Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"Excellent work from the Tangerine Dream heyday. Chris Franke's driving Moog Modular bass rhythms are an underlying feature throughout. Analogue drums also feature heavily, something not heard on Phaedra or Rubycon. The simple yet haunting piano introduction on side 2 is embellished with an eerie ...""Excellent work from the Tangerine Dream heyday. Chris Franke's driving Moog Modular bass rhythms are an underlying feature throughout. Analogue drums also feature heavily, something not heard on Phaedra or Rubycon. The simple yet haunting piano introduction on side 2 is embellished with an eerie Mellotron flute ahead of another Franke sequence gradually rising from the ether. Side 2 holds the candle for me."[+]Reply
"I have always enjoyed Metheny..check out "James" and "Bat"..the solos on "James" are amazing, so many great albums, check out "First Circle"and "the Pat Metheny Group"(ECM-1-1114)he was great in concert as well."Reply
"Blah blah, it's not as good as the best stuff they've done, blah blah it's not this or that. How about what it is rather than what it's not? There's moments on this as good as anything released this year. When they arrive they still make me feel. Not the best album they've made. Not the best albu...""Blah blah, it's not as good as the best stuff they've done, blah blah it's not this or that. How about what it is rather than what it's not? There's moments on this as good as anything released this year. When they arrive they still make me feel. Not the best album they've made. Not the best album of the year. More interesting, emotional and just better than nearly the vast majority of releases this year."[+]Reply
"We're taking this track by track NOTE: I tend to dig way too deep into new records from bands I have I bias to like because they've already connected with me before I tend to feel things in songs that might not actually be there. That being said these songs still made me feel certain ways that I ...""We're taking this track by track NOTE: I tend to dig way too deep into new records from bands I have I bias to like because they've already connected with me before I tend to feel things in songs that might not actually be there. That being said these songs still made me feel certain ways that I have to give the album props for, even if I imagined some of the personal connections I made in my listening journey.
The 1975: I think the idea of starting the album this way is genius but it's just way too long. However, ending it with "It's time to rebel" gives me chills
People: The uncomfortable nature Nine Inch Nails meets the banging guitars and drums of a Nu-metal track, it took guts to make this track, the juxtaposition of this as the opener compared to Give Yourself a Try is amazing, I REALLY wanna hear more of this from the band on a later release because for better or worse it's not here
The End: It's an interlude with an interesting sinister tone to it (that's a word you'll be hearing more from me)
Frail State of Mind: A great representation of how crippling yet nonchalant a mental illness can be at the same time if that makes any sense. Something as scary as dreading going outside followed by "seems unlikely" shows how double-sided these feelings can be. Also it sounds like if tootime was better
Streaming: another short interlude
Birthday Party: This song is too long for its own good once again, if your song is gonna be 5+ minutes you need a climax, in my opinion. This song is just meandering and frankly boring. Lyrics are also decent at best
Yeah I Know: This is one of the first songs on the album that to me that feels like a mental breakdown, and I think that's actually really an interesting concept they keep playing with on the record. It feels like growing tired of the people around you in combination due to what they say just not leaving in impact on you as well as you don't think you deserve to be around them.
Then Because She Goes: I get an overwhelming sense of one-way feelings from this song. Matty sings about wanting the best for this girl as well as becoming extremely sad when she leaves, and they only thing we hear about this mystery woman is that she has to leave at half-past 8, and Matty says "please stay" which gives me very anxious feelings of this girl not wanting to be there longer than she has to (once again I could be reading too much into it but that doesn't matter because this is the first thing that came to my mind when listening to it). The instrumentation adds to these feelings as well with the sad drowning guitars that make me feel like something's slipping away. Also the reverbed, autotuned "I love you" that keeps repeating shows a sort of desperation. This song breaks my heart and I love it
Jesus Christ 2005 God Bless America- I really loved this song when I first heard Matty play a solo acoustic version of it over a year ago. Matty telling a story of a boy who has feelings for another boy but wanting to hide that feeling due to his love for god is heartbreaking. The next verse I figured to be about the same boy forcing himself to have service level feelings for a girl also was originally really sad, until the studio version swapped out that verse for a female singer. In my eyes that makes a huge portion of the songs depressing nature go out the window in exchange for a less satisfying, "I'm a girl and I'm gay too" Nothing wrong with that really but I loved how depressing the original story was and now it's gone, oh well I still enjoy the tune with my own little head cannon.
Roadkill: It sounds like a Pinegrove song which I'm assuming is intentional due to the reference to the band in The Birthday Party. This song feels like a slice of life anime in the sense that it just captures a blissful moment in a day, nothing really happens in the story but you just can see yourself walking around town with your bros and catching a glimpse of a beautiful woman that you're too shy to talk to but you fantasize about what could be.
Me & You Together Song: This song sort of builds on Roadkill's feeling of bliss, it's just recounting how you met a girl and how you got to be in your current Honeymoon phase. I also heard someone say this song reminds them of Semi-Charmed Life by Third Eye Blind and I think that's perfect, it's just a bit more British and 2000's. Third Eye Blind +Oasis+Slice of Life Anime
I Think There's Something You Should Know: It just sounds like if someone was told they have to copy Frail State of Mind, so it's not bad but I literally just listened to this song with better lyrics eight tracks ago
Nothing Revealed / Everything Denied: It's the third in the line of amazing gospel 1975 songs with a new twist each time. The original, If I Believe, was a straight gospel song that ironically was about how unspiritual Maty is and how he envies the faithful. The sequel Sincerity is Scary, a more jazz-gospel song dissects why people are afraid to be themselves and let down the facade of a personality that everyone seems to have, whether it be just from hiding online to actually be two-faced in real life. Then the conclusion on this album features gospel and r&b/ hip hop influences and is appropriately enough about Matty letting down his own facade that he has sort of created through his own past lyrics. Rather than explaining it here are the best examples "Life feels like a lie, I need something to be true, is there anybody out there" "Apathy for me is an issue, you see I just talk about the things upsetting me" also the guitars are beautifully growing once again on this track.
Tonight (I Wish I Was Your Boy): Opening with more gospel influences helps transition from the last song. While a hint of gospel is in the whole song this track is more accurately funk, and it's funky as heck. Yet as you could maybe guess this is not a happy song, the guitars are on the brink of bright and heartbreaking. The once again drowning guitars in combination with the high pitched Kanye-esque backing vocals show a sort of downward spiral as Matty wishes he could be with a girl even though he "effed up royally"
Shiny Collarbone: This song continues the album's hardcore downward spiral into sinister sounds. The chanting vocals sound like you're being attacked. Then the soundscape of synths and drum tracks feels like you're questioning your own reality. This song is when you start seeing the code in the Matrix, but on my second listen I noticed the code all over the album. What some people would write off as a meaningless interlude I'd say is one of the most important tracks in the overarching theme.
If You're Too Shy Let Me Know: This almost feels like a break in the album, but not quite. It's a 80's throwback which is always a surefire hit for the 1975 and this one might actually be my favorite song of theirs (Paris is close) I say It's like a break because it doesn't continue the sinister nature of a mental breakdown that seems to be happening at this point in the album. It seems to be a more inward song about Matty having an odd relationship with a girl, and he has no idea if it's gonna go anywhere. Yet it's so fun he has a hard time questioning it. Which is a really good parallel to how this fits on the album. You don't know how it's gonna thematically elevate anything but gosh dang it's so catching and anthemic that you have to jam out to it.
Playing On My Mind: It a fairly simple song that is quite literally Matty spilling his brain on things that he's been thinking about it. Am I okay with living as a rockstar forever? Is it bad I'm always on my phone? Will I get in a divorce? Why do I call you when I have nothing to say? (that's right because I'm in love with someone who doesn't feel the same way) or the age-old question, why am I always cold? One thing this songs shows really well that the rest of the album also does is that it doesn't really give any answers. All of these songs are just questions left for the audience to answer if they chose. This song is just an extreme showcase of that. So I respect it lyrically even if the acoustic backdrop is forgettable.
Having No Head: Welcome back to the emotional breakdown. I think it's another testament to the relation of mental health that we had two one incredibly upbeat song right after our previous mental breakdown. Then we started asking a lot of questions and think about our life and we're back to an emotional breakdown. This one is less violent than Shiny Collarbone though. It starts with a feeling of sobbing in a corner than slowly remembering some heartwarming things that have happened in your past that lead to a sort of wave of sadness that the past is gone, yet you're happy at the same time of the idea that the future may be even better. Yet there are brief moments in the songs that encapsulate the fear that it never will get better.
What Should I Say: Sounds a bit too Khalid-esque for my liking but the ideas of questioning your stance with another person to an obsessive level are a bit moving, not a great sounding track though. Maybe if there wasn't so much autotune it'd work better for me. A decent track that only overstays it's welcome a tiny bit.
Bagsy Not In Net: I don't really know what this song is trying to accomplish, the strings are as good sounding as always but I just get nothing out of this song.
Don't Worry: This one reminds me a lot of Mine from their previous record in the sense that it's a soft sort of tune that is all about putting someone else's feelings before you. It also shares the feeling that Matty is actually happy from caring about this person so much instead of other tracks where it seems that when he puts this much heart into someone it just hurts him. It's important that this song is at the end of the album as well just because it helps the listener feel that Matty has gotten better even through hard stuff he's had to deal with. He's in love with someone and he's at ease. Which brings us to our final track
Guys: Not only is Matty happy with whatever he's decided with women, he's acknowledged that all that he's ever needed has been there all along, his bandmates, his guys. This song also draws a big parallel to the closer on the last album, I always wanna die sometimes. That track wrapped up the thesis of the whole album by saying part of being alive is wishing you weren't sometimes and celebrating that fact. Guys further says that whatever you go through there will be people there for you, even if you can't see it at the moment. Or even if things aren't the best right now there have been good times, there have been great times! And there will be more, you just have to be strong enough to make it there, and you are.
To conclude I really don't know how to rate this album. I love this band to death. While some choices on this album were questionable, it's so rare that an album even gives me this much to talk about and dissect. For that alone I have so much respect for this project and I will definitely listen to it a ton, wether my love will grow or shrink for it as time passes who knows, but at this moment I am satisfied and happy with this release. Some tracks will not get as listened to as others for me but the highs here are too high to pass up.
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"This is a great follow up to the excellent Afrique Victime, the tracks flow together really well and Mdou's lyrics are on point. Plus it goes without saying that his guitar playing is phenomenal"Reply
"The Softies (1979) Aka Boys who pack an extra sweater. (Just in case! ) Love is just destruction under another name – Broken dreams have left you scarred beyond repair - Are u a Hardee or a Softie? I’m a softie. I like hugs. Playing D&D with my kids. Open bags of Doritos. That kind of stuff. BUT,...""The Softies (1979)
Aka Boys who pack an extra sweater. (Just in case! )
Love is just destruction under another name – [No Solution.]
Broken dreams have left you scarred beyond repair - [Someone Who Cares]
Are u a Hardee or a Softie?
I’m a softie. I like hugs. Playing D&D with my kids. Open bags of Doritos. That kind of stuff.
BUT, I also like loud music with teeth. Its feedback taking a bite out of my ass.
So bands like The Only Ones are my bread & butter. I can’t really relate to the nihilism and violence spewed by bands like Sham 69 or The Sex Pistols. I’m just too polite.
BUT, awkwardness around girls? Crazy love-hate relationships?! Alex, kind sir, I’ll take “Love Song”s for a thousand please!
And Peter Perrett, the lead singer & creative director of The Only Ones is just like me. And no. that’s not from reading his autobiography or anything like that. You just don’t have to. His heart is the open book. Filled with cottontails, sunflowers and secret kisses in that closet down the hall and to the right.
And while his band may not have got the limelight back then, Peter and his Only Ones foreshadowed the whole American Underground that was just about to happen. Bands like Galaxie 500. I mean just listen to the track "In Betweens" and try not to compare him to Dean Wareham. The voice of a long lost friend. That special someone you’d swap your Spider Man comic books with after school. A frayed sweater that u still keep in the that top drawer, just in case you need a hug.
The Verdict: For the second straight year, The Only Ones deliver a five tissue masterpiece with Even Serpents Shine. So break out some cough medicine, a deluxe box of Kleenex, and get ready to have a good old fashioned cry. Don’t forget your favorite stuffed Teddy!"[+]Reply
"An intense and sprawling experience. The music is both heavy and delicate while the vocalist has a very raw, emotional characteristic that really pushes the album along strongly throughout its duration."Reply
ffudnebbuh | Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
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Graeme2 | Helpful? (Log in to vote) | +4 votes (4 helpful | 0 unhelpful)
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Keatownrodriguez | Helpful? (Log in to vote) | +5 votes (5 helpful | 0 unhelpful)
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Repo | Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
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