Encore: Unheard Recordings Of Bahamian Guitar And Singing (studio album) by Joseph Spence

Encore: Unheard Recordings Of Bahamian Guitar And Singing by Joseph Spence
Year: 2021
Release date: 2021-07-16
Overall rank: 50,823rd   Overall chart historyOverall chart history
Average Rating: 
73/100 (from 3 votes)
  Ratings distributionRatings distribution   Average rating historyAverage rating history
Accolades:
Award Top albums of 2021 (1,070th)
Award Top albums of the 2020s (4,944th)
Award Best albums of all time (50,823rd)
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Joseph Spence - Encore: Unheard Recordings of Bahamian Guitar & Singing [New CD]
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ENCORE: UNHEARD RECORDINGS OF BAHAMIAN GUITAR AND SINGING [7/16] * NEW CD
Condition: Brand New


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Joseph Spence - Encore: Unheard Recordings of Bahamian Guitar & Singing [New Vin
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Joseph Spence bestography

Encore: Unheard Recordings Of Bahamian Guitar And Singing is ranked 4th best out of 6 albums by Joseph Spence on BestEverAlbums.com.

The best album by Joseph Spence is Happy All The Time which is ranked number 12061 in the list of all-time albums with a total rank score of 96.

Joseph Spence album bestography « Higher ranked (46,148th) This album (50,823rd) Lower ranked (92,183rd) »
Good Morning Mr. WalkerEncore: Unheard Recordings Of Bahamian Guitar And SingingThe Complete Folkways Recordings 1958

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Soundcheck, Washington, United States. United States
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KATY PERRY - THE LIFETIMES TOUR
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14
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The Bacon Brothers
The Paramount in concert with North, Huntington, United States. United States
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Average Rating: 
73/100 (from 3 votes)
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08/11/2022 01:34 Hayden  Ratings distributionRatings distribution 6,90272/100
 
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10/12/2021 18:04 Mercury  Ratings distributionRatings distribution 1,66981/100
 
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Rating:  
80/100
From 10/12/2021 18:04
(Joseph Spence was awesome. Check him out. And yes, this is a perfectly good place to start with your discovery of Spence. A whimsical, all-over-the-place, archival collection that manages to capture the magical essence of "peak" Joseph Spence.)

This is the Deep blues with a twist - or many many twists - because Spence just didn't play by any rules when it comes to rootsy acoustic blues even considering that he came from another country and so its expected he'd have a different take on the sound. His voice is gloriously unpredicatble and imprecise. His guitar picking is all over the place and beautifully off-the-cuff at all times. The intimacy of these tracks paired with the utterly fascinating power of Spence make this a beautiful album.

This is a collection of previously un-released songs from that mid 60s "peak" for Spence. The songs are sometimes rough demo-quality, often times live, and there is a sense of nonchalant fun, and exploration and a sense that Spence and those who he sings and plays with are just going wherever their whims take 'em.

Something about this collection of tracks is just a pleasure to hear. I have long loved Joseph Spence. I remember when I was 13 or so I borrowed a compilation of his from the local library and when I listened I was confused. This man's music was unclassifiable, strange, his vocals sounded alien and drunk at times, and like nothing I had heard or have heard since. And his acoustic playing is so mercurial, fast and precise at times and sloppy and wildly offbeat other times.

This collection is just another excellent archival release showcasing one of the true originals of the blues and the blues' various interpretations across the world. This album has a disjointed, whimsical quality that is fun and seemingly inconsequential. Yet, I have heard it many times since it dropped and I have never once left listening to this without feeling good, re-acquainted with that humanity that oozes from these songs. If you love acoustic blues and folk, I highly recommend giving Joseph Spence a good close listen and this archival release isn't a bad place to start.
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