 633 | 71/100 | |
11/28/2024 04:14 | Proto | 2,250 | 39/100 | |
11/14/2024 15:24 | davidleewrong | 2,133 | 81/100 | |
11/12/2024 22:26 | BurndenAce | 642 | 78/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 72.4/100, a mean average of 71.0/100, and a trimmed mean (excluding outliers) of 72.4/100. The standard deviation for this album is 19.6.
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Easily her best album imo
Not bad. Some good songs here and there.
I felt from when I first this album that there was something exciting, new and very contemporary in sound of Lana Del Rey; I actually still do, after 10 years. With elements from both Dido and Kate Bush, I think that producer Emile Haynie has created a sound that is very modern which incorporates the feelings of disillusionment which characterizes our times.
There are several really good songs which lyrically corresponds well to the music. The title track is perhaps the number most people will know from the radio, but for me "Blue Jeans" is the absolute highligt, both melodic and catchy - magnificent!
"Dark Paradise" has not been released as a single, even though the song to my ears was a more obvious choice than a couple of the other five singles that have been pulled from the album.
It can be stated that more songs remind pretty much of each other, but still each very good.
One song which really stands out from the rest is "Million Dollar Man", which has a more jazzy sound. There are also some James Bond-ish in both melody and production. I would not be surprised if Del Rey is offered the title song for one the next Agent 007 movies.
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The style of music is consistent throughout with some huge hits which are some of her best tracks. However, due to the repetitiveness from song to song the weaker tracks really stand out as being inferior. This leads to an up and down listen where the consistency of quality is all over the place. This melancholic pop style does get boring and worn out by the end of the record as well with a few of the tracks nearer the end being a real drag. Despite this, her voice is fantastic all the way through and there is quite a lot of depth in the music as well. This is primarily due to the diverse instrumentation that is present on here and it is always enjoyable to have an album where you can notice new things with every revisit. Overall, there are some outstanding moments on here but I am not a huge fan of this style of music and for me it isn't as consistent as it could be.
Yeah. This is fake deep. I still enjoyed it though. I don't know what that says about me.
Strong 6
The main inspiration for the subgenre of sad pop (melancholic pop?), a subcategory of baroque pop I'd say. Strangely, I'd say it has been mixed with hip hop, since a lot of beats (the songs that do have beats) are boom bap on paper. People who do not intend to actively mix genres or evolve existing ones keep surprising me, while the people that put all effort in making something the critics will scratch their heads to keep boring me to death (cough* Joanna Newsom). And don't say they're comparable, 'cause following that logic even Moloko's late work can be held responsible for the sad pop wave in the early '10s, which would be ridiculous, and boils down to a logic that doesn't go deeper than "it's baroque pop plus a woman so it's the same", which might be followed by a condescending "everybody knows, it's the truth, kiss kiss".
In retrospect this album must be much more appreciated than its current position suggests. People at the time had no idea where Lana Del Rey would be going and what key position this album holds in single female singers' albums . This album will be remembered as a classic in due time.
This album is way underrated, should be in the top 200 at least! Once in a generation ultragorgeous voice!
Lana has that nostalgic vibe in her music that anyone can tell it's her. She took a path and went full on it. Wich It means If you don't like this type of thing, them It will never hit you. This is an debut from an artist that from the beggining knew what It wanted to be.
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