Line By Line
by John Patitucci

Line By Line by John Patitucci
Year: 2006
Release date: 2006-09-25
Overall rank: 69,965th   Overall chart history
Average Rating: 
73/100 (from 3 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 2006 (1,336th)
Award Top albums of of the 2000s (13,144th)
Award Best albums of all time (69,965th)

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John Patitucci bestography

Line By Line is ranked 2nd best out of 4 albums by John Patitucci on BestEverAlbums.com.

The best album by John Patitucci is Heart Of The Bass which is ranked number 54108 in the list of all-time albums with a total rank score of 12.

John Patitucci album bestography « Higher ranked (54,108th)
Heart Of The Bass
This album (69,965th)
Line By Line
Lower ranked »
-

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Line By Line rankings

Line By Line rankings summary
Overall rank: 69,965th | 2000s rank: 13,144th | 2006 rank: 1,336th  Overall chart history
(Calculated from aggregate positions across 60,000 charts (2 million album rankings). (Last updated: 1 hour ago).

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Line By Line ratings

Average Rating: 
73/100 (from 3 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
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Showing all 3 ratings for this album.

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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
75/100
 !
07/05/2021 23:14 TodFitz  Ratings distribution  27,37563/100
 
75/100
 !
05/10/2020 01:32 Fischman  Ratings distribution  11,85766/100
 
75/100
 !
07/17/2018 14:51 byuzak  Ratings distribution  3,24879/100

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Line By Line comments

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Rating:  
75/100
From 05/10/2020 01:37 | #251161
Line by Line has a broad musical palette, having some very strong third stream/classical pieces, but also fusion, contemporary jazz, and especially hard bop with a modern electric bass-focused twist. Even in the more jazz oriented pieces, Pattitucci displays his keen sense of classical line and counterpoint (especially evident in the interplay between tenor Chris Potter and guitarist Adam Rogers on "Agitato"), and on the pure post bop pieces, he gives a good demonstration of his technical virtuosity. The strings do take over on the more classically oriented pieces. On "Evidence," Rogers adds some distortion to the guitar and channels some serious John Scofield. The variety is nice with lots of interesting individual pieces, but the album as a whole can seem a bit disjointed at times. This is a good one for programming just whichever cuts fit whatever mood you're in at the moment.
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