Watt
by Ten Years After

Watt by Ten Years After
Year: 1970
Overall rank: 9,531st   Overall chart history
Average Rating: 
76/100 (from 37 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 1970 (141st)
Award Top albums of of the 1970s (1,374th)
Award Best albums of all time (9,531st)

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Ten Years After bestography

Watt is ranked 5th best out of 23 albums by Ten Years After on BestEverAlbums.com.

The best album by Ten Years After is Cricklewood Green which is ranked number 5170 in the list of all-time albums with a total rank score of 269.

Ten Years After album bestography « Higher ranked (9,531st)
Watt
This album (9,531st)
Watt
Lower ranked (12,676th) »
Ten Years After

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Watt rankings

Watt rankings summary
Overall rank: 9,531st | 1970s rank: 1,374th | 1970 rank: 141st  Overall chart history
(Calculated from aggregate positions across 60,000 charts (2 million album rankings). (Last updated: 2 hours ago).

Watt collection

Watt ratings

Average Rating: 
76/100 (from 37 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

Showing latest 5 ratings for this album.  | Show all 37 ratings for this album.

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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
70/100
 !
01/06/2026 11:16 Exist-en-ciel  Ratings distribution  15,10170/100
 
85/100
 !
08/20/2025 14:59 tim0505  Ratings distribution  4,42482/100
 
85/100
 !
12/01/2024 09:30 zsolti  Ratings distribution  69281/100
 
75/100
 !
08/19/2024 12:10 Sandrof1969  Ratings distribution  2,71668/100
 
75/100
 !
03/26/2024 03:05 kjistok  Ratings distribution  85581/100

Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album is rated in the top 4% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.3/100, a mean average of 76.1/100, and a trimmed mean (excluding outliers) of 77.5/100. The standard deviation for this album is 13.0.


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Watt comments

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Rating:  
80/100
I have always liked TYA, hence even this rather uneven album gets a good rating. The problem making two albums in a year almost always means a rushed product. In this case, this album proves my point. A good album, but many songs are only good embryos. The live song also proves that they had to fill the album because of the rushed timetable.
Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
Rating:  
80/100
"Watt" was Ten Years After's fifth studio album and the second to be released in 1970. The group was at the height of popularity after the success of the previous album "Cricklewood Green" and the single "Love Like a Man".

"Watt" was a fine sequel to "CR", but it did not have the song that could repeat "Love Like a Man" 's success in the singles charts.

Guitarist Alvin Lee wrote, as the previous album, all the tracks (except of course live recording of "Sweet Little Sixteen). Lee's songwriting is relatively simple with strong base in the blues. There is also focus on the melodic side of the band, which is particularly reflected in the more subdued tracks like "Think About the Times," "My Baby Left Me" and the instrumental "The Band With No Name". In the more rocking end you'll enjoy "I'm Coming On," "I Say Yeah" and "Gonna Run".

All these numbers are fine examples of the group at its best. The long track "She Lies in the Morning" somehow comes out a little unfinished, and leaves you uncertain of which direction it wants to take you. The live recording seems a bit like filler and seems a little bit out of place.

Still a solid sequel to "Cricklewood Green"
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