Portrait With Firewood (studio album) by Djrum
Djrum bestography
Portrait With Firewood is ranked as the best album by Djrum.
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Portrait With Firewood track list
The tracks on this album have an average rating of 77 out of 100 (all tracks have been rated).
Portrait With Firewood rankings
All 13 charts that this album appears in:
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Portrait With Firewood collection
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Portrait With Firewood ratings

where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this album. | Show all 12 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
75/100 ![]() | 12/08/2024 13:21 | LosWochos | ![]() | 75/100 |
75/100 ![]() | 12/05/2024 08:14 | ![]() | ![]() | 79/100 |
80/100 ![]() | 12/01/2024 16:01 | ![]() | ![]() | 79/100 |
80/100 ![]() | 07/16/2024 23:11 | PapaShiz86 | ![]() | 79/100 |
75/100 ![]() | 08/18/2023 00:12 | ![]() | ![]() | 73/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 72.9/100, a mean average of 73.3/100, and a trimmed mean (excluding outliers) of 73.3/100. The standard deviation for this album is 15.6.
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Portrait With Firewood comments
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The work of Marina Abramović has been acknowledged as a big source of inspiration for this album, and if there is one identifiably Abramovićian attribute in it, it’s the need to “be in the moment”. One second there’s a weeping duet between cello and piano, the next it’s all drum’n’bass rhythms and highly processed vocals, but all of it feels like it belongs on the same island.
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