The tournament has reached its midpoint. It is symbolic that three more professional teams will now join the game. The number of such teams will grow with each subsequent round. And this will, of course, be reflected in the results. Music publications' ratings are usually more thorough. They typically always find a place for the year's significant releases. Because these publications are the ones who determine which releases are significant. These teams' ratings quickly reach a maximum amplitude of 15 points. Competing against them is practically impossible.
My thoughts on the releases that won awards in the nominations following the results of the #4* tour, which ended on November 13th.
Album Miki Berenyi Trio - Tripla (4/IV-2025/14) (Album)
Tripla (2025) by Miki Berenyi Trio
The album competed for this award through all six rounds and won, finishing fourth in the overall round rankings. I've previously shared my thoughts on the award for best track and the accompanying video.
I gave it a minus two points, meaning I voted against it. But I'm not against this album being on the list of the best. I just think there were more deserving candidates for a spot in the top five.
There are many albums I wouldn't want to see on the list at all, and with each round, there will be more and more of them.
The track also competed for this award through six rounds and won it, finishing third in the overall round ranking. It's the opposite story here. In the very first round, the entire album won the prize, which I criticized for its lack of real hits and the empty spaces between the singles.
I gave the track an 8, placing it third in my round ranking. Perhaps because the song wasn't released as a single and didn't have time to become boring. The second (obvious) reason is the lack of strong competition in the tournament. The third (not obvious) reason is that I've lost my hearing and am judging by secondary criteria.
The history of this bet in the tournament spans only four rounds. The prize was awarded for sixth place overall. Obviously, this round was the last chance. I don't think anyone knows who these musicians are, including me. When I first heard this song, I was very surprised why no one pointed out that it was Nik Kershaw's music.
However, I was mistaken, and the question was raised in the comments under the video, to which the musicians responded very confidently and favorably toward the original artist.
My contribution to this victory was also significant. I gave it a perfect score of 10. Because in 2025, she still has few competitors. Moreover, the vocalist's voice and attractive appearance only added points to the video.
A little bit about my (April) bets for round #4* last week.
Album Созвездие Отрезок [Sozvezdie Otrezok] - +7 495 296 296 1 (18/IV-2025/16) (Album)
+7 495 296 296 1 (2025) by Созвездие Отрезок [Sozvezdie Otrezok]
This was the most difficult choice for me in the entire tournament. I didn't confirm all three bets until the very last minute. Seconds before publication, I stopped and again changed yet another disappointing album. And yet, this choice took first place in my round rankings. How could this have happened?
And again, it's hard for me to explain such swings.
This album was one of the most anticipated, but it was not even included in the list of contenders.
The contradictions in the release begin with the title itself. No one hid the fact that it was a Moscow phone number. The band even encouraged everyone to call it.
It's not customary to write numbers that way. Here's the standard spelling:
+7 495 296 29 61
This is exactly how the album cover is designed. More precisely, on the cover, the last two digits are shifted to the very bottom third line, which makes it even more difficult to see the symmetry of the number.
The album's online title contained a magical number, while on the paper cover the guys decided to play hide-and-seek. But after that, all the magic under the cover disappeared somewhere too.
The band is respected, and in 2024 they released two excellent singles. I was confident the album wouldn't disappoint. However, after the first song, I lost all interest. The language in which the rest of the material was recorded was encrypted, just like the phone number on the cover. The magic of the music was gone. The code was repulsive teenage slang, superimposed on childish lyrics. Just one obscene word in the entire album also sounds unnatural and alien.
Apparently, at some point, I finally managed to immerse myself in a true trance, enjoying the full density and dynamics of this music. The last digit of the number remained alone again. And through the noise of linguistic interference, the true nature of loneliness emerged.
Once again, I was convinced that you can love any album, you just need to find the right key.
In April, one of the best tracks of the year was released. But I decided to save it for the final round. To give the tournament's ending a bit of a progressive edge, just the way I like it.
After these adjustments, the remaining tracks seemed roughly on par again. Ultimately, a little-known bet won again, albeit with a backstory.
The band Перемотка [Peremotka] has only attracted attention with one song since 2018. On it, they used endless repetitions to immerse listeners in their pop. This time, they're achieving the same effect in their collaboration.
The title "zabey, lerochka" translates as "Forget it, Lerochka." Lerochka is the name of the vocalist. I don't know anything more interesting about her than that. I'll also add that the sweet but vague vocals only contribute to the immersion in their pop.
A love song in which lovers try to hide their feelings. I had to give them the highest score too.
I also couldn’t decide for a long time which video was the best in April.
There was no clear leader or performer with whom I could associate myself through any past achievements.
This time, my score was 8 points, which equates to 3rd place.
About two years ago, I stumbled upon a wonderful dance song in Turkish by chance. I've been interested in this genre ever since. I can't say I find it very often, but it's worth it.
By the way, the other day, I also stumbled upon an amateur video on YouTube featuring an amazing dance at a Kurdish wedding. And it looks even more exciting thanks to the high-quality dance music.
Below are new (returned) applications for the current round, which ends on November 20. November 18 is the last day to make changes to the current round's charts.
Music Videos: Guide (A-Z) (NEW)
1. CMAT - Euro-Country (22/VII) Country Pop
2. Earl Sweatshirt - Tourmaline (22/VIII) Abstract Hip Hop
3. Haute & Freddy - Shy Girl (13/V) Synthpop
4. Viagra Boys - Man Made of Meat (23/I) Art Punk
5. Wednesday - Elderberry Wine (21/V) Alt-Country
6. Wet Leg - catch these fists (1/IV) Indie Rock
Tracks: Guide (A-Z) (NEW)
1. BC Camplight - Two Legged Dog (ft. Abigail Morris) (8/IV) Art Pop
2. CMAT - Euro-Country (22/VII) Country Pop
3. Gelli Haha - Bounce House (19/III) Synthpop
4. Mandrake Handshake - Hypersonic Super-Asterid (4/II) Psychedelic Rock
5. Richard Dawson - More Than Real (14/II) Progressive Folk
6. Titanic - La Dueña (21/VII) Experimental Rock
7. Viagra Boys - Man Made of Meat (23/I) Art Punk
8. Wednesday - Elderberry Wine (21/V) Alt-Country
Albums: Guide (A-Z) (NEW)
1. CMAT - Euro-Country (29/VIII) Country Pop
2. Viagra Boys - viagr aboys (25/IV) Art Punk
3. Wednesday - Bleeds (19/IX) Alt-Country
4. лиза голицына [liza golitsyna] - девочка (16/V) Art Pop
As I expected, the game changed after three professional final charts appeared at the tournament. So far, the pros and cons are roughly equal.
Cons:
A clear leader has emerged, and the game has become more predictable.
For the first time in the tournament, one team has received a super bet prize twice. And it's unclear whether this part of the tournament will bring back any more intrigue.
In this regard, I'd like to reiterate that I'm not opposed to the success of Pulp's releases. But a double advantage over third place is clearly too much. It's good that the rules limit the receipt of duplicate awards in categories.
Pros:
In this round, one of the teams finally got the maximum number of marks in their nomination rating. But this team turned out to be amateur, not professional. And I'm glad that this time my prediction was wrong.
For the first time this year, all four round awards went to different teams. And, in my opinion, all three category victories were well-deserved.
My thoughts on the releases that won prizes in the nominations following Round #5*, which ended on November 20th.
Album Big Thief - Double Infinity (5/IX-2025/36) (Album)
Double Infinity (2025) by Big Thief
Following the previous round, the album ranked 13th with 13 points. In this round, thanks to the efforts of professional music critics, the album doubled its score to 26, placing third in the category and earning the award.
Throughout all rounds, this release ranked in the middle of the positive spectrum for me. This time, the album also received a 5-point rating, placing it sixth.
I can't recall any albums featuring Adrianne Lenker ever reaching very high positions in my charts. But there were a few songs that deserved attention. I also found her lyrics interesting more than once. I didn't encounter any breakout hits this year. But the album itself turned out to be more conceptual, with virtually no duds.
I was also pleased that the second half of the album felt stronger than the first. I certainly wouldn't call the last song an unnecessary addition, especially since it wasn't released as a single.
Big Thief - How Could I Have Known (5/IX-2025/36) (Track)
This round was the track's debut, which culminated in fourth place overall and a prize. I gave it 5 points for sixth place.
It was very surprising, and for me, it was also a bit mystical.
In fact, another track was originally supposed to represent this team, one I really liked.
But at the last moment I found a mistake in my calculations and was even upset when I realized that another, less impressive candidate was getting through.
Now, thanks to the bonus additional bet, barring another Armageddon, the tournament may also feature a song that was left out.
Of course I like the Richard Dawson song, otherwise it wouldn't be on my playlist of the week.
Another thing that speaks in this track's favor is that it wasn't released as a single. Plus, it's located at the very end of the album, which, in my opinion, makes the release more progressive.
The video debuted in this round, taking third place and an award.
I've placed this video in the no-score zone.
The artistic component certainly deserves attention for its expressiveness and dynamism.
The allusion to one of my favorite films, The Big Lebowski, also didn't go unnoticed.
But the song itself is so musically alien to me that this is the best I could do given the discrepancy. However, it looks like I'll have to comment on the music of Viagra Boys here more than once.
The irony is that at the end of the video, the hero demonstratively renounces his undeserved status as a famous artist. But in real life, thanks to his alternative credo, he is considered a popular musician.
A little bit about my (May) bets for round #5* last week.
Album лиза голицына [liza golitsyna] - девочка (16/V-2025/20) (Album)
Девочка (2025) by Лиза Голицына [Liza Golitsyna]
The album took first place in my round ranking.
Few people in Russia know this name. I only learned about it thanks to the album's release.
I thought about saving the album for the final round. I liked including the best Russian album in the final chart of the tournament. Who else would do that if not me? At least, that's how it used to be.
Structurally, the album is reminiscent of Ariel Pink (2025).
The first song is also more interesting than the second, «a wave of its own». But here, this is justified, since the artist is little known.
The album also has two main emotional peaks, with a later peak higher than the first.
I also can’t say that I like all the songs without exception.
But the album is interesting to listen to from the first to the last song, because the penultimate track is the best, and the last one is practically an afterword, a cappella.
The cover resembles a child's drawing. The album title, Girlie, supports this assumption. But the lyrics help us understand that the songs are more philosophical observations, in which life is presented through the pure eyes of a child. And the cover is both a guidebook and a rebus.
Я не могу сказать чётко, громко
Сколько ещё терпеть – долго, долго
Завтра я сделаюсь страшным волком
Сколько ещё терпеть – долго, долго.
I can't say it clearly, loudly
How much longer must I endure—a long, long time
Tomorrow I'll become a terrible wolf
How much longer must I endure—a long, long time
[Track - много (долго)]
В деревне хорошо одной, речка, лодочка
Снизу плещется река, сверху плывёт облачко
В деревне иду за водой, машут из окошечка,
Жалко больше не со мной моя кошечка.
It's nice to be alone in the village, a river, a boat
The river splashes below, a cloud floats above.
I go to the village for water, they wave from the window.
It's a shame my kitty is no longer with me.
[Track - в деревне]
лиза голицына [liza golitsyna] - в деревне (16/V-2025/20) (Track)
First place, hands down. True, I had to borrow a song from another month.
In the last round, I let it slip that I was saving April's best track for the final round. It just so happens that these plans will no longer come to fruition. Please love and favor it, this is that very track! I still think it's the best track of the year, along with maybe two or three others.
This song's fate is complicated. I didn't get it as a single in April, or rather, I suspect it didn't interest me.
In June, the band released an album, which also didn't interest me. But I still kept this song on the playlist for the week. However, it was out of competition because it turned out that it had already missed its week as a single in April.
Gradually, this song pushed aside all the other contestants. I had to return to April, where it also found no equal.
What's the reason for my fascination? At first, nothing out of the ordinary happens. But in the second part of the song, the female vocals repeat the same thing, and the level of the song instantly soars to the sky.
And I don’t even need translation, everything is perfectly audible.
I could have gone into more detail. But while I was thinking about this topic it dawned on me, that the female voice was a guest. Yes, unfortunately, sometimes I'm not very attentive. Especially when it comes to unfamiliar foreign names. And 99% of them are.
And then I suddenly wanted to know if this vocalist sings elsewhere. I type her name into YouTube, and they offer me some amateur concert footage. I'm overcome with excitement, as if my fascination with her voice is about to blossom into something even more.
And then I suddenly realize that the girl's appearance seems familiar.
I try to find information on Wikipedia. And then it dawns on me that she's the vocalist of a band that was eventually blocked from airing in Russia. That's why there are no professional videos of her available to the public. But I couldn't miss all those videos. I was terribly disappointed with the way this band was promoted, even though they hadn't recorded a single interesting song.
Furthermore, they released another album this year, which is also empty. I feel very sorry for this girl. Her voice may be alive, but she needs to find a good songwriter ASAP.
At least, that's the advice I would give my daughter. It's good that the stars limited me in this.
First place in my round-rating, the title of release of the week, and my first encounter with the band.
In the comments under the video, everyone was talking about Cyndi Lauper. I was searching in vain for someone to suggest the name of another band. The singer there was also swaying his hips and had a slightly unkempt hairdo.
If I'd known the language, I certainly would have found the band right away based on the lyrics. In any case, I remembered the melody very well.
I had to break my principles and dig into my locked archives.
I don't know why, but to me, back in the '80s, it reminds me more of a video like this.
Dead Or Alive - You Spin Me Round (Like a Record) (XI-1984) (Single)
Below are new (returned) applications for the current round, which ends on November 27. November 25 is the last day to make changes to the current round's charts.
Music Videos: Guide (A-Z) (NEW)
1. Heartworms - Extraordinary Wings (9/I) Darkwave
2. Maruja - Look Down On Us (9/V) Post-Rock
3. Oklou - take me by the hand (ft. Bladee) (16/I) Electronic
4. Oneohtrix Point Never - Cherry Blue (3/XI) Progressive Electronic
Tracks: Guide (A-Z) (NEW)
1. Lael Neale - Tell Me How To Be Here (20/II) Neo-Psychedelia
2. Maruja - Saoirse (10/VII) Post-Rock
3. The Stargazer Lilies - Perfect World (8/VIII) Shoegaze
4. АукцЫон [Auktsyon] - Мусульманин (21/XI) Art Rock
Albums: Guide (A-Z) (NEW)
1. Amanzi - The Village (14/XI) Soul
2. Earl Sweatshirt - Live Laugh Love (22/VIII) Experimental Hip Hop
3. Mandrake Handshake - Earth-Sized Worlds (21/II) Psychedelic Rock
4. Maruja - Pain To Power (12/IX) Post-Rock
5. Shearling - M**********r, I am Both: "Amen" and "Hallelujah"... (1/V) Experimental Rock
6. Sylvie Courvoisier & Mary Halvorson - Bone Bells (14/III) Avant-Garde Jazz
7. The Stargazer Lilies - Love Pedals (22/VIII) Shoegaze
The round was supposed to be the most boring. Because for the first time this year, not a single new participant joined the game. But by chance, it turned out to be less noticeable.
Ahead of us lies the pre-New Year rally or the December finish line.
And I still haven't given up hope that the battle in the team standings will finally resume.
As for the nominations, this round was a battle between Suede and Viagra Boys.
In the previous round, Viagra Boys had already won the video award, which helped Suede secure a set of awards in three categories simultaneously. This year, only Pulp has managed such a hat trick.
My thoughts on the releases that won prizes in the nominations following Round #11, which ended on November 27th.
Album Suede - Antidepressants (5/IX-2025/36) (Album)
Antidepressants (2025) by Suede
The album began its awards journey in 12th place overall. It took five whole rounds to get the 4th place award.
In my lists, the album was either in the positive zone or didn't score any points, like in the previous round.
If releases like this one don't have a place in my top ten, then I can't complain about the quality of the albums that are presented at the tournament.
I've already compared the achievements of Suede and Pulp in the tournament.
I have roughly the same opinions about the work of these bands.
And I can echo almost all the criticisms I previously directed at Pulp.
I'm certainly familiar with this band, but I find it difficult to listen to entire Suede albums.
This year, the story repeated itself. Long, similar songs, none of them huge hits.
After the third song, the decline begins for me. However, the band saved a couple of interesting tracks for the end, and that's a definite plus for the album as a whole. But the tracks themselves aren't particularly creatively structured.
Yes, I'm not particularly enthusiastic about these bands. Whenever the conversation turns to music from the 90s, I'm tempted to provocatively say, "Was there music in the 90s, too?" Because for 15 years, roughly from 1992 to 2008, I didn't have time for that passion.
Track Suede - Disintegrate (19/V-2025/21) (Single)
The track, like the album, went through the same five rounds from 14th place and received the award for 6th place.
In my lists, the track was also either in the positive zone or scored no points, as in the previous round.
It would be difficult for me to distinguish most Suede songs from each other without knowing what they were about.
So, I checked the translation of this song, as much as Google currently allows.
My peer's reflections on the nearness of death are relevant to me. But I'm not sure I've figured out all the metaphors.
Music Video Suede - Disintegrate (19/V-2025/21) (Video)
The video also made it through five rounds and received the fifth-place award. My ratings were both positive and neutral, just like in the previous round.
I carefully watched the video again after translating the lyrics. Black and white colors and dynamically changing images no longer looked so harmless.
Unlike the text, which I found confusing, the author of the song was clearly dissatisfied with the speed at which the bouquet in the intro faded.
All these contradictions bothered me, so I continued digging. I followed one link after another until I read something that was addressed to me personally. Perhaps this alone was worth organizing the tournament in 2025. Much has received its logical explanation, and now I will have to blush for a much smaller volume of inappropriate nonsense.
--------------------------------------
P.S. In the last round, I mentioned a track that would likely appear at the tournament, barring Armageddon. Armageddon didn't happen, unless you count an unexpected virus attack on my computer. But I was wrong in my expectations again. Now I'll likely only be able to reveal this track after the tournament ends.
A rare coincidence between the calendar plan and the order of rounds at the tournament.
November is certainly not December, but the likelihood of hearing anything interesting this month drops sharply. This is especially true for albums.
Accordingly, I already had some rough candidates that could replace releases in all categories. However, all my bets for this round turned out to be from November. So, you could say I was very lucky.
A little bit about my (November) bets for round #11 last week.
Album Amanzi - The Village (14/XI-2025/46) (Album)
The Village (2025) by Amanzi
The album took first place in my round rating. Another YouTube Cinderella story.
First, I came across an interesting video from an unknown artist, and I subscribed to the YouTube channel. Then another video came out, which also piqued my interest.
That could have been the end of it. Because there's no standard. You might be warned about an album release several months in advance, or you might not be warned at all.
Especially in the context of the worsening chaos in some terrestrial parts of the universe.
The first two singles were released without an album announcement. I learned about the third single's release only after the fact. And yet, on the day of the album's release, YouTube notified me of a couple of songs.
Neither single performed particularly well in my weekly playlists. But the album itself was named Release of the Week, perhaps for the first time all year, beating out both individual songs and videos.
I'd like to draw attention to the album's structure again. It's very close to perfect. The first song shouldn't be called an intro, but it's desirable for it to gradually ease into the release. The album does both.
The first and main single, which many even well-known musicians place first, is placed first from the end.
The second single, which is also usually placed as close to the beginning of the album as possible, is placed third from the end.
The third single is positioned roughly where the first side of the record should end.
Why so confident? Just listen to her voice. She can easily sing along to a single rhythm section.
And a bit of mysticism, just the way I like it. In the last round, my bet on the album also ended with the lead track, which was called - в деревне (In the Village).
Amanzi - Go Where You’re Wanted (2/VII-2025/27) (Video)
First place in my round rating, and the title of last week's release.
This song wasn't released as a single. I also only learned about the album at the last minute.
The band is among the pantheon of legendary Russian bands from the twilight years of the USSR.
As far as I know, they are one of the few bands that have achieved any recognition outside of Russia.
There isn't a single album by this band that I would single out or recommend. But there are some very good songs. Usually, there are no more than two or three per album. This year was no exception.
The song doesn't have the usual division into verses and choruses. It's a figurative poem with hidden metaphors, set to music.
I myself have to admit that not everything is clear, especially in the title.
Perhaps the authors are concerned about the next turn in our history at the crossroads of civilizations.
The musical score matches the authors' anxious mood. The second half of the song consists of instrumental variations.
Below are the first and last quatrains.
Теперь я стану не собой
И всякий спросит: кто такой?
Я стану глупый и другой
Now I won't be myself
And everyone will ask: who are you?
I'll become stupid and different
…
И много есть таких на свете
Я вижу, как стареют дети
Одной рукой держу Восток
A в другой руке цветок.
And there are many like me in the world
I see children growing old.
In one hand I hold the East.
And in the other, a flower.
First place in my round rating and the title of release of the week.
I can't say this is my first encounter with the band. But the band had never featured on my popularity lists before.
A very atmospheric video, filmed for an equally successful single.
It's very rare for me to fall in love with a track without vocals. But this time, the music was every bit as good as the vocal-backed contenders.
Every frame can be analyzed into obvious and hidden images.
It is also very remarkable that the point of catharsis on the track is combined with the quintessence of the video series.
Below are new (returned) applications for the current round, which ends on December 4. December 2 is the last day to make changes to the current round's charts.
Music Videos: Guide (A-Z) (NEW)
1. Alex G - Afterlife (29/V) Indie Folk
2. Earl Sweatshirt - Tourmaline (22/VIII) Abstract Hip Hop
3. Jeanne Cherhal - Jean (4/III) French Pop
4. Nourished By Time - Baby Baby (29/VII) Alternative R&B
5. quinnie - paper doll (4/VI) Indie Pop
6. Water From Your Eyes - Life Signs (4/VI) Art Rock
Tracks: Guide (A-Z) (NEW)
1. Alex G - Afterlife (29/V) Indie Folk
2. Coco Bryce - Noches Sephardies (28/XI) Modern Jungle
3. Mandrake Handshake - Hypersonic Super-Asterid (4/II) Psychedelic Rock
4. meg elsier - sportscar (18/VI) Dream Pop
5. Nourished By Time - Max Potential (7/V) Alternative R&B
6. Rialto - No One Leaves This Discotheque Alive (13/I) Britpop
7. Water From Your Eyes - Life Signs (4/VI) Art Rock
Albums: Guide (A-Z) (NEW)
1. Joey Joesph - Soul Crossing (13/VI) Psychedelic Pop
2. Nourished By Time - The Passionate Ones (22/VIII) Alternative R&B
3. Rialto - Neon & Ghost Signs (25/IV) Britpop
4. Water From Your Eyes – It’s A Beautiful Place (22/VIII) Art Rock
As I expected, professional teams are gradually taking over the top five, plus winning prizes in various categories.
A round that once again changed the leader in the team standings. The gap is large, but not yet critical.
It's all because of an album that has been waiting for an award for a long time.
My thoughts on the releases that won prizes in the nominations following Round #6*, which ended on December 4th.
Album Geese - Getting Killed (26/IX-2025/39) (Album)
Getting Killed (2025) by Geese
The album began its journey from 7th place in the overall standings. It took six rounds to secure the 2nd place award. The album usually doesn't score well in my lists, and that was the case in the last round.
I've already had to comment on the best track and video from this release. I deliberately refrained from giving the album a full rating so as not to have to repeat myself in the next round. Now I regret it, because the emotions have somewhat faded.
I understand the reason for its popularity. As usual, I attribute it to the progressive structure.
The perfect intro gradually introduces the album's atmosphere. Two waves, comparable in length to one side of the record.
The release sounds like one song with its highest peak hidden far at the end.
You can listen to all the tracks individually as much as you want and still not appreciate their beauty.
But once you fall in love with this main hit, the entire album begins to sound completely different.
Variations lasting 45 minutes with a half-minute catharsis that is constantly in the subconscious.
Maybe I could be completely immersed in this sound too. But something is still getting in the way.
I can only guess - these are the lyrics of the main hit, which is remembered for its suicidal rhymes
Or the record cover, where the sunlight hides the barrel of a gun pointed at my eyes.
I also have a concern that the lyrics of the entire album might further alienate me from interesting music.
The track made it through three rounds from 16th place and received the 4th place award.
In my lists, the track was either in the no-score zone or received downvotes, as in the previous round.
I'm sorry I have to mention this so often. I downvote when something irritates me. But I downvote even more often when a sweet, innocuous release is close to winning an award, and it's completely undeserving.
I hear dozens of new songs like this every day. They're indistinguishable. And yet, country music isn't a death sentence for me.
The video made it through three rounds, starting from 9th place, and received the 4th place award. My ratings were always neutral.
I clearly remember what a pleasant surprise it was for me when this artist debuted.
Very vibrant and memorable songs were supported by equally dynamic videos.
Perhaps there have been too many of these videos. But my emotions haven't reached the level necessary for a year-end review. That being said, I'm still interested in some of the songs on the latest album.
The only thing I understood from Google Translate is that the artist has a bone to pick with imperialism.
The original video isn't available in Russia. But there's a low-budget, accessible version with lyrics.
I found the version with lyrics more interesting.
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