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431.

Sketches Of Spain 

 Miles Davis

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"So what if it's not Jazz? Who said it had to be Jazz?"  Reply

- daftpunter | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1960

Appears in:

569 charts

Rank Score:

3,904

Rank in 1960:

1

Rank in 1960s:

58

Overall Rank:

431

Average Rating:

 82 (698 votes)

Comments:

28

432.

Bossanova 

 Pixies

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"The outerspace surfing expedition goes awry when sharks with lasers begin circling the crew."  Reply

- meccalecca | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

606 charts

Rank Score:

3,897

Rank in 1990:

5

Rank in 1990s:

75

Overall Rank:

432

Average Rating:

 79 (951 votes)

Comments:

47

433.

Please Please Me 

 The Beatles

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"So this is where it all started with ten of the songs recorded in an eleven hour session. It features their two singles up to that point, love me do and the title track. The other standouts from Lennon-McCartney are the rollicking opener, I saw her standing there and the beautiful and overlooked ...""So this is where it all started with ten of the songs recorded in an eleven hour session. It features their two singles up to that point, love me do and the title track. The other standouts from Lennon-McCartney are the rollicking opener, I saw her standing there and the beautiful and overlooked ask me why. The best of the covers is Lennon's take on Arthur Alexander's anna(go to him) and off course the gritty take on twist and shout, recorded at the very end of that mammoth session. The album really has the sound of Hamburg and the cavern all over it. A very, very good start. I wonder whatever happened to them. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1963

Appears in:

716 charts

Rank Score:

3,893

Rank in 1963:

3

Rank in 1960s:

59

Overall Rank:

433

Average Rating:

 77 (1,743 votes)

Comments:

101

434.

Run The Jewels 2 

 Run The Jewels

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"Seriously, listening to 40 mins of El-P and Killer Mike calling out all the fuckboys in the world is as good as it gets. Yeah i know that's not representative of the entire album but its bloody refreshing to finally hear a hip hop record with the balls to ignore label stereotypes yet still be as ...""Seriously, listening to 40 mins of El-P and Killer Mike calling out all the fuckboys in the world is as good as it gets. Yeah i know that's not representative of the entire album but its bloody refreshing to finally hear a hip hop record with the balls to ignore label stereotypes yet still be as unforgiving and as hedonistic as a proper rap record should be. Both these guys have tremendous flow and ability. Hell, their teamwork is so fluid you forget these guys have only been working with one another for a couple of years. With harsh, beefy production and hilariously-sordid lines like "you can all run naked backwards through a field of dicks", it becomes fairly apparent that RTJ2 is the album that 2014 desperately needed. Best Track: Angel Duster"  [+]  Reply

- vinnid127 | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

602 charts

Rank Score:

3,877

Rank in 2014:

4

Rank in 2010s:

57

Overall Rank:

434

Average Rating:

 82 (771 votes)

Comments:

41

435.

XO 

 Elliott Smith

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"To fully appreciate and understand 'XO' context is really important The 'XO' journey really begins the year prior in 1997 with Smiths break through release 'Either/Or'as well as his appearance on the Good Will Hunting Soundtrack ("Miss Misery") and with their release the genie was out of the bott...""To fully appreciate and understand 'XO' context is really important The 'XO' journey really begins the year prior in 1997 with Smiths break through release 'Either/Or'as well as his appearance on the Good Will Hunting Soundtrack ("Miss Misery") and with their release the genie was out of the bottle - Smith was suddenly huge outside of the Portland area. Clearly the shy and reserved Smith struggled with his new found notoriety as his drinking , drug use and depression spiralled out of controlled around this same time , eventually friends and family would perform an intervention in Chicago resulting in Smith departing Portland and relocating to Brooklyn New York. Much of 'XO' was written around this tumultuous time in Smiths life Fast forward to 1998 and much the much of the angst Smith was feeling the year prior comes pouring out on 'XO' most notably in "Everybody Cares Everybody Understands" questioning the wisdom of the intervention and pretty much asking everyone to leave him the fuck alone , whilst "Waltz 2" (Lyrics: " XO, mom / It's ok, it's alright, nothing's wrong/Tell mr. man with impossible plans to just leave me alone" ) explores similar themes The title of 'XO' says it all - it's X (kiss ) O (Hug) , see ya later , all the best no hard feelings 'XO' is Smiths most accomplished work and is a diary of an artist struggling with fame and fraying apart at the seems seemingly into the abyss Its an often over used term but 'XO' isn't just Smith's masterpiece but it's a master class in song writing by a generational artist 'I'm never gonna know you now, but I'm gonna love you anyhow'"  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

525 charts

Rank Score:

3,870

Rank in 1998:

7

Rank in 1990s:

76

Overall Rank:

435

Average Rating:

 82 (665 votes)

Comments:

18

436.

Rock Bottom 

 Robert Wyatt

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"Here's an updated review I just posted on www.listology.com (another great site)..."Arranged as a complete bout of stream-of-consciousness, cast from a holy scripting of instrumental brotherhood, comes a deep exhale of "oneness" steeped in universal tragedy and spearheaded by a tra...""Here's an updated review I just posted on www.listology.com (another great site)..."Arranged as a complete bout of stream-of-consciousness, cast from a holy scripting of instrumental brotherhood, comes a deep exhale of "oneness" steeped in universal tragedy and spearheaded by a trance of destiny through an enigmatic malaise, Wyatt assumes an improbable plethora of emotional identities, each magnified by an impossible sense of self awareness and clarity that, en masse, forces into existence an otherwise impenetrable subjectivity of the greatest integrity, character and conviction. In a communal mustering of the affinities of the universe: elemental, spiritual, physical and natural, the work progresses as a prodigal event. A happening. Not just a recording of an event, but a miracle unfolding. As a single entity where each aspect is interconnected to a greater whole, a single thrust, a single emotion that encapsulates within it, all emotions, all expressions, all viewpoints and beingness. A spiritual ascension that, incredibly, becomes increasingly disoriented, flummoxed and senseless the more awareness it acquires, the more profundity it emotes; thus mired in an ultimate dichotomy, blossoming from a gradually upending kaleidescope of succumbing emotional episodes. Sea Song, fraught with a narcotic, otherworldly milieu and contemplated by a profound, painfully heavy impression of sorrow, is a funeral march on a despairing search for answers. It magically erupts into a submerged, overwhelmed choir and then into the passionate, lost grief of Wyatt's lone, plaintive and confused cries as the keyboards strike repeating chords, haunting and ominous. A Last Straw floats oceanic, ascending and descending in eternal swim. It moves in an unorthodox, cyclic, rhythmic pulse as Wyatt calls out like a dying, drowning mammal, in between flexibly patterned, elastic percussion before the bottom drops out in a series of descending, increasingly dreadful, low notes. Little Red Riding Hood Hit the Road explodes in a sensational, vibrant show, a coalescing influx of multi-faceted liberation, the unfurling of states of being; of mind over matter; Buddhi. It is a confused, colliding series of transformations, infusing Wyatt into and out of existence. His words carry in and out of the brilliant, frenzied strobe light vacuum, slowing down, speeding up, and dramatically reversing direction into inverse semantics and back again. Alifib/Alife opens as a dramatic rebirth, an ode to his loved one, a naked solitude at the beginning of the universe. Wyatt casts tears of regret into constellations of sparkling love beneath a calm and drifting sea, and sinking ever so slowly he gradually drowns away, farther and farther from her. Beneath his lonely keyboard strokes, his voice calls out over and over in a sacred whisper of paralyzed and comatose cardiac arrest. He is praying for her from the brink of death, trying to bring himself back, trying to postulate their togetherness back into reality. Simultaneously he sings a hymn from the edge of birth, mourning their distance and failures in an aching poem of clumsy baby talk, thus dying for her and living for her, now reborn in a heartbreaking show of eternal dependency; as with a newborn to his mother. Drowning further, a gradual rise of calamity, confusion and suspense ensues. Wyatt repeats his words in a less formulated, dying stupor as narcoleptic fits take hold. Clarinet and sax figures contort and spit and squeal and squirm, anxiously contriving a strange, brewing storm of pent up intensity, before spewing out a wrenching, overflowing spastic attack of uncontrolled, unmitigated abandon, bursting and then calming into a striking and damning retort from his loved one while a haunting sense of eternal damnation seems to swell before them. Little Red Robin Hood Hit the Road explodes in a relentless storm of manic, increasingly frantic percussion and instrumental fireworks while Wyatt repeats a mantra of prayers behind the screaming call of his keyboard play, before passing out and drowning into a heavenly backdrop of dreamy viola where an awkward stupor of unintelligible vocals drift about, hypnotized and stuck indefinitely in a void and godless world.""  [+]  Reply

- AfterHours | Helpful?  (Log in to vote) | +11 votes (11 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

449 charts

Rank Score:

3,863

Rank in 1974:

5

Rank in 1970s:

101

Overall Rank:

436

Average Rating:

 78 (563 votes)

Comments:

43

437.

White Pony 

 Deftones

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"It's very difficult for me to break apart albums such as this one because nu-metal is not a genre that I'm familiar with. I find it hard to decipher between the songs that I'm hearing as being thorough and strongly executed ideas and what is filler/what are the weaker tracks. But I think this alb...""It's very difficult for me to break apart albums such as this one because nu-metal is not a genre that I'm familiar with. I find it hard to decipher between the songs that I'm hearing as being thorough and strongly executed ideas and what is filler/what are the weaker tracks. But I think this album breaks that stereotype that I have. I can easily understand what's going on in this album and it accomplishes its goal, to say the least. This is really the only Deftones album that I can really say I like. While I do enjoy some of the ethereal moments on Diamond Eyes such as Sextape the most, the heavy moments (there are a lot of them) on this album are just as satisfying. Change (in the House of Flies) is a classic song."  [+]  Reply

- koner1 | Helpful?  (Log in to vote) | +11 votes (11 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2000

Appears in:

426 charts

Rank Score:

3,863

Rank in 2000:

9

Rank in 2000s:

71

Overall Rank:

437

Average Rating:

 81 (563 votes)

Comments:

33

438.

#1 Record 

 Big Star

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"This album changed my life, and these guys could have easily been the next Beatles if their record company didn't screw them over. Every song has that perfect crystallized pop sound that gives me goosebumps, and I think "Give Me Another Chance" has some of the most moving harmonies and lyrics eve...""This album changed my life, and these guys could have easily been the next Beatles if their record company didn't screw them over. Every song has that perfect crystallized pop sound that gives me goosebumps, and I think "Give Me Another Chance" has some of the most moving harmonies and lyrics ever, despite Alex Chiltons sometimes wavering singing voice. This is a severely underrated album, and album that SHOULD be placed among the pantheon of classic 70's and sixties pop albums with The Stones & Zeppelin, floyd and others. Perhaps I am exaggerating to some, but I intend to devote much of my time and energy to making sure this album gets more exposure! #1 record baby!!!!"  [+]  Reply

- CJMishellsan | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1972

Appears in:

539 charts

Rank Score:

3,859

Rank in 1972:

12

Rank in 1970s:

102

Overall Rank:

438

Average Rating:

 82 (659 votes)

Comments:

43

439.

The Shape Of Jazz To Come 

 Ornette Coleman

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"One of the greatest jazz albums ever. The shape of jazz to come, is quirky, challenging, and still sounds totally fresh after all these years. The album has a musical theme running through it's playing time that gives you a sense of familiarity as the music shifts from one place to another. A bea...""One of the greatest jazz albums ever. The shape of jazz to come, is quirky, challenging, and still sounds totally fresh after all these years. The album has a musical theme running through it's playing time that gives you a sense of familiarity as the music shifts from one place to another. A beautiful and courageous jazz album that is utterly timeless. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1959

Appears in:

442 charts

Rank Score:

3,841

Rank in 1959:

4

Rank in 1950s:

8

Overall Rank:

439

Average Rating:

 81 (515 votes)

Comments:

24

440.

13 

 Blur

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"This album was nearly as mind bending for me as Kid A the first time I heard it. I had never heard anything like it before. The perfect mix of excellent straightforward songs and brash experiments still resonates with me in a big way."  Reply

- chriskarman | Helpful?  (Log in to vote) | +10 votes (12 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1999

Appears in:

608 charts

Rank Score:

3,833

Rank in 1999:

6

Rank in 1990s:

77

Overall Rank:

440

Average Rating:

 79 (846 votes)

Comments:

63

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Total albums: 10,000. Page 44 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	304	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,434	14%
1990s	1,616	16%
2000s	1,728	17%
2010s	1,999	20%
2020s	726	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,665	27%
	430	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,724	97%
Yes	276	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,882	99%
Yes	118	1%