2022 outliers (65/100)
by 
DommeDamian 
- Chart updated: 11/11/2025 22:45
- (Created: 11/11/2022 12:23).
- Chart size: 50 albums.
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65/100
With an artist like FKA, I respect her more than I actually like her. Some of her music, particularly magdalene, grew off me quick but I still the value that she puts into the craft... even though a lot of it is relying on studio tricks created by her cast of co-workers. Also I have nothing but empathy for what she emotionally has gone through. Her new album well, it's definitely better. Musically and atmospherically speaking, Tahlilah moves like a half-stepping loner, in a world that is both adventurous and (kind of) boring lo-fi study. The idea behind the way these songs are pressed together is at little more interesting than the predecessor. When we are talking about content and long-lasting impression and emotion, it's a mixed bag, and compared again with magdalene, it's more inconsistent.
Though, they are many many more great moments which makes it far superior and actually my favorite project the fellow alien has created so far. Highlights including a soothing joint in Minds of Men. The dreamcore esque Ride The Dragon is the tone-setter and I love its pacing. The ethereal slow jam Careless (where she unintentionally shows how great she is at melodic balance) is probably my favorite FKA tune, it's so cozy and alien and feel like being comforted by a lost mother. The floaty instrumentation is enough to drown out a nervous breakdown. Papi Bones has a poppy yet semi-experimental groove: reminds me of Timbaland if he went more electronic). Also, the damn moody Meta Angel beats Charli XCX's hyperpop at her own game, and Thank You Song is Tahlilah doing what she does best. Oh My Love used to be one of the worst on the tape, but I've warmed up it and now realize it's kind of like a Chris Brown tune (a la Heartbreak On A Full Moon) but more artsy which is cool.
Lowlights are the boneless Jealousy (with a horrendously awkward feature), Tears In The Club which was a single I believe (understandable considering how sell-out it sounds), the much lesser attempt at hyperpop on Pamplemousse (which isn't my genre to begin with - but it's still clearly better than atrocities like 100gecs), and these interludes that mostly are more confusing than amusing - they are average though. The autotune can be too misplaced, but at least it's not overworked so much to where it's overshadowing the fact that she actually sing so well, how little of a compliment that must be.
That being said, those I mentioned as highlights, are some of the biggest masterpieces of the entire, they contain finesse that are worth coming back to gnomesayin'. In a way, this reminds me a bit of Democrazy although miles away from being as childlike, but it's FKA's cutest and most down-to-earth set of vibe. [First added to this chart: 11/14/2022]
With an artist like FKA, I respect her more than I actually like her. Some of her music, particularly magdalene, grew off me quick but I still the value that she puts into the craft... even though a lot of it is relying on studio tricks created by her cast of co-workers. Also I have nothing but empathy for what she emotionally has gone through. Her new album well, it's definitely better. Musically and atmospherically speaking, Tahlilah moves like a half-stepping loner, in a world that is both adventurous and (kind of) boring lo-fi study. The idea behind the way these songs are pressed together is at little more interesting than the predecessor. When we are talking about content and long-lasting impression and emotion, it's a mixed bag, and compared again with magdalene, it's more inconsistent.
Though, they are many many more great moments which makes it far superior and actually my favorite project the fellow alien has created so far. Highlights including a soothing joint in Minds of Men. The dreamcore esque Ride The Dragon is the tone-setter and I love its pacing. The ethereal slow jam Careless (where she unintentionally shows how great she is at melodic balance) is probably my favorite FKA tune, it's so cozy and alien and feel like being comforted by a lost mother. The floaty instrumentation is enough to drown out a nervous breakdown. Papi Bones has a poppy yet semi-experimental groove: reminds me of Timbaland if he went more electronic). Also, the damn moody Meta Angel beats Charli XCX's hyperpop at her own game, and Thank You Song is Tahlilah doing what she does best. Oh My Love used to be one of the worst on the tape, but I've warmed up it and now realize it's kind of like a Chris Brown tune (a la Heartbreak On A Full Moon) but more artsy which is cool.
Lowlights are the boneless Jealousy (with a horrendously awkward feature), Tears In The Club which was a single I believe (understandable considering how sell-out it sounds), the much lesser attempt at hyperpop on Pamplemousse (which isn't my genre to begin with - but it's still clearly better than atrocities like 100gecs), and these interludes that mostly are more confusing than amusing - they are average though. The autotune can be too misplaced, but at least it's not overworked so much to where it's overshadowing the fact that she actually sing so well, how little of a compliment that must be.
That being said, those I mentioned as highlights, are some of the biggest masterpieces of the entire, they contain finesse that are worth coming back to gnomesayin'. In a way, this reminds me a bit of Democrazy although miles away from being as childlike, but it's FKA's cutest and most down-to-earth set of vibe. [First added to this chart: 11/14/2022]
Year of Release:
2022
Appears in:
Rank Score:
311
Rank in 2022:
Rank in 2020s:
Overall Rank:
Average Rating:
Comments:
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65/100
Typically, if you look at my album ratings out from genres, I would instantly dislike this album. But Daniel Avery has figured out something quite unusual: how to mix it up with not only nostalgia but what I would consider to be real music. These songs are mini-soundscapes of atlantic fields and trips, both with emotional strings and hardhitting drum loops (reminding of Daft Punk and Amon Tobin), some of the stuff are videogame soundtrack-esque to the mission of climbing a mountain and stuff. And honestly, I have always really liked it. The highlights on this thing are not only some of the most epic sounding music of the year, but also a lot of it is like the best electronic/house music I've heard this decade and it's not even that close to be honest. [First added to this chart: 11/15/2022]
Typically, if you look at my album ratings out from genres, I would instantly dislike this album. But Daniel Avery has figured out something quite unusual: how to mix it up with not only nostalgia but what I would consider to be real music. These songs are mini-soundscapes of atlantic fields and trips, both with emotional strings and hardhitting drum loops (reminding of Daft Punk and Amon Tobin), some of the stuff are videogame soundtrack-esque to the mission of climbing a mountain and stuff. And honestly, I have always really liked it. The highlights on this thing are not only some of the most epic sounding music of the year, but also a lot of it is like the best electronic/house music I've heard this decade and it's not even that close to be honest. [First added to this chart: 11/15/2022]
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65/100
Like music from a lost jungle. [First added to this chart: 11/14/2022]
Like music from a lost jungle. [First added to this chart: 11/14/2022]
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65/100
Right up my alley in terms of Jazz but something is missing. These tracks are very airy but not atmospheric, otherlifely but not spiritual nor metaphysical. This album sounds like they recorded a jazz record in a haunted house with a high ceiling. Except the starter Asynchronous Intervals which sounds like they did it on the roof on a fall evening [First added to this chart: 11/14/2022]
Right up my alley in terms of Jazz but something is missing. These tracks are very airy but not atmospheric, otherlifely but not spiritual nor metaphysical. This album sounds like they recorded a jazz record in a haunted house with a high ceiling. Except the starter Asynchronous Intervals which sounds like they did it on the roof on a fall evening [First added to this chart: 11/14/2022]
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65/100
[First added to this chart: 11/14/2022]
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65/100
Richard, please I beg you not to be sad about me maybe not returning to The Ruby Cord, because that does not matter. What matter is that you put a looott of effort into these songs, and my respect for you far exceeds my disenjoyment. You are a star, Richard and a real composer in my eyes. [First added to this chart: 11/26/2022]
Richard, please I beg you not to be sad about me maybe not returning to The Ruby Cord, because that does not matter. What matter is that you put a looott of effort into these songs, and my respect for you far exceeds my disenjoyment. You are a star, Richard and a real composer in my eyes. [First added to this chart: 11/26/2022]
Total albums: 6. Page 1 of 1
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2022 outliers (65/100) composition
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Jack White | 2 | 4% | |
| Healing Potpourri | 1 | 2% | |
| Richard Dawson | 1 | 2% | |
| Autonoesis | 1 | 2% | |
| Ethel Cain | 1 | 2% | |
| Die Nerven | 1 | 2% | |
| Marlowe | 1 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
26 | 52% | |
 |
8 | 16% | |
 |
6 | 12% | |
 |
1 | 2% | |
 |
1 | 2% | |
 |
1 | 2% | |
 |
1 | 2% | |
| Show all | |||
2022 outliers (65/100) chart changes
| Biggest climbers |
|---|
| Up 1 from 51st to 50th The Edinburgh Suite by Anders Buaas |
| Up 1 from 50th to 49th Le Début by TeleMama |
| Up 1 from 49th to 48th Here And There by Kibrom Birhane |
| Leavers |
|---|
| Tele-K-Nesis by K-Rino |
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2022 outliers (65/100) similarity to your chart(s)
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2022 outliers (65/100) ratings
Not enough data Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
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