Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 3 hours ago).
"This was significantly better than I expected. It's pop rap so I expect it to be thoroughly panned by this community which is fine. That's ok. Lil Nas X will keep doing his thing. It's fun, it's honest, it's relatable. There's some childish gambino vibes, there's some chance the rapper vibes, the...""This was significantly better than I expected. It's pop rap so I expect it to be thoroughly panned by this community which is fine. That's ok. Lil Nas X will keep doing his thing.
It's fun, it's honest, it's relatable. There's some childish gambino vibes, there's some chance the rapper vibes, there's some already dated trap sounding beats. There's some guilty pleasure lyrics that I legitimately laughed at.
It's probably not going to win over a lot of Lil Nas X skeptics, but it won me over."[+]Reply
"I'm extremely confused. I didn't expect this album to be this good, especially when some of the singles didn't really click with me the first time I heard them. This is the band's best output since Sam's Town indeed, and it probably reaches Hot Fuss' levels of good. The Killers is a band I've enj...""I'm extremely confused. I didn't expect this album to be this good, especially when some of the singles didn't really click with me the first time I heard them. This is the band's best output since Sam's Town indeed, and it probably reaches Hot Fuss' levels of good. The Killers is a band I've enjoyed since I started listening to rock, but honestly their albums have never been thoroughly consistent from start to finish (minus the first one or two).
Three years ago with "Wonderful, Wonderful" I thought they were on the right track with some great singles such as "The Man" or "Run for Cover". Now with "Imploding the Mirage" it's just hit after hit after hit. Almost every song in this record is interesting, innovative and packed with a lot of energy and experimentation for the band. I never thought there would be a time when I prefered a Killers album over Tame Impala.
Favorite songs: Every single one of them! Gotta listen to this a couple of times to really start picking favorites."[+]Reply
""Starting Over" is a collection of above average country tunes. I particularly enjoy the heavier guitar aggressive tracks. "Devil Always Made Me Think Twice" is a highlight with its reflective message and bluesy guitars. The other Satan referencing song, "Watch You Burn", contains the most striki..."""Starting Over" is a collection of above average country tunes. I particularly enjoy the heavier guitar aggressive tracks. "Devil Always Made Me Think Twice" is a highlight with its reflective message and bluesy guitars. The other Satan referencing song, "Watch You Burn", contains the most striking lyricisms of the album. "Starting Over" weakness comes its lesser cuts. Some of the softer songs blend together and removing would probably help the records flow. "[+]Reply
"Although Wild Wood pretty much set the ball rolling for me in all my musical travels, and Stanley Road has some unquestionably classic songs on, this is the one that gets played most often... the songs are great throughout (not one skipped track!) It's more of a proper rock album than those other...""Although Wild Wood pretty much set the ball rolling for me in all my musical travels, and Stanley Road has some unquestionably classic songs on, this is the one that gets played most often... the songs are great throughout (not one skipped track!) It's more of a proper rock album than those others mentioned, and perhaps more in the spirit of The Jam.
Plenty of hooks and memorable moments."[+]Reply
"I’m a big fan of when artists decide to go into a different direction with their music. I hate it when a band or a musician just stagnates and makes the same album over and over again. Well, I shouldn’t say I hate it, because I’m a big fan of some bands that do exactly that, but it’s really nice ...""I’m a big fan of when artists decide to go into a different direction with their music. I hate it when a band or a musician just stagnates and makes the same album over and over again. Well, I shouldn’t say I hate it, because I’m a big fan of some bands that do exactly that, but it’s really nice when an artist tries to go into a different direction. John Mayer does exactly that on this album. There’s still remnants of the sound of John Mayer that you’ve come to know, but this album is overall different. It’s like John Mayer meets Neil Young. It leans more towards the acoustic sound with a slight hint of country thrown in. It’s not nearly as poppy as some of his past albums have been. It’s a very good album and I think this will bring some new fans to John Mayer. "[+]Reply
"Okay, let me tell you exactly why this is a 9/10. As I said in my review of Monkey Business: the philosophy in pop is that the goal is enjoyment and that no method to reach that goal should be looked down upon. And while on MB they did that by fucking ripping everyone ever off; on this record the...""Okay, let me tell you exactly why this is a 9/10.
As I said in my review of Monkey Business: the philosophy in pop is that the goal is enjoyment and that no method to reach that goal should be looked down upon. And while on MB they did that by fucking ripping everyone ever off; on this record they do that by shamelessly grabbing every new instrument and effect within reach without thinking twice about “morality”. If Chuck Berry and Elvis Presley listened to the status quo which said the electric guitar is morally wrong, rock ‘n’ roll never would’ve existed. Twenty years later those rockers did the same by trying to boycott synths, because they forgot the discussion in the ‘50s and ‘60s, or they thought it was just about electric guitars rather than the fact that new is never automatically bad and in the case of music it’s never bad, unless you’re killing random animals and recording it as music. Fast forward another 30 years and the kids that grew up with synthpop are okay with synths, but “hmmm, let’s think about whether auto tune is morally wrong to use... it’s not like history has shown time and time again that you’re just ostracizing people who make actual original and good music”.
A genre is always doomed to regress into elitism in a couple of decades and it will always look like they have valid points, because they pretty much control the status quo at that point.
Culture does what it does, and fact is: culture keeps changing as long as scientific innovation keeps existing, and the government is not actively trying to control culture. And the people who take the initiative of making use of that innovation are the ones that make art, and they will inevitably receive hate from the status quo, and receive love from - as Robert Christgau likes to put it - “just plain people”.
Okay, but the Peas are not the first one to make use of auto tune. We had Cher, but she used it merely as an effect after making the song; daft punk and Kylie Minogue were probably the first to employ it in a way that it shows that they thought about what the effect did and how it could be used best; T-Pain, Lil Wayne and Snoop Dogg used it pretty much only to replace a talk box or because they can’t sing; Uffie was the first to rap to it; Kanye West was the first to make a style of it that is enjoyable enough for a full album (it’s a new genre if you ask me); The Black Eyed Peas were the second to do so. They gave an original spin to it the same way Black Sabbath gave an original spin to Jimi Hendrix’ sound, which is worth a 9/10 in my eyes.
The way they transposed Fergie’s vocals is as rock ‘n’ roll as the way Little Richard screams to introduce a solo and then smashes the same chord for 16 times. Of course, Little Richard had more skills then, but relative to the culture then (jazz was the elite then), what he was doing showed little skill. And the same goes for The Beatles - have you read Quincy Jones’ recent interview? Rock ‘n’ roll was a departure from the focus that jazz had on skill and the focus that classical music had on complexity, and I notice people have forgotten that."[+]Reply