Top 100 Greatest Music Albums by Repo

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Burmese Crackling Stereo Pop

I have no idea what she's singing. It's in Burmese, after all. But, I FEEL it so deeply. The pain mixed with hope. The despair mixed with romantic longing. That this is not the reality that we needed to live in. If things had just been tweaked a little bit. Consciousness raised just a slight bit more. We'd all be living in the paradise that she is missing. That she thought we'd all be living in when she was just a kid. A place where the good guys win. And the bad guys get what's coming to them.

So raise a glass with me. Cue up the stereo. And sing with us for the world that should have been. The world that we all dreamed was possible. When we were kids. When we knew better what was important. And what was not.

A-side: Great, great rec, Bayside. Just phenomenal. Hard to imagine any romantic sap not falling instantly in love with Naang Naang and their songs for the broken and battered hearted.
[First added to this chart: 12/31/2020]
Year of Release:
1978
Rank in 1978:
None
Rank in 1970s:
None
Average Rating:
Comments:
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THE BETTER HALF

Remember way back when. Back on my first post. When I compared the first half of Donovan’s double LP as being some of the best folk rock EVER released. As good as The Byrd’s Mr. Tamborine Man. As good as Love’s Forever Changes. I meant it. I really did. I LOVE those ten songs with all my heart. But, you know what? The second half is even better! It’s just completely different. Gone are the catchy fun sing-a-long pop songs. Instead Donovan delves into something mystical. Something enchanted.

It casts a spell transporting you to a small fishing village on the craggy shore from a long, long time ago. From a land & culture that is no more and has been lost. When elves still had power and fairies ruled the woods. These are sea songs for a shire. It’s a bewitching listen when life was simple and better for it. When life was still tied to the land and the tides dictated chores. Not time. Not clocks. It’s as if Donovan feels not just born in the wrong decade, but the wrong era altogether. And the spell he casts with both the music & lyrics is seamless. Nothing breaks it. You can actually smell the salt of the sea. Feel the spray of the ocean mist. Nothing reminds you that these songs were written in the sixties. Because these songs don’t even know that radio exists.

Grade: A+. Simply one of the greatest double albums of all time. I would put this up against anything in the rock canon. Anything. That means you The White Album. That means you Blonde on Blonde. And Donovan shoots back to number one where he belongs.
[First added to this chart: 08/20/2016]
Year of Release:
1967
Appears in:
Rank Score:
639
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THE SHEEP SHALL TURN INTO A LION

Ras Michael aka Dadawah has a big heart. He feels, like few others, the suffering of the repressed. He's a true empath. And his mourning and sadness and empathy for all the repressed people of the world lives in his voice and and in his songs. But, these songs are far from sad. They're triumphant. For this is a deeply religious and spiritual album. One that essentially echoes Jesus in that the meek and oppressed will eventually rise above and inherit the Earth. For Nas (his religion’s name for God) is on their side. That with perseverance and faith, the multitude will overcome their oppression. That the walls of hatred and fear and ignorance will tumble before their triumphant and joyful love. For love is the answer. No matter what the question. No matter how you’ve been wronged. And through this love for Nas and for yourself, the sheep can and will turn into the lion. And then and only then will you truly be free.

Grade: A+. This is my favorite reggae album. I’m no Jimmy Dread. I’m no expert. Going to college with a bunch of prep school boys who literally force fed me Bob Marly’s Legend a zillion times (there was seriously no escaping it. It echoed through the freshman dorms like some kind of zombified monster) stifled my reggae growth good and proper back in my late teens. But, I’m now a late bloomer and, with the help of Jimmy, I’m beginning to see the light. I believe it was actually Hayden who turned me onto this particular record though way back when. And she’s a keeper. This is the album I play when I need to rise above.

For this is one of the most spiritually uplifting albums I’ve ever heard. The purity of Dadawah’s faith and vision comes bellowing out of the speakers and literally has the power to lift you up, take you out of your small, self-absorbed world and connect you to something far bigger than yourself - the global human struggle. It enables you to shake off the paralysis of self pity and realize that suffering is not a unique experience. That it is universal. And that most importantly, you can do something about it. You can sing. You can drum. You can believe. In Nas. In yourself. And thereby rise above and walk with the lions. And this powerful album roars itself all the way to number 3.
[First added to this chart: 06/08/2017]
Year of Release:
1974
Appears in:
Rank Score:
295
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'63:c It Always Rains in This City

The Setting: It always rains in this city. And it's always nighttime. I have to keep a cigarette lit just to keep warm. Warmth is life. At least, that’s what I tell myself. Maybe I'm just addicted to cigarettes. I see a corner bar up the block. It’s neon sign welcoming me in like the smile of a chorus girl. And I never could resist a chorus girl. I head down the stairs. The tables are arranged around the stage. A red glassed candle on each flickering at me to sit down. “Alright,” I says. “Just one”. At least this place has heat. The band starts playing up on the stage. They feel just like this city. Just like this bar. Ripped from some 40ish black & white film noir. The kind where there’s dames and broads and guys who always have a good quip at the ready. I want to be those guys. And, I want to be with those dames. So I stay. One leads to two. And two naturally leads to three. The cold is gone. A small smile even manages to cross my lips. “This ain’t so bad,” I say to myself. Guess I’ll stay for one more.

The Listen: This is the kind of jazz I picture in my head in those scenes in those old black & whites. You know. The ones on TCM. I don’t care if it’s historically accurate. It’s my head. My picture. It’s what gives those scenes on late night tv that something extra. A certain timelessness. The coolest cats playing the coolest blue jazz. The city is their music. And their music is the city. Interchangeable. Interlinked. You can't have one without the other. Just like this rain. Just like this night. Which is why it always rains in this city. And it's always nighttime.

The Rating: Twisted Evil Twisted Evil Twisted Evil Twisted Evil
Year of Release:
1963
Appears in:
Rank Score:
609
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Comments:
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THE BATHROOM
Aka Rectangles Don’t Roll

"As a matter of fact, when we cut the tracks they sucked. Jeffrey was stiff. I thought, 'Oh my God… disaster.' I went out and bought him a big bottle of champagne, that’s all I could afford. I said, 'Drink all that and then we’ll cut it, ‘cause I’m not touching the record button until you’re drunk.'" Recollected by Tito Larriva [vocalist & guitarist for The Plugz]

The Setting: It smells. Puddles of piss every which way. The toilet bowl doesn’t even have a lid. You pretty much have to squat just to take a shit. And then, to add insult to injury, good luck wiping it up. Because the toilet paper dispenser is almost always impossible to turn. Yielding nothing but one useless dainty sheet at a time. Just a matter of physics really, as the TP is wedged onto a rectangular wooden block that's been nailed into the wall. So it's NOT on an actual rotating cylinder. Just a rectangle cube nailed into the wall. And rectangles don’t roll!

BUT, us misfits of Reagan’s America wouldn’t have had it any other way. Trust me - those bathrooms kept the Biffs & Heathers FAR away. So for us, it became home. It was a place where people got our jokes. Our sensibilities. Our values. And, not unimportantly, it was a place where you could get $1 dollar PBRs and hear a decent song playing on the jukebox after a long ass day at work.

You see, Jeffrey Lee Pierce – chief resident genius of The Gun Club - didn’t come from the swamps. No. Jeffrey was born from the American Underground and its swamp-ass bathrooms. THIS was a place where even he and his suicidal, self-destructive tendencies could flourish. At least for a day.

The Listen: It sounds like it's all about to come undone. Jeffrey staggers, one hand on the mic and one with a death grip on his Boone's and careens & stumbles into drum kit. The drummer's not fazed though. Never even misses a beat. He and the rest of the band have seen, nay endured, this all before. That’s just Jeffery, they collectively shrug. Unfettered. Unchained. And off his rails. You see this is an album of Jeffrey trying to escape. And not realizing that the person he needed to escape from was himself. It's an album of someone who needed music as much as the music needed him. This is the sound of someone killing himself – with alcohol, with drugs – in order to just feel alright. Jeffrey was so repressed, it took a bottle of cheap-ass, piss-poor champagne just to free himself from himself. We all, more or less, have an imprisoned Jeffrey lurking in our brains. Holding us back. Killing us.

Let YOUR Jeffrey free today!

The Verdict: One of the most important albums of the entire American Underground. Right up there with anything by Husker Du, The Minutemen, or even the almighty Black Flag. It is album about escape. And music as the source of that escape. And THAT is what the American Underground was always all about. And until Kurdt broke the code , it was a great place to be. Shitty, broke-ass, cum-shotted bathrooms and all.

The Rating: Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil
[First added to this chart: 11/12/2022]
Year of Release:
1981
Appears in:
Rank Score:
1,898
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Average Rating:
Comments:
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TRUCK STOP DINER JUKEBOX

These ain’t songs for the Village. There are songs for the backroads of Kentucky. The ultimate 70s AM radio station curated by Dylan himself. This was not some tossed off project. This was not a Fuck You. This was a tribute to the music that Dylan loved that maybe didn’t get so much critical acclaim. It’s essentially like listening to the best damn juke box at some dive bar in eastern Kentucky circa 1974. Songs made for taking it easy while cruising down the highway or belting back some beers. Dylan LOVED these songs. And I do too.

Grade: A. I consider this an essential Dylan album showing yet another side to the enigmatic bard. This is 70s AM radio at its best with great variety which he nails more often than not. Some people would prefer to whittle this down to a single album, but I love it just the way it is. Warts and all. Radio stations back then were messy affairs after all. You just never knew what you were going to get. Far more often than not he nails them. And some of my favorite Dylan songs such as “All the Tired Horses”, “Take Me As I am” and “It Hurts Me too” are on here. Dylan had a love for all kinds of music and that is completely on display here. More so than perhaps any of his other albums. And he plays these songs with conviction and heart. Well except when covering his own “Like a Rolling Stone”. lol. But he more than makes up for it with his rendition of “She Belongs to Me” which showed me that their was a sonic link between Dyan and the Velvet Underground which I had never picked up on before. Long live 70s AM radio!
[First added to this chart: 03/04/2016]
Year of Release:
1970
Appears in:
Rank Score:
171
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Overall Rank:
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Comments:
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LET IT BLEED

These songs spill blood. They shed tears. Simple, unadorned. Often just vocals and a picking guitar, these songs dig deep into your soul. And bring out the loneliness and pain. The loneliness and heartbreak you thought you had buried. From that girl. From this life. There’s a romance to the loneliness of these songs. Of the love that had to end. Had to die.

Grade: A+. One of the greatest singer-songwriter albums of all time. The lyrics are second to none. But it’s the feeling of the songs that make it something special. Songs that make you reach for that whiskey jar to dull the pain and make you forget that special love you once had. Few albums bare your soul like this one, and it vaults all the way to number one.
[First added to this chart: 04/10/2017]
Year of Release:
1969
Appears in:
Rank Score:
2,296
Rank in 1969:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
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FAITH

Faith is not something you can just turn on like a switch. At least not for me. Way too much schooling and thinking knocked it out of me years ago. But faith is real. And it has enormous, even miraculous, power. If you can tap into it. Judge Sill know this. She knows the power of faith and trust in something bigger than herself. And it comes pouring out of her songs. Her voice. Judee knows the way. Because her faith is pure and simple. Like a child’s.

Sometimes in your life you simply need faith. When the waters rise up so high that they become a river and you can no longer just wade through on will power and perseverance. On logic & intellect. When you have to let go, surrender and just let the current take you. Trusting that it will get you to the other shore. The other side. That’s when you need faith to guide you. And Judee Sill and this lovely, honest record can take you there. It can be your raft. If you let it.

Grade: A+. This is folk rock with just the right amount of cosmic country rock to give the songs some heft and ballast so that they stick to your bones and nourish you. The songs are beautiful and her purity of spirit shines though. It’s quite different from any other 70s folk rock to my ears so it took literally multiple tries for this one to click. But like a lot of other albums that take some time to assimilate, when it does, it quickly becomes one of your faves. I’ll be tapping into this and Judee’s faith frequently to guide me on my journey to the other shore. And this swims all the way to number five.
[First added to this chart: 05/02/2017]
Year of Release:
1971
Appears in:
Rank Score:
541
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Average Rating:
Comments:
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A BUCOLIC DAY IN THE ENGLISH COUNTRYSIDE

Well this came out of nowhere! It's simple, but alluring piano passages combined with found sounds that is magically and movingly transportive. It’s like stepping into a wardrobe and emerging in a land of unicorns and butterflies ( can you tell I have two girls! lol). The countryside of Totoro essentially springs to life. And you find yourself sunning on a field of buttercups or whatever as warm, peaceful church bells echo in the distance. An overwhelming sense of calmness enters your bones and you believe that magic is not just possible but real. But it’s not overly pretty or overdone. It’s all very tasteful and not a bit new agey.

It has two distinct sides with side a being incredibly playful and joyful and side b being more on the somber side of things as the day comes to an end.

Grade: A+. I’ve only been at this a short time , but it is definitely the most unique and alluring ambient album I’ve ever heard. And it immediately shoots to the top of my little chart.
[First added to this chart: 03/24/2017]
Year of Release:
1983
Appears in:
Rank Score:
442
Rank in 1983:
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Overall Rank:
Average Rating:
Comments:
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WINTER THAWS

Something happened. What is not clear. But something happened in between Treasure and Victorialand. Some of my sources (& I have many) tell me that Guthrie & Frasier rekindled their love. Others tell me that bassist Simon Raymonde, who was absent for this session & not missed in the slightest, is simply a mega downer. But whatever the cause, whatever the reason, their is a warmth to this album that was not present on their three previous releases. The iciness that used to cover their songs like the morning frost is gone. Winter has thawed and the pearly dewdrops of a new spring shimmer & bask in the rays of the early rising Summer sun. It’s like the black & white world that dominated Cocteau Twins world for so long has been colored in with a super deluxe Crayola crayon set. A softness and gentleness is present. Instead of a cold shoulder, we are given a warm, much needed hug.

Whereas on Treasure, Fraser sounded in pain. Tormented. Like she was exorcising some demons deep inside her. Here, those demons are long gone. Newly saved by the Lord, she’s turned into a loving Pentecostal preacher. A channeler. Taken over by the Holy Spirit and singing in tongues. She is not in control. She is simply a conduit letting the higher forces of goodness work their magic through her. Delivering holy radiance to the masses to heal us. Save us. To let us know that the universe is a divine and wondrous place. That the Gods still exists and are taking care of us. She’s certainly not speaking in English or any other language decipherable by mere human ears. No, she speaks in an ancient tongue long forgotten. A remnant from when the Gods still roamed the the Earth and mated with mortals. And perhaps that was what actually happened. For if any mortal could lure one of the Gods back down to earth for a toss in the hay with just her voice, it is certainly Elizabeth.

Grade: A+. It’s funny. Back in my teens and twenties this was (by far) my least favorite Cocteau Twins album. (Well, except for Four Calendar Cafe which I don’t even count and quickly gave to my Mom. What can I say. My Mom loves Enya. Give her a break. She’s a Mom.) Anyways, back then I loved the dark goth of their early albums and the shoe gaze wonders of Heaven or Las Vegas, but I could never quite get into Victorialand. It was too mellow. Too “nice”. It was missing the bleak drum machine and bass lines that belted out on their early releases. I wanted to be consumed by their dark power. Now, I have embraced the light. The warmth. The sunshine. And you know what? Warmth & sunshine suits them. And this is unquestionably their best. The fullest fruition & distillation of the magic of their inimitable sound. And my chart gives it a big warm hug and channels it all the way to number four.
[First added to this chart: 05/30/2017]
Year of Release:
1986
Appears in:
Rank Score:
924
Rank in 1986:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10

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Top 100 Greatest Music Albums composition

Decade Albums %


1930s 0 0%
1940s 1 1%
1950s 3 3%
1960s 9 9%
1970s 29 29%
1980s 37 37%
1990s 3 3%
2000s 9 9%
2010s 9 9%
2020s 0 0%
Artist Albums %


Real Estate 3 3%
Beach House 2 2%
Scorpions 2 2%
Bert Jansch 2 2%
Bob Dylan 2 2%
Townes Van Zandt 2 2%
Saint Vitus 2 2%
Show all
Country Albums %


United States 49 49%
United Kingdom 29 29%
Germany 5 5%
Mixed Nationality 4 4%
Canada 3 3%
Australia 2 2%
Switzerland 2 2%
Show all
Compilation? Albums %
No 97 97%
Yes 3 3%
Live? Albums %
No 99 99%
Yes 1 1%
Soundtrack? Albums %
No 99 99%
Yes 1 1%

Top 100 Greatest Music Albums chart changes

Biggest climbers
Climber Up 88 from 94th to 6th
Self Portrait
by Bob Dylan
Climber Up 81 from 93rd to 12th
Fading Frontier
by Deerhunter
Climber Up 43 from 62nd to 19th
Cluster & Eno
by Cluster & Eno
Leavers
Leaver The Skull
by Trouble

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Top 100 Greatest Music Albums ratings

Average Rating: 
95/100 (from 72 votes)
  Ratings distributionRatings distribution Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
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n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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10/09/2023 08:40 Moondance  Ratings distributionRatings distribution 45084/100
  
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10/28/2022 03:30 mianfei  Ratings distributionRatings distribution 14361/100
  
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08/29/2022 05:28 seb7  Ratings distributionRatings distribution 10591/100
  
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06/20/2022 08:31 Applerill  Ratings distributionRatings distribution 97675/100
  
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04/04/2022 13:11 arthurbittencour  Ratings distributionRatings distribution 16190/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This chart is rated in the top 1% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 95.2/100, a mean average of 95.2/100, and a trimmed mean (excluding outliers) of 96.5/100. The standard deviation for this chart is 9.2.

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Top 100 Greatest Music Albums comments

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Rating:  
100/100
From 10/09/2023 09:56
Have I ever properly thanked you for making me check out Mazzy Star, Yo La Tengo, Real Estate early 70s-era Dylan, as well as revisiting Townes Van Zandt? Either way, thank you again.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 06/28/2023 09:46
There are 3 elements to a great chart for me.

1. Some great words to tell us why the album is there.
2. A similar taste to your own - a musical message in a bottle
3. Some new picks for my own wish list.

This chart is bristling with new recommendations for my playlist. Whole genres I’ve never explored.

2 out of 3 ain’t bad.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
85/100
From 10/28/2022 03:50
One really interesting and diverse list, quite unlike anything I have ever seen here or anywhere else! Many very unusual choices and genres make this a great list. The chart has virtually nothing in common with my own chart or other lists by major magazines, Joe S. Harrington, David Keenan or Piero Scaruffi.

The notes are better than anything I have seen outside of Harrington or Keenan, too.

A minor quibble of mine is the way in which albums of the same genre are clustered together. (When I see that I always wonder if the compiler is not being careful enough to be sure they are being ranked as accurately as thought possible.) even with this reservation, it is an exceptionally interesting and well-written list.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
100/100
From 10/25/2022 08:24
Still wanna the greatest charts ever made on both this site and others like RYM. I think you've inspired me to do the same one day by making a chart of lesser known records, and outta those picks, create an alternate universe so flamboyant, colorful, and exciting based on descriptions and stuff.

I think something in the beautiful Donovan description summed it up "these songs doesn't know that radio exists", because some of the favorites on this chart raises this question; what would musicians/artists do if radio never existed". The answer lies in that they probably would make something so flamboyantly authentic as a lotta these wondrous records, and we could only listen to music by hand and choice etc.

God bless!
Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
Rating:  
85/100
From 10/24/2022 03:20
What I like about this chart:
1. we have ZERO albums in common:
2. we have only 4 artists in common, and that may very well become 1 artist in common when I do a review of my chart over the next month;
3. the 1 artist we have in common is Dylan - although our album preferences differ significantly (I am sure that doesn't come as any surprise - you can check out my '64 Dylan albums rated' chart if you have time :));
4. this chart oozes someone who actually breathes, eats, smells, tastes, touches, feels music more than hears it;
5. knowing the effort needed to make even short comments on album choices, the EFFORT in this chart is EXTRAordinary;
6. rather than a regurgitation of the BEA top 100, this chart has only 6 albums rated in the top 1000! and the highest ranking album is at #197 on the overall chart;
7. this chart actually made me go on a wild musical album/artist discovery hunt - I didn't actually find anything that I 'fell in love with' but sometimes the journey is more valuable than the end point ~ at least it gave me a few hours of hope; that maybe out there, somewhere, there is an artist/album undiscovered in my musical universe who will excite me in ways that I cannot explain;
8. ...and finally, the 2 Australian albums - excellent choices!
Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful)
Rating:  
100/100
From 08/29/2022 05:28
super frikin interesting. love this chart!!!
Helpful?  (Log in to vote) | 0 votes (1 helpful | 1 unhelpful)
Rating:  
100/100
From 07/11/2022 09:17
naang naang!! <3 hope ur doing well friend
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
100/100
From 02/16/2022 00:47
man this is great. I can't even say I agree with A SINGLE ONE of your picks but damn this is very well put together chart. Just the passion you seem to have for music is insane and I love it!!!
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
100/100
From 08/05/2021 09:25
What a unique list :)
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
90/100
From 04/03/2021 23:24
Interesting choices, the number 1 is very unique and the rest is metal at the most. I know much of them and i like them some kind of diversive chart. Nice to see such things here.
Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful)

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