Everything Is Recorded By Richard Russell (studio album) by Everything Is Recorded

Everything Is Recorded By Richard Russell by Everything Is Recorded
Year: 2018
Release date: 2018-02-16
Overall rank: 33,876th   Overall chart historyOverall chart history
Average Rating: 
70/100 (from 10 votes)
  Ratings distributionRatings distribution   Average rating historyAverage rating history
Accolades:
Award Top albums of 2018 (773rd)
Award Top albums of the 2010s (8,990th)
Award Best albums of all time (33,876th)
Product Details
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EVERYTHING IS RECORDED-BY RICHARD RUSSELL-JAPAN CD Ltd/Ed C94
Condition: Brand New
Time left: 15h 2m 10s
Ships to: Worldwide

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EVERYTHING IS RECORDED-EVERYTHING IS RECORDED BY RICHARD RUSSELL-JAPAN CD E78
Condition: Brand New
Time left: 15h 24m 22s
Ships to: Worldwide

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EVERYTHING IS RECORDED Everything Is Recorded By Richard Russell LP VINYL Europe
Condition: New
Time left: 1d 13h 35m 44s
Ships to: Worldwide

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Everything Is Recorded bestography

Everything Is Recorded By Richard Russell is ranked as the best album by Everything Is Recorded.

Everything Is Recorded album bestography « Higher ranked This album (33,876th) Lower ranked (57,926th) »
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Everything Is Recorded By Richard Russell ratings

Average Rating: 
70/100 (from 10 votes)
  Ratings distributionRatings distribution Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

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75/100
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04/15/2020 14:40 LosWochos  Ratings distributionRatings distribution 26,68875/100
 
80/100
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01/04/2020 12:06 platus  Ratings distributionRatings distribution 5,10972/100
 
60/100
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01/21/2019 08:06 Jaymantheman  Ratings distributionRatings distribution 1,31377/100
 
75/100
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09/20/2018 21:28 Tamthebam  Ratings distributionRatings distribution 18,93268/100
 
65/100
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09/03/2018 02:56 DVR  Ratings distributionRatings distribution 1,28778/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album has a Bayesian average rating of 70.4/100, a mean average of 67.5/100, and a trimmed mean (excluding outliers) of 67.5/100. The standard deviation for this album is 7.8.

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From 08/17/2018 23:09
XL label boss Richard Russell brings his considerable Rolodex to bear here on an album not quite defined by its collaborations. The intention was surely to wow the listener with an impressive rostrum of instrumentalists and vocalists - Kamasi Washington, Sampha, Ibeyi, Giggs, Green Gartside - but somehow it manages to miss the mark a little. To be clear, I'm a fan of this record, but it could be a case of too many cooks... well, you know the rest. No-one (with the exception of Sampha) seems to sit comfortably in their role here, even man-of-the-moment Washington noodles away to little significant effect. An album full of so much potential, but left with merely a 'good' tag.
Best tracks: Close But Not Quite, Wet Looking Road, Cane, Be My Friend
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Rating:  
65/100
From 02/23/2018 22:54
This album is a collaborative effort of the record label, XL Recordings, curated and produced by label owner Richard Russell, with an assortment of the labels artists enlisted as features. Unsurprisingly, Sampha kills it on this record, except for the title track which was a little lackluster to me. Giggs' cameo track was cool, and Kamasi Washington's saxophone was as sleek as every (but didn't necessarily fit the vibe of the album.) Sampha's "Close But Not Quite" and Obongjayar's "She Said" make for a very strong start to the album but all in all the record doesn't flow that well and steadily declines in quality. The production throughout is very good, but the project doesn't mesh amazingly well in my opinion.
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