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7681.

The Coast Is Never Clear 

 Beulah (US)

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"There's a period during early romance when butterflies flutter around your stomach and intoxicate you with both anxiety and joy."  Reply

- meccalecca | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

34 charts

Rank Score:

165

Rank in 2001:

137

Rank in 2000s:

1,330

Overall Rank:

7,681

Average Rating:

 74 (34 votes)

Comments:

3

7682.

Apostrophe ' / Overnite Sensation 
Compilation

 Frank Zappa

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Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

1986

Appears in:

19 charts

Rank Score:

165

Rank in 1986:

105

Rank in 1980s:

1,093

Overall Rank:

7,682

Average Rating:

 80 (62 votes)

Comments:

0

7683.

Translate Slowly 

 Zeitgeist (US)

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"The Reivers (Formerly Zeitgeist) put out this debut album which I discovered a few years later right after they'd disbanded. It is hard to categorize this extremely literary, impressionistic cowboy jangle pop; so why try? I love this album. I love Kim and John's voices and the woe-woes and boh-da...""The Reivers (Formerly Zeitgeist) put out this debut album which I discovered a few years later right after they'd disbanded. It is hard to categorize this extremely literary, impressionistic cowboy jangle pop; so why try? I love this album. I love Kim and John's voices and the woe-woes and boh-dah-bohs. John's writing painted incredible pictures without specificity. They are lyrics to be studied or to float in the background. They are real poetry."  [+]  Reply

- jlinville | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

9 charts

Rank Score:

165

Rank in 1985:

97

Rank in 1980s:

1,094

Overall Rank:

7,683

Average Rating:

 74 (12 votes)

Comments:

1

7684.

Cascade 

 Floating Points

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"Enjoyed this one. Good variety, but not stretching too far beyond their sweet spot."  Reply

- jnmayles | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

48 charts

Rank Score:

165

Rank in 2024:

85

Rank in 2020s:

600

Overall Rank:

7,684

Average Rating:

 73 (43 votes)

Comments:

1

7685.

Thank You For Today 

 Death Cab For Cutie

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"Thank You For Today represents, what should be, a breath of fresh air for Death Cab - two new members in the fold. And if it's anything Death Cab needs at this moment in their career is some new wind. Though the loss of Chris Walla is often seen as a detriment to the band's future, it seemed that...""Thank You For Today represents, what should be, a breath of fresh air for Death Cab - two new members in the fold. And if it's anything Death Cab needs at this moment in their career is some new wind. Though the loss of Chris Walla is often seen as a detriment to the band's future, it seemed that the band was already on, what most would consider, a downwards trend with albums such as 'Codes and Keys' and 'Kintsugi'. Walla's departure is felt in the band's production following Kintsugi. I personally enjoyed the production of Kintsugi, I won't deny that it is overproduced at times, but I felt it fit for the more electronic sound DCFC was experimenting with. However, Thank You For Today takes Kintsugi's sanitized production and ups it to eleven. On some tracks, Gibbard's vocals are filtered through strange effects and he just seems alien at times. And while that could certainly fit, it never does. And for such an album that seems more nostalgic in lyrical content - the in-personal production on Gibbard's voice does not benefit. 'I Dreamt We Spoke' is an unusual introduction to the album. I felt that it should've been a second track - the despondent chords the resolution to something prior. But there is nothing prior - this is the introduction to the album: strange given the otherwise cohesive mood that the album creates through its 38 minute run. The track is okay; it runs out of ideas by the end of the first chorus however and you can't help but feel there should be something greater on the horizon - as if the filter on Ben's vocals should disappear but nothing quite resolves. Thank You For Today represents a softer turn for DCFC. It is a mesh of the pop sounds of Codes and Keys and the clean production of Kintsugi. And its softer side is where it shines. Tracks like 'When We Drive', 'You Moved Away' and '60 and Punk', tracks where the guitars don't control the primary melodies, are perhaps the best on the album. 'When We Drive' has clean, spacey synthesizer chords and some nostalgic lyrics from Gibbard - it is a pretty, atmospheric pop cut. '60 and Punk' has a odd flanger piano melody with Gibbard recalling a fallen hero, a beautiful closer to the album. 'You Moved Away' has a interesting warped synth melody panning throughout, and the additional acoustic guitars that pop up later through the song are a nice touch. However, the song is hindered by a rather weak chorus. When DCFC decides to go back to its rockier roots, they falter. 'Summer Years' sounds like a song made by fans of the band rather than the real deal: it's fine, the melodies are fine - the track is fine, but just fine. 'Summer Years' just seems to be on the tracklist for people to recall the days of old DCFC (but with less interesting guitar melodies). 'Your Hurricane' sounds like Title Track but, simply put, not as good. A 30 second teaser was released near the announcement of the album, aiding my personal theory that these tracks were included merely to appease old school DCFC fans. Tracks such as 'Gold Rush' and 'Autumn Love' are somewhat forgettable and represent a shift into poppier territory. However, they are far from the most egregious attempts on Thank You For Today at crafting a generic pop song - that award goes to 'Near/Far'. The track in question sounds like a Mylo Xyloto era Coldplay track with its danceable guitar melody and Gibbard's faded vocal production. Yet, in spite of its energy, the track is simply boring. The poppier tracks on this album aren't terrible, they're simply too devoid of captivating melodies for pop fans and a far cry from the standard of writing that DCFC were once used to (debatably a decade ago, but still). The track 'Northern Lights', personally, reminds me of X&Y era Coldplay. It's also boring. There really isn't much to say about a lot of tracks on the album in all honesty: pretty guitar melodies that go nowhere, and you want the track to be over at the 2:40 mark and the song goes on for another minute. This is Death Cab's worst album. At times, it barely feels like a DCFC album. Tracks such as 'Near/Far' and 'Gold Rush' are so devoid of what made Death Cab, well, Death Cab and the good tracks are few and far between. Maybe the album will grow on me, but right now I'd give it somewhere around a 4 to a 5. "  [+]  Reply

- DankMcMemester | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

69 charts

Rank Score:

165

Rank in 2018:

134

Rank in 2010s:

1,471

Overall Rank:

7,685

Average Rating:

 73 (87 votes)

Comments:

12

7686.

The Walking 

 Jane Siberry

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"Although Jane Siberry (now Issa) has faded from my playlist, she had a great impact on me in the 1980's. Although No Borders and The Speckless Sky were heavily produced, there was still so much melody, lyrical content, and Jane's marvelous voice shining through. The Walking had some great materia...""Although Jane Siberry (now Issa) has faded from my playlist, she had a great impact on me in the 1980's. Although No Borders and The Speckless Sky were heavily produced, there was still so much melody, lyrical content, and Jane's marvelous voice shining through. The Walking had some great material, too. I had the great fortune to see JS perform at the old 9:30 Club in Washington, DC during the tour for The Walking. I can honestly say that it was the best show I've ever seen. It was one of those rare marriages between excellent material, a tight band, a GOOD sound system not over-amped, (don't get me started about crappy sound and deaf sound technicians!)great musicians, and harmony vocalists who augmented JS's magnificent voice. What a night!"  [+]  Reply

- radiofreespike | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

33 charts

Rank Score:

165

Rank in 1987:

94

Rank in 1980s:

1,095

Overall Rank:

7,686

Average Rating:

 73 (43 votes)

Comments:

3

7687.

Gluey Porch Treatments 

 Melvins

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Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

1987

Appears in:

41 charts

Rank Score:

165

Rank in 1987:

95

Rank in 1980s:

1,096

Overall Rank:

7,687

Average Rating:

 74 (56 votes)

Comments:

0

7688.

Eternal Atake 

 Lil Uzi Vert

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"It's fine but it's all the same. It's fun to listen to but there's little substance and nothing special."  Reply

- mdbaxter | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

71 charts

Rank Score:

165

Rank in 2020:

122

Rank in 2020s:

601

Overall Rank:

7,688

Average Rating:

 63 (97 votes)

Comments:

7

7689.

Shotter's Nation 

 Babyshambles

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"A really underrated album. Every track showcases Pete's brilliant songwriting."  Reply

- clarkejames94 | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2007

Appears in:

50 charts

Rank Score:

165

Rank in 2007:

129

Rank in 2000s:

1,331

Overall Rank:

7,689

Average Rating:

 70 (49 votes)

Comments:

1

7690.

A U R O R A 

 Ben Frost

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"Super sonic sounds delivered perfectly in a noisy, industrial and aggressive outfit from the Iceland-based Australian musician Ben Frost. The sweaty club-version of Tim Hecker's Virgins from last year. Whereas Tim Hecker's album was the lucid mist before the storm, this is the roaring storm. Lovi...""Super sonic sounds delivered perfectly in a noisy, industrial and aggressive outfit from the Iceland-based Australian musician Ben Frost. The sweaty club-version of Tim Hecker's Virgins from last year. Whereas Tim Hecker's album was the lucid mist before the storm, this is the roaring storm. Loving this."  [+]  Reply

- | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

65 charts

Rank Score:

165

Rank in 2014:

146

Rank in 2010s:

1,472

Overall Rank:

7,690

Average Rating:

 71 (84 votes)

Comments:

4

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Total albums: 10,000. Page 769 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,416	14%
1990s	1,600	16%
2000s	1,723	17%
2010s	1,968	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,997	50%
	2,658	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%