Pitchfork: 30 Best Dream Pop Albums
by teague

https://pitchfork.com/features/lists-and-guides/the-30-best-dream-pop-albums/

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Liz Harris’ early work as Grouper was dark and distorted, a black-hearted churn of ambient and noise that found her burying her voice under piles of sonic sludge. With Dragging a Dead Deer Up a Hill, her music crawled out from under the wreckage and turned to face the sunlight. Where she once assembled free-flowing “pieces,” she was now singing proper songs, ones that connected strands of British folk, gothic lullabies, and devotional music as heard echoing through an ancient cathedral. And it’s all done with very little. Most of the tracks on Deer feature just a few elements—a gently strummed guitar and Harris’ processed and layered voice predominate—and the arrangements are thin and airy, evoking the tingle of buried memory returning to consciousness. But an intense ache sits at their center of these songs like a boulder. Every note drips with loss and the music is crushingly sad, but by sharing in Grouper’s pain, we get a feeling that art just might save us. –Mark Richardson
Year of Release:
2008
Appears in:
Rank Score:
1,152
Rank in 2008:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
Buy album United States
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Grouper’s Liz Harris recorded Ruins in a small town off the coast of Portugal during an artist’s residency; the atmosphere of the place, miles away from her home in Portland, Oregon, bleeds into the album as much as any instrument. While most Grouper records cultivate dissonance and noise, Ruins focuses more on silence and all the sounds that can fill it. Frogs croak in the space she leaves between piano chords. At one point, without warning, a microwave beeps. What other artists might consider mistakes, Harris considers connection to a world of sound bigger than what she herself can create.

That openness to her environment sets the perfect backdrop for what remains one of Grouper’s loveliest and softest albums. Most songs revolve around Harris’ voice and a piano. Her lyrics, uncloaked by reverb, become easier to pick out, and narratives of loss, alienation, and stunted affection emerge. Ruins is a document of loneliness, but it’s also the sound of someone opening themselves to their surroundings, softening the boundaries between the self and everything outside the self. Once you’ve learned to be permeable, being alone can prove to be a deeply fruitful state. –Sasha Geffen
Year of Release:
2014
Appears in:
Rank Score:
743
Rank in 2014:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Total albums: 2. Page 1 of 1

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Pitchfork: 30 Best Dream Pop Albums composition

Decade Albums %


1930s 0 0%
1940s 0 0%
1950s 0 0%
1960s 0 0%
1970s 0 0%
1980s 5 17%
1990s 8 27%
2000s 10 33%
2010s 7 23%
2020s 0 0%
Artist Albums %


Mazzy Star 2 7%
Low 2 7%
Beach House 2 7%
Galaxie 500 2 7%
Grouper 2 7%
Cocteau Twins 2 7%
Chromatics 1 3%
Show all
Country Albums %


United States 19 63%
United Kingdom 9 30%
Sweden 1 3%
France 1 3%
Compilation? Albums %
No 29 97%
Yes 1 3%
TitleSourceTypePublishedCountry
Shoegaze/Dream Pop btener11Custom chart2013
Nocturnal Me CellarDoorCustom chart2014
Top 20 Music Albums of 2012DanielU2012 year chart2020Unknown
Top 21 Music Albums of 1990Dayved001990 year chart2019
Die ByteFM Jahrescharts 2012ByteFM2012 year chart2012Germany
Top 20 Music Albums of 1990DanielU1990 year chart2020Unknown
Top 25 Greatest Music AlbumsrobostevenOverall chart2012Unknown
Top 22 Greatest Music AlbumsgnarlyraejepsenOverall chart2016Unknown
Top 20 Music Albums of 2008 Komorebi-D2008 year chart2018
Popnews Bilan 2010cicadelicCustom chart2025

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TitleSourceTypePublishedCountry
My Favorite Album Covers teagueCustom chart2021
My Favorite Albums teagueCustom chart2022
Pitchfork: 50 Best Shoegaze Albums teagueCustom chart2021
Pitchfork: 30 Best Dream Pop Albums teagueCustom chart2021

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06/04/2025 15:58 Johnnyo  Ratings distributionRatings distribution 2,53180/100

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