20 Jazz Funk Greats
by Throbbing Gristle

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Throbbing Gristle bestography
20 Jazz Funk Greats is ranked as the best album by Throbbing Gristle.
(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).
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20 Jazz Funk Greats track list
The tracks on this album have an average rating of 77 out of 100 (all tracks have been rated).
20 Jazz Funk Greats rankings
Calculated from aggregate positions across 60,000 charts (2 million album rankings). Click to see how the rankings are calculated (Last updated: 1 hour ago)
| Year | Source | Chart | Rank | Rank Score |
|---|---|---|---|---|
| 2026 | Cheboygan74 | Top 100 Music Albums of the 1970s | 60/100 | 8 |
| 2026 | videoheadcleaner's 201-300 | 39/100 | - | |
| 2026 | Top 21 Music Albums of 1979 | 6/21 | 4 | |
| 2026 | Top 35 Music Albums of 1979 | 34/35 | 0 | |
| 2026 | Top 37 Music Albums of 1979 | 24/37 | 2 | |
| 2026 | pjerske | Top 100 Greatest Music Albums | 22/100 | 78 |
| 2026 | Steppenwolf666 | Top 100 Music Albums of 1979 | 78/100 | 1 |
| 2026 | Top 100 Music Albums of the 1970s | 36/100 | 13 | |
| 2026 | juanr1096 | Top 52 Music Albums of 1979 | 40/52 | 1 |
| 2026 | Top 50 Music Albums of 1979 | 7/50 | 4 | |
| Total Charts: The total number of charts that this album has appeared in. | 165 | |||
| Total Rank Score: The total rank score. | 935 | |||
20 Jazz Funk Greats collection
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20 Jazz Funk Greats ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 3 ratings for this album. | Show all 171 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
| ! | 08/10/2026 05:40 | 3,453 | 68/100 | |
| ! | 07/23/2026 09:10 | markc19 | 1,762 | 87/100 |
| ! | 03/29/2026 12:57 | 3,900 | 81/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 6% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 75.6/100, a mean average of 75.4/100, and a trimmed mean (excluding outliers) of 75.8/100. The standard deviation for this album is 17.3.
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20 Jazz Funk Greats comments
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A very unique album and you have to give the artist credit for the experimentation and risk they took on this project. Tracks like Persuasion and Convincing People are complete rollercoasters and really challenge the listener both lyrically and musically. The first time I listened to the record I was completely shocked by the content I found inside as it was nothing like what I was expecting and it really disturbed me but the more you listen to it the more you learn to love it. However, I do think it is a polarising album with some listeners completely falling in love with this album and others being too unsettled to find it enjoyable. This is due to the dark tone and atmosphere that is brilliantly created and it shocks everyone who hears this record. With that being said, I fall in the middle of this divide and find myself really enjoying the eccentricities and darkness but also I find the album quite slow in places and think a few tracks are unnecessary to the album on the whole. The final two tracks are an example of this and I think the album is superior if you don't listen to those songs. You do have to appreciate the significance this record has though as it definitely left its mark on albums that came out after it and inspired a lot of future artists. Overall, this is an album I have grown to enjoy very much and it might keep climbing in terms of my ranking but I do think there are a few flaws holding it back. (Edited)
I feel like a lot of electronic albums that were released afterwards deserves to bow down to this record. Even though this is more of a industrial, drone and avant garde album for the time, I do catch influences of jazz and funk even if they are warped and pretty cluster fuckery. This record has the same affect as Boards of Canada Geogaddi where we as listeners have to be aware and use context clues. Meanwhile for the people that don't turn away from the record really weeps in the benefits of the record. I do recommend it at least once. And don't worry if you turn away from it.
Some really messed up, surreal moments mixed with some pretty accessible and well constructed electronica (title track, On the Heels of Love). Big influence on the likes of Radiohead, Nine Inch Nails, etc. The album cover helps make the album, though. Arguably the best album cover ever. (Edited)
I really love this album. I love how the cover art, the name from the number of tracks to the style, and just everything about the exterior coyly and sarcastically misdirects your expectation. And the music is quietly jarring, abrasive but not in a loud or overly aggressive way. It's just some of the coolest, creepiest, most strangely beautiful music of the era. (Edited)
"Hot on the Heels of Love" is probably the most accessible song Throbbing Gristle ever made. Lots of unsettling things about this album, from the front cover (suicide hot spot) to the subject matter, like sexual exploitation in "Persuasion". Still so fun to listen to and a criminally overlooked record of the 1970s. Deserves to be in the top 10 of the decade without a doubt. However, the last two tracks of "Discipline" should not be listed with the rest of the album. They are bonus tracks that were recorded live and were never meant to be part of the original album. (Edited)
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