Love (studio album) by Love
Love bestography
Love is ranked 3rd best out of 18 albums by Love on BestEverAlbums.com.
The best album by Love is Forever Changes which is ranked number 76 in the list of all-time albums with a total rank score of 16,771.
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Love track list
The tracks on this album have an average rating of 78 out of 100 (all tracks have been rated).
Love rankings
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Love collection
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Love ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 5 ratings for this album. | Show all 162 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
3 days ago | juanr1096 | 5,506 | 78/100 | |
08/31/2024 21:20 | baystateoftheart | 2,212 | 72/100 | |
07/26/2024 11:13 | MetalMan67 | 5,312 | 71/100 | |
07/11/2024 15:03 | Boltzmann | 1,715 | 68/100 | |
03/26/2024 03:09 | kjistok | 855 | 81/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 5% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.1/100, a mean average of 75.8/100, and a trimmed mean (excluding outliers) of 76.3/100. The standard deviation for this album is 11.4.
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Love comments
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An overlooked Love album, overshadowed by the two more psychedelic offerings. This album has plenty of psychedelic tinges, more of a garage rock style. For those who thought Hendrix wrote 'Hey Joe', here it is on Love's debut. Signed DC and Mushroom Clouds are anthems to mind expanding drugs for sure.
This is a more of a garage rock album, with less in common with the following "Da Capo" and "Forever Changes".
A prime example of garage rock. Jimi Hendrix surely was a fan of his vocal style, and no, 'Hey Joe' is not an example of that, merely evidence that he listened to this album. I prefer the next two albums for adding some interesting instrementation and structural complexity on which the simplicity of Lee's songwriting really reaches its full potential.
Good album, although a little uneven, and certainly the best is yet to come. Still, interesting to see the start of the journey that Arthur Lee and co took to eventually get to, forever changes.
Great debut.
Love first album from 1966 has often been overlooked because of the extraordinary greatness of the two following albums "Da Capo" and "Forever Changes". The general sound on the album is rougher than on the following albums. But the album is actually a fine mixture of hard-rocking tunes and melodic ballads.
"My Little Red Book" , which was a minor hit-single, is probably the best known track and also one of the highlights. Among the ballads Arthur Lee's "A Message to Pretty" is outstanding and Bryan MacLean's "Softly to Me" indicates what great tunes would come from him later. "Mushroom Clouds" is also a fine tune.
Among the harder rocking tracks "No Matter What You Do", in spite of its rough production, is both cathcy and moving. The acoustic early version of "Signed DC" is simply moving.
The B-side bonus track "Number 14" is a nice addition to the album, and the alternate version of "Signed DC" is great!
Though the album is not as consistent as the following albums, tracks like "My Little Red Book", "A Message to Pretty" and "No Matter What You Do" would have fitted nicely into the "Da Capo" album. A great album that deserves recognition as one of the best albums of 1966, alongside their inspirators' ( the Byrds ) album "Fifth Dimension". Especially the bass-lines are often reminiscent of the early Byrds sound.
Great debut album from the band. I like the way they used the same photo shoot for both this album and Da Capo.
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