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7201.

In Trance 

 Scorpions

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"Prior to listening to this I had heard bad things about Scorpions. Things like they were cheesy, adult rock and could potentially kill you. This was the first album I listened to by these and from the moment Dark Lady had finished playing I knew all such things weren't true. Well... maybe they ar...""Prior to listening to this I had heard bad things about Scorpions. Things like they were cheesy, adult rock and could potentially kill you. This was the first album I listened to by these and from the moment Dark Lady had finished playing I knew all such things weren't true. Well... maybe they are as I haven't listened to their late 80's/early 90's stuff. Maybe they did go a little off track. What I do know is that this is a solid album with excellent guitar playing. Life's Like A River and Top Of The Bill are also highlights. If you liked Rush and Rainbow then here is something which you should really check out. They're a good band and this a good album. Not much more to say."  [+]  Reply

- | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

58 charts

Rank Score:

179

Rank in 1975:

107

Rank in 1970s:

1,088

Overall Rank:

7,201

Average Rating:

 78 (89 votes)

Comments:

5

7202.

Songs Of Our Soil 

 Johnny Cash

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"A great example of how Johnny Cash could play just about anything and make it his own. My Grandfather's Clock and Five Feet High and Rising are my favourite tracks here."  Reply

- Decurso | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1959

Appears in:

50 charts

Rank Score:

179

Rank in 1959:

43

Rank in 1950s:

219

Overall Rank:

7,202

Average Rating:

 67 (46 votes)

Comments:

1

7203.

Forlatt 

 Vàli

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Year of Release:

2004

Appears in:

15 charts

Rank Score:

179

Rank in 2004:

104

Rank in 2000s:

1,246

Overall Rank:

7,203

Average Rating:

 74 (24 votes)

Comments:

0

7204.

Earth, Sun, Moon 

 Love And Rockets

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"Love And Rockets A departure from densely sonic and chugging previous album 'Express.' Some songs have their expected rock sound, but mostly this is an acoustic based effort. Love and Rockets do a great job of combining acoustic music with experimental sounds. The lyrics are deep and full of inge..."" Love And Rockets A departure from densely sonic and chugging previous album 'Express.' Some songs have their expected rock sound, but mostly this is an acoustic based effort. Love and Rockets do a great job of combining acoustic music with experimental sounds. The lyrics are deep and full of ingenious imagery, the music is raw and unique, and very thoughtful."  [+]  Reply

- ~SMiLE~ | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

53 charts

Rank Score:

179

Rank in 1987:

90

Rank in 1980s:

1,025

Overall Rank:

7,204

Average Rating:

 74 (65 votes)

Comments:

6

7205.

The Something Rain 

 Tindersticks

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Year of Release:

2012

Appears in:

47 charts

Rank Score:

179

Rank in 2012:

148

Rank in 2010s:

1,375

Overall Rank:

7,205

Average Rating:

 73 (58 votes)

Comments:

0

7206.

Thursday Afternoon 

 Brian Eno

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"Ambient heaven. Fleeting and minimalistic."  Reply

- | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

84 charts

Rank Score:

179

Rank in 1985:

89

Rank in 1980s:

1,026

Overall Rank:

7,206

Average Rating:

 73 (93 votes)

Comments:

4

7207.

Runaway Horses 

 Belinda Carlisle

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"Leave a Light On is a banger. Love the swirling sound of Summer Rain and La Luna is majestic."  Reply

- mayonaise93 | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1989

Appears in:

36 charts

Rank Score:

179

Rank in 1989:

98

Rank in 1980s:

1,027

Overall Rank:

7,207

Average Rating:

 75 (42 votes)

Comments:

2

7208.

Pneumonia 

 Whiskeytown

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""When you need someone to be there for you, I won't be one who will help you out" cries a heart-broken Ryan Adams on Pneumonia's twangy opener, "The ballad of Carol Lynne". Whiskeytown was an alt-country band and, sonically, this album is heavier on the "alt" than any of their previous efforts (T..."""When you need someone to be there for you, I won't be one who will help you out" cries a heart-broken Ryan Adams on Pneumonia's twangy opener, "The ballad of Carol Lynne". Whiskeytown was an alt-country band and, sonically, this album is heavier on the "alt" than any of their previous efforts (Timmy Stinson of The Replacements and James Iha of Smashing Pumpkins make appearances), though the country influences still ring strong and define the mood of the album. The melancholic purr of the slide guitar and the cry of Caitlin Cary's violin (Cary also delivers superb backing vocals on many songs) do much to underscore Adams' lonesome, sorrowful rasp. Adams, only in his mid-twenties, sounds like an old man beaten down by an unsatisfying life of failed romances, cigarettes, and escapist alcoholism. "sometimes I wish I were deaf, then I wouldn't hear the words you say the words you say under your breath", he weeps on "Under your breath", a mid-album highlight. Engaging throughout, Pneumonia finishes with its best track, "bar lights", a barstool vignette sung to a catchy violin part over a harmony of guitar and bass. The song fizzles out into a genuine scene of playful studio chatting and laughing, which ends appropriately with Adams telling his band "alright, I'm going to the bar, fuck this". A few minutes of silence is followed the sound of the band warming up and bantering about steel drums, which leads into a stellar hidden track, shrouded in honesty, which begins with "to be evil is to be scared, withholding all the things to sacred to be shared", builds up to the climax, shouted by the full band "L-O-V-E is gonna be the death of me" and ends quietly with "I'm not evil; I'm just scared". The two songs combine into a single ten-minute track. The whole thing evokes a strong feeling of intimacy, which is perhaps the most appealing element of the album. For the entirety of the album, the listener is effectively transported into the abandoned church in which Pneumonia was (quite appropriately) recorded, and on the last track, Whiskeytown takes this a step further; for a few minutes the listener feels like a member of the band. Whiskeytown isn't just the music you listen to when you're sad, they're also some of your closest friends. You could discuss all of your most personal problems over a few drinks these people, because they have shared everything about themselves with you. All this makes Pneumonia feel like a pure country album, even if the sound is more rock oriented than Stranger's Almanac or Faithless Street. It's a triumphant finale for perhaps the finest band of the alt-country movement."  [+]  Reply

- mikeaaron | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

45 charts

Rank Score:

179

Rank in 2001:

130

Rank in 2000s:

1,247

Overall Rank:

7,208

Average Rating:

 74 (60 votes)

Comments:

7

7209.

Leaving Through The Window 

 Something Corporate

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"Overlong and riddled with meta references and snarky nudge-nudge lines that could only come from a young songwriter, it's actually a pretty decent album, mainly cause the songcraft is overall catchy enough but not quite as conservatively cliqued as most of the endless onslaught of emo albums in t...""Overlong and riddled with meta references and snarky nudge-nudge lines that could only come from a young songwriter, it's actually a pretty decent album, mainly cause the songcraft is overall catchy enough but not quite as conservatively cliqued as most of the endless onslaught of emo albums in the early 00's were. Also benefits from (very slightly) more diverse compositions than the usual left-side-of-the-fret power chords for which most emo bands of the time felt incapable of doing anything else. "  [+]  Reply

- cestuneblague | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

27 charts

Rank Score:

179

Rank in 2002:

138

Rank in 2000s:

1,248

Overall Rank:

7,209

Average Rating:

 72 (21 votes)

Comments:

1

7210.

Skyscraper 

 David Lee Roth

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"“Skyscraper,” (1988, US #6) David Lee Roth’s 2nd post-Van Halen solo LP, features impressionistic, sonic tapestries that sound utterly dissimilar to the aggressive “Eat ‘em and Smile,” (1986, US #4) despite being recorded with the same eclectic, all-star band. Featuring avant-garde guitar virtuos...""“Skyscraper,” (1988, US #6) David Lee Roth’s 2nd post-Van Halen solo LP, features impressionistic, sonic tapestries that sound utterly dissimilar to the aggressive “Eat ‘em and Smile,” (1986, US #4) despite being recorded with the same eclectic, all-star band. Featuring avant-garde guitar virtuoso Steve Vai, (who also demoed, produced, and co-wrote most of “Skyscraper;”) bass innovator Billy Sheehan; and big-band jazz drummer Gregg Bisonnette, original Van Halen vocalist David Lee Roth expressly created the multi-tracked studio-craft of “Skyscraper” to challenge his audience. Songs like “Hina,” “The Bottom Line,” “Skyscraper,” and “Damn Good” are all among Roth’s most creative and ambitious. On its release, many fans were disappointed by “Skyscraper,” wishing that it sounded more like the gonzo “Eat ‘em And Smile” and ’78-‘82 Van Halen. While “Skyscraper” features arguably David Lee Roth’s most expertly-crafted batch of songs, the album’s clean, multi-tracked production removes much of its hard rock bite (it sounds more like jazz fusion) and dates it to the period around 1990. The critical estimation of “Skyscraper” – likewise, its perception by musicians – has risen since its release. Despite debuting in the thick of the "hair metal" era, “Skyscraper” has little in common with the genre - and sounds refreshingly creative and experimental in retrospect. Although imperfect – “Skyscraper” features arguably the worst song Roth ever released (“Stand Up,”) and the sugary-sweet pop hit, “Just Like Paradise,” (#6 US,) fans of Steve Vai and of jazz fusion will likely enjoy “Skyscraper” - more so than, e.g. fans of Poison, (the band that opened for David Lee Roth during the '88-'89 "Skyscraper Tour.")"  [+]  Reply

- JuJu83 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

47 charts

Rank Score:

179

Rank in 1988:

100

Rank in 1980s:

1,028

Overall Rank:

7,210

Average Rating:

 73 (59 votes)

Comments:

6

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Total albums: 10,000. Page 721 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,424	14%
1980s	1,413	14%
1990s	1,600	16%
2000s	1,726	17%
2010s	1,963	20%
2020s	826	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,004	50%
	2,655	27%
	431	4%
	336	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%