Carry On
by The Score

Carry On by The Score
Year: 2020
Release date: 2020-08-28
Overall rank: 60,905th   Overall chart history
Average Rating: 
72/100 (from 1 vote)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 2020 (1,556th)
Award Top albums of of the 2020s (7,772nd)
Award Best albums of all time (60,905th)

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The Score bestography

Carry On is ranked as the best album by The Score.

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Carry On track list

  Track ratings The tracks on this album have an average rating of 75 out of 100 (all tracks have been rated).

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Carry On rankings

Carry On rankings summary
Overall rank: 60,905th | 2020s rank: 7,772nd | 2020 rank: 1,556th  Overall chart history
Calculated from aggregate positions across 60,000 charts (2 million album rankings).Help Click to see how the rankings are calculated (Last updated: 5 hours ago)

Carry On collection


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Carry On ratings

Average Rating: 
72/100 (from 1 vote)
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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
65/100
 !
08/28/2020 08:52 MrScallops  Ratings distribution  12372/100

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Carry On forum mentions

This album has been referenced 1 time on the forums, Explore the wider forum discussion to see what members have said about it.
“Below are a list of new releases added to BEA for the week starting 2020-08-24 (10 albums) Albums released by artists in the top 1,000 this week are: (released 2020-08-28) Full list of this week's releases: (released 2020-08-25) (released 2020-08-28) (Compilation) (released 2020-08-28) (released…”
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Carry On comments

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Rating:  
65/100
From 08/28/2020 08:55 | #257522
1. 90
2. 45
3. 60
4. 55
5. 60
6. 75
7. 40
8. 90
9. 35
10. 40
11. 65
12. 95
13. 90
14. 90
15. 55

On their second full-length, The Score still tries to find their place within the broad landscapes of modern pop rock music. Their blend of Imagine Dragons-esque arena rock and more mainstream techno tunes make for an energetic, yet safe effort. The best songs are those that openly embrace an edgier rock sound, such as the album opener and Stronger, and the emotional ones, such as Comeback. The less successful attempts are those made to appeal wider audiences, as in the songs featuring guest artists.

Fine vocals and a hard-hitting energy is what The Score excels at, but their safe and repetitive melodies and fairly shallow lyrics drag their potential down a bit. A good example is Fire, which works well in the verses but falls apart in the chorus. Unfortunately, the album leans slightly more towards the pop aesthetic, which makes this one less enjoyable compared to their debut. Most song also sound too alike, so by the end of the album I had forgotten the majority of the songs.
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