Some of the things that brought me back to the album was mainly the synth tones of the entire album. Not only do they sound galactic, they were also enveloping somewhat hypnotizing. Second, I would point out that before picking out details I was making parallels from video games. Tracks like Holdin On and Jaded reminded me of tracks from We Love Katamari. Specifically the second half of Angel Rain for the former and Disco Prince for the latter. But I also got hints of Earthbound from Molecules which reminds me the menu of starting a new file or Hourglass that feels somewhat Moonside inspired. There are also other games like the first two Super Monkey Ball games or Kirby 64 that I was making visual cues. But I could also refer to how the album to me makes me see stuff that could be a reality 2 centuries later. But we be long gone when that occurs. But I would say the main takeaway of why I loved the album so much was due to how Disclosure was one of the few acts that stopped what I was doing and ended up being intrigued for there craft. Hell I remember when I first heard of them. But I get to that in a bit.
1. Elektronische Musik (Etude; Studie I; Studie II; Gesang Der Jünglinge; Kontakte) - Karlheinz Stockhausen
2. Persian Surgery Dervishes - Terry Riley
3. Portishead - Portishead
4. You're Dead! - Flying Lotus
5. Music Has The Right To Children - Boards Of Canada
6. Velocity : Design : Comfort - Sweet Trip
7. Dummy - Portishead
8. Ambient 1: Music For Airports - Brian Eno
9. Orblivion - The Orb
10. Debut - Björk
To me Caracal is number 1 then Velocity Design Comfort is number 2 while the rest can go anywhere they want in the selection. Haven't finish this list and to be honest can't get to the rest. But my first and second is solid.
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CharlieBarley
RoundTheBend
