The ArchAndroid
by Janelle Monáe
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Janelle Monáe bestography
The ArchAndroid is ranked as the best album by Janelle Monáe.
(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).
Listen to The ArchAndroid on YouTube
The ArchAndroid track list
The tracks on this album have an average rating of 82 out of 100 (all tracks have been rated).
Top-rated track as rated by BestEverAlbums.com members.
The ArchAndroid rankings
Calculated from aggregate positions across 60,000 charts (2 million album rankings). Click to see how the rankings are calculated (Last updated: 6 hours ago)
| Year | Source | Chart | Rank | Rank Score |
|---|---|---|---|---|
| 2026 | Top 100 Music Albums of 2010 | 9/100 | 5 | |
| 2026 | Exist-en-ciel | Top 100 Music Albums of 2010 | 6/100 | 5 |
| 2026 | Top 100 Greatest Music Albums | 41/100 | 58 | |
| 2026 | Pavloss | Top 53 Music Albums of the 2010s | 20/53 | 13 |
| 2026 | cicadelic | AllMusic Best Of 2010 | 32/53 | - |
| 2026 | Untitled | Top 20 Music Albums of 2010 | 20/20 | 0 |
| 2026 | Foxforce5 | Top 18 Music Albums of 2010 | 4/18 | 4 |
| 2026 | Top 99 Greatest Music Albums | 77/99 | 22 | |
| 2026 | June 26: 301-400 | 66/100 | - | |
| 2026 | fabm0 | Top 100 Music Albums of the 2010s | 17/100 | 17 |
| Total Charts: The total number of charts that this album has appeared in. | 555 | |||
| Total Rank Score: The total rank score. | 3,559 | |||
The ArchAndroid collection
Showing latest 20 members who have this album in their collection | Show all 223 members
The ArchAndroid ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 3 ratings for this album. | Show all 630 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
| ! | 09/18/2026 10:58 | ASOARE | 2,544 | 78/100 |
| ! | 08/27/2026 10:22 | exwhorelted1 | 11 | 87/100 |
| ! | 08/10/2026 00:18 | xhitmanx | 1,604 | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 1% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 80.1/100, a mean average of 78.8/100, and a trimmed mean (excluding outliers) of 80.3/100. The standard deviation for this album is 15.4.
The ArchAndroid favourites
Showing latest 10 members who have added this album as a favourite | Show all 97 members
The ArchAndroid forum mentions
The ArchAndroid comments
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Underrated neo-soul / funk with a psychedelic twist and great guitar sounds. So much good music on this at such a high level of output. Riding on the wings of Stevie Wonder, George Clinton, MJ, James Brown, Outkast, Lauryn Hill and Missy Elliot, she was able to do what a bit of what St. Vincent, FKA Twigs, Beyonce, Solange, Grimes, and Kendrick have all been since intensely praised for, yet half a decade earlier. It's as good as anything that's out this decade in this genre.
The potions are a coming and a bubbling on this klido piece. Fresh from the alchemists lair comes this album just over one year old. Fall head over heels for the golden hooks of 'Faster' and heart pounding throttling fish on a dish vocal gymnasts of 'Tightrope'. Creativity is cast into this album. Lots of electronic gizmos and hooks are too. They are important I should say. The one on production duties delivers more magic than a magician on world tour and the singer vocals are astounding while having a talent for the pen. I mean, 'Cold War' is top 40 hit parade material with a melody to rival some of the biggest ones throughout the decades. However... that is not the direction the album is aiming for. Not the vocation it was conceived to do. You see, this is a concept album at heart. Perhaps it is the violins and cellos which take your shoes off at the start. The applause maybe? What about the fact there is an overture on the piece? That has to count for something!? Well, all of them and more. I think this is aiming for the aural cinema's. Seemingly inspired by the film 'Metropolis' and holding a story with the scope of 'The Lamb Lies Down On Broadway' and 'The Wall' if they were happy and content. Not too rigid with the story but does add strength to the album. 'Come Alive (The War Of The Roses)' tumbles in on its own thunder. Can just imagine the frantic group dancing done along to this in a music video. Gets a lot lighter towards the end. Starting from 'Suite III Overture' comes the contemplating. Followed by 'Neon Valley Street' where the twilight has come out behind the steel giants, the vast emptiness of the cities outside is a sleep except for the silent gasps of awesome coming from the tree trunks... or somewhere. Well pluck the neon harp and the take out your electronic organ, you have a box of golden dreams in capsules here.
Monae's ambitious concept is an amalgam of musical forms that encompass virtually the entire history of music in an eclectic and intelligent way. The album opens with a symphonic suite followed by Brazilian and African overtones that marry a frenzied rap with a celestial melody sung by a female choir, while horns, strings, syncopated beats and digital sound effects sculpt an earthly soundscape. This segues into a jiving stomp that harks back to the age of jump blues and charleston. Other musical forms include easy-listening 1960s-style pop and ballads, 1970s James Brown-style funk, Anita Baker-esque soulful vocals, Brazilian samba, jazzy chamber music, intelligent Stevie Wonder-style soul and 1980s synth-pop. Probably the centrepieces are the frenetic 'Come Alive' and the medieval-intoned '57821', one of the most poignant moments in the recording history of her generation. Monae manages to utilize these various genres to create a unique, dizzying and breathless work.
This is a stunning album, a true journey from start to finish, totally defying any genre categorisation.. I mean you could call this a "pop" or "RnB" record, but there are elements of classical music, jazz and soul to name a few (I think hairy covered that aspect well). Of course that doesn't necessarily mean that all people will like it for that, but I find such diversity in a mainstream act to be very refreshing.
And I would disagree with those talking about the first half being better. I think that every single track in the second half (in Suite III) is great, from the calm 57821 to the epic BabopbyeYa.
Track picks: Neon Valley Street, 57821, Faster, Sir Greendown
Mushrooms and Roses was probably my favorite track (probably because I'm a boring rocker). I do find this album tantalizing... but idk... just not that interesting. Good palate cleanser, but not a main dish?
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